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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A15C5 it is the complementary color #75EA3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A15C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8A15C5: #8F15C0, #A027D3, #B139E6, #C24BF9 and #D35DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A15C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8A15C5: #8A15C5, #7903B2, #68009F, #57008C and #460079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

Complementary color

CMYK 50 / 0 / 75 / 8

HEX #75EA3A

RGB 117 234 58

HSL 99.89, 0.81%, 0.57%

LAB 83.41, -61.69, 70.03

 

CMYK 26 / 89 / 0 / 25

HEX #8F15C0

RGB 143 21 192

HSL 282.81, 0.8%, 0.42%

LAB 38.17, 69.32, -61.65

 

CMYK 24 / 82 / 0 / 17

HEX #A027D3

RGB 160 39 211

HSL 282.21, 0.69%, 0.49%

LAB 43.69, 71.3, -63.59

 

CMYK 23 / 75 / 0 / 10

HEX #B139E6

RGB 177 57 230

HSL 281.62, 0.78%, 0.56%

LAB 49.48, 72.27, -64.94

 

CMYK 22 / 70 / 0 / 2

HEX #C24BF9

RGB 194 75 249

HSL 281.03, 0.94%, 0.64%

LAB 55.42, 72.57, -65.88

 

CMYK 17 / 64 / 0 / 0

HEX #D35DFF

RGB 211 93 255

HSL 283.7, 1%, 0.68%

LAB 60.69, 69.88, -60.62

 

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

CMYK 32 / 98 / 0 / 30

HEX #7903B2

RGB 121 3 178

HSL 280.46, 0.97%, 0.35%

LAB 32.58, 66.42, -62.63

 

CMYK 35 / 100 / 0 / 38

HEX #68009F

RGB 104 0 159

HSL 279.25, 1%, 0.31%

LAB 27.97, 61.08, -58.83

 

CMYK 38 / 100 / 0 / 45

HEX #57008C

RGB 87 0 140

HSL 277.29, 1%, 0.27%

LAB 23.4, 55.18, -54.71

 

CMYK 42 / 100 / 0 / 53

HEX #460079

RGB 70 0 121

HSL 274.71, 1%, 0.24%

LAB 18.72, 49.15, -50.49

 

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

CMYK 17 / 90 / 0 / 22

HEX #A514C6

RGB 165 20 198

HSL 288.88, 0.82%, 0.43%

LAB 42.12, 73.9, -58.58

 

CMYK 2 / 90 / 0 / 22

HEX #C314C6

RGB 195 20 198

HSL 298.99, 0.82%, 0.43%

LAB 47.21, 78.79, -50.12

 

CMYK 0 / 90 / 14 / 22

HEX #C614AB

RGB 198 20 171

HSL 309.1, 0.82%, 0.43%

LAB 46.24, 75.49, -35.79

 

CMYK 0 / 90 / 28 / 22

HEX #C6148E

RGB 198 20 142

HSL 318.88, 0.82%, 0.43%

LAB 44.88, 71.92, -20.5

 

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

CMYK 30 / 90 / 0 / 3

HEX #AE1AF8

RGB 174 26 248

HSL 280, 0.94%, 0.54%

LAB 47.64, 83.27, -78.08

 

CMYK 30 / 89 / 0 / 83

HEX #1F052C

RGB 31 5 44

HSL 280, 0.8%, 0.1%

LAB 5.25, 20.58, -19.73

 

CMYK 29 / 89 / 0 / 63

HEX #430A5F

RGB 67 10 95

HSL 280.24, 0.81%, 0.21%

LAB 16.68, 39.86, -36.86

 

CMYK 30 / 89 / 0 / 43

HEX #661092

RGB 102 16 146

HSL 279.69, 0.8%, 0.32%

LAB 27.49, 55.11, -51.65

 

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

CMYK 0 / 90 / 76 / 22

HEX #C6142F

RGB 198 20 47

HSL 350.9, 0.82%, 0.43%

LAB 42.33, 64.86, 34.77

 

CMYK 90 / 0 / 67 / 22

HEX #14C641

RGB 20 198 65

HSL 135.17, 0.82%, 0.43%

LAB 70.12, -66.85, 53.21

 

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

CMYK 0 / 31 / 90 / 22

HEX #C68814

RGB 198 136 20

HSL 39.1, 0.82%, 0.43%

LAB 61.36, 15.16, 63.28

 

CMYK 90 / 0 / 31 / 22

HEX #14C688

RGB 20 198 136

HSL 159.1, 0.82%, 0.43%

LAB 71.09, -55.33, 19.8

 

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

CMYK 0 / 90 / 76 / 22

HEX #C6142F

RGB 198 20 47

HSL 350.9, 0.82%, 0.43%

LAB 42.33, 64.86, 34.77

 

CMYK 58 / 0 / 90 / 22

HEX #53C614

RGB 83 198 20

HSL 98.76, 0.82%, 0.43%

LAB 71.06, -59.73, 67.89

 

CMYK 90 / 0 / 14 / 22

HEX #14C6AB

RGB 20 198 171

HSL 170.9, 0.82%, 0.43%

LAB 71.88, -46.75, 2.04

 

CMYK 30 / 89 / 0 / 23

HEX #8A15C5

RGB 138 21 197

HSL 279.89, 0.81%, 0.43%

LAB 37.79, 69.59, -65.23

 

CMYK 0 / 76 / 90 / 22

HEX #C62F14

RGB 198 47 20

HSL 9.1, 0.82%, 0.43%

LAB 44.36, 57.74, 50.49

 

CMYK 58 / 0 / 90 / 22

HEX #53C614

RGB 83 198 20

HSL 98.76, 0.82%, 0.43%

LAB 71.06, -59.73, 67.89

 

CMYK 90 / 14 / 0 / 22

HEX #14ABC6

RGB 20 171 198

HSL 189.1, 0.82%, 0.43%

LAB 64.44, -26.2, -23.93

 

Description

Color code: HEX #8A15C5 | qconv.com Color code: HEX #8A15C5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 21 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 21 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 89 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 89% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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