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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A4752 it is the complementary color #75B8AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A4752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8A4752: #8F474D, #A05960, #B16B73, #C27D86 and #D38F99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A4752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8A4752: #8A4752, #79353F, #68232C, #571119 and #460006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 41 / 46

HEX #8A4752

RGB 138 71 82

HSL 350.15, 0.32%, 0.41%

LAB 38.76, 29.64, 6.45

 

Complementary color

CMYK 36 / 0 / 6 / 28

HEX #75B8AD

RGB 117 184 173

HSL 170.15, 0.32%, 0.59%

LAB 70.23, -23.78, -1.15

 

CMYK 0 / 50 / 46 / 44

HEX #8F474D

RGB 143 71 77

HSL 355, 0.34%, 0.42%

LAB 39.38, 31.01, 10.56

 

CMYK 0 / 44 / 40 / 37

HEX #A05960

RGB 160 89 96

HSL 354.08, 0.29%, 0.49%

LAB 46.26, 29.92, 8.9

 

CMYK 0 / 40 / 35 / 31

HEX #B16B73

RGB 177 107 115

HSL 353.14, 0.31%, 0.56%

LAB 53.06, 28.91, 7.51

 

CMYK 0 / 36 / 31 / 24

HEX #C27D86

RGB 194 125 134

HSL 352.17, 0.36%, 0.63%

LAB 59.76, 27.98, 6.31

 

CMYK 0 / 32 / 27 / 17

HEX #D38F99

RGB 211 143 153

HSL 351.18, 0.44%, 0.69%

LAB 66.36, 27.14, 5.25

 

CMYK 0 / 49 / 41 / 46

HEX #8A4752

RGB 138 71 82

HSL 350.15, 0.32%, 0.41%

LAB 38.76, 29.64, 6.45

 

CMYK 0 / 56 / 48 / 53

HEX #79353F

RGB 121 53 63

HSL 351.18, 0.39%, 0.34%

LAB 31.74, 30.71, 8.3

 

CMYK 0 / 66 / 58 / 59

HEX #68232C

RGB 104 35 44

HSL 352.17, 0.5%, 0.27%

LAB 24.72, 31.67, 10.75

 

CMYK 0 / 80 / 71 / 66

HEX #571119

RGB 87 17 25

HSL 353.14, 0.67%, 0.2%

LAB 17.91, 32.1, 14.27

 

CMYK 0 / 100 / 91 / 73

HEX #460006

RGB 70 0 6

HSL 354.86, 1%, 0.14%

LAB 11.38, 31.83, 15.46

 

CMYK 0 / 49 / 41 / 46

HEX #8A4752

RGB 138 71 82

HSL 350.15, 0.32%, 0.41%

LAB 38.76, 29.64, 6.45

 

CMYK 0 / 49 / 49 / 46

HEX #8A4747

RGB 138 71 71

HSL 0, 0.32%, 0.41%

LAB 38.49, 28.38, 12.96

 

CMYK 0 / 41 / 49 / 46

HEX #8A5247

RGB 138 82 71

HSL 9.85, 0.32%, 0.41%

LAB 41.05, 22.11, 16.42

 

CMYK 0 / 33 / 49 / 46

HEX #8A5D47

RGB 138 93 71

HSL 19.7, 0.32%, 0.41%

LAB 43.78, 15.69, 20.06

 

CMYK 0 / 25 / 49 / 46

HEX #8A6847

RGB 138 104 71

HSL 29.55, 0.32%, 0.41%

LAB 46.66, 9.24, 23.81

 

CMYK 0 / 49 / 41 / 46

HEX #8A4752

RGB 138 71 82

HSL 350.15, 0.32%, 0.41%

LAB 38.76, 29.64, 6.45

 

CMYK 0 / 49 / 41 / 26

HEX #BD6170

RGB 189 97 112

HSL 350.22, 0.41%, 0.56%

LAB 52.44, 38.43, 8.63

 

CMYK 0 / 49 / 40 / 6

HEX #F07B8F

RGB 240 123 143

HSL 349.74, 0.8%, 0.71%

LAB 65.49, 46.84, 10.15

 

CMYK 0 / 47 / 42 / 86

HEX #241315

RGB 36 19 21

HSL 352.94, 0.31%, 0.11%

LAB 8.08, 9.14, 2.15

 

CMYK 0 / 48 / 40 / 66

HEX #572D34

RGB 87 45 52

HSL 350, 0.32%, 0.26%

LAB 24.16, 20.14, 4.12

 

CMYK 0 / 49 / 41 / 46

HEX #8A4752

RGB 138 71 82

HSL 350.15, 0.32%, 0.41%

LAB 38.76, 29.64, 6.45

 

CMYK 2 / 0 / 49 / 46

HEX #878A47

RGB 135 138 71

HSL 62.69, 0.32%, 0.41%

LAB 55.87, -11.31, 35.25

 

CMYK 49 / 21 / 0 / 46

HEX #476D8A

RGB 71 109 138

HSL 205.97, 0.32%, 0.41%

LAB 44.39, -5, -20.12

 

CMYK 0 / 49 / 41 / 46

HEX #8A4752

RGB 138 71 82

HSL 350.15, 0.32%, 0.41%

LAB 38.76, 29.64, 6.45

 

CMYK 41 / 0 / 49 / 46

HEX #528A47

RGB 82 138 71

HSL 110.15, 0.32%, 0.41%

LAB 52.32, -32.27, 30.08

 

CMYK 49 / 41 / 0 / 46

HEX #47528A

RGB 71 82 138

HSL 230.15, 0.32%, 0.41%

LAB 36.38, 11.84, -32.61

 

CMYK 0 / 49 / 41 / 46

HEX #8A4752

RGB 138 71 82

HSL 350.15, 0.32%, 0.41%

LAB 38.76, 29.64, 6.45

 

CMYK 2 / 0 / 49 / 46

HEX #878A47

RGB 135 138 71

HSL 62.69, 0.32%, 0.41%

LAB 55.87, -11.31, 35.25

 

CMYK 49 / 0 / 9 / 46

HEX #478A7E

RGB 71 138 126

HSL 169.25, 0.32%, 0.41%

LAB 52.97, -24.41, -0.16

 

CMYK 47 / 49 / 0 / 46

HEX #49478A

RGB 73 71 138

HSL 241.79, 0.32%, 0.41%

LAB 33.47, 19.51, -37.23

 

CMYK 0 / 49 / 41 / 46

HEX #8A4752

RGB 138 71 82

HSL 350.15, 0.32%, 0.41%

LAB 38.76, 29.64, 6.45

 

CMYK 17 / 0 / 49 / 46

HEX #738A47

RGB 115 138 71

HSL 80.6, 0.32%, 0.41%

LAB 54.32, -19.76, 33.01

 

CMYK 49 / 0 / 9 / 46

HEX #478A7E

RGB 71 138 126

HSL 169.25, 0.32%, 0.41%

LAB 52.97, -24.41, -0.16

 

CMYK 33 / 49 / 0 / 46

HEX #5D478A

RGB 93 71 138

HSL 259.7, 0.32%, 0.41%

LAB 35.34, 24.97, -34.15

 

Description

Color code: HEX #8A4752 | qconv.com Color code: HEX #8A4752 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 71 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 71 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 41 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 41% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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