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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D55A it is the complementary color #762AA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D55A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D55A shade: #8ED555, #9FE768, #B0F97B, #C1FF8E and #D2FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D55A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D55A shade: #89D55A, #78C347, #67B134, #569F21 and #458D0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D55A shade: #88D459, #A9D459, #CAD459, #D4BD59 and #D49B59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D55A shade: #88D459, #67D459, #59D46C, #59D48D and #59D4AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D55A shade matches the following richer shades: #88D459, #84E548 and #80F637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D55A shade: #88D459, #8CC36A, #90B27B, #94A18C and #98909C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D55A shade: #CAD459, #A9D459, #88D459, #67D459 and #59D46B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D55A shade: #5EAE2D, #70CC38, #88D459, #9FDD7A and #B7E59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D55A shade: #89D55A, #59D4BE and #D459B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D55A shade: #89D55A, #5988D4 and #D45988

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D55A shade: #89D55A, #59D4BE, #A559D4 and #D4596F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D55A shade: #89D55A, #59C6D4, #A559D4 and #D46759

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 58 / 16

HEX #89D55A

RGB 137 213 90

HSL 97.07, 0.59%, 0.59%

LAB 78.25, -44.65, 52.47

 

Complementary color

CMYK 28 / 75 / 0 / 35

HEX #762AA5

RGB 118 42 165

HSL 277.07, 0.59%, 0.41%

LAB 34.45, 53.31, -51.82

 

CMYK 33 / 0 / 60 / 16

HEX #8ED555

RGB 142 213 85

HSL 93.28, 0.6%, 0.58%

LAB 78.46, -43.42, 54.98

 

CMYK 31 / 0 / 55 / 9

HEX #9FE768

RGB 159 231 104

HSL 94.02, 0.73%, 0.66%

LAB 84.75, -43.51, 53.99

 

CMYK 29 / 0 / 51 / 2

HEX #B0F97B

RGB 176 249 123

HSL 94.76, 0.91%, 0.73%

LAB 90.97, -43.51, 52.92

 

CMYK 24 / 0 / 44 / 0

HEX #C1FF8E

RGB 193 255 142

HSL 92.92, 1%, 0.78%

LAB 93.8, -38.18, 47.69

 

CMYK 18 / 0 / 37 / 0

HEX #D2FFA1

RGB 210 255 161

HSL 88.72, 1%, 0.82%

LAB 95.07, -29.89, 40.31

 

CMYK 36 / 0 / 58 / 16

HEX #89D55A

RGB 137 213 90

HSL 97.07, 0.59%, 0.59%

LAB 78.25, -44.65, 52.47

 

CMYK 38 / 0 / 64 / 24

HEX #78C347

RGB 120 195 71

HSL 96.29, 0.51%, 0.52%

LAB 71.88, -44.52, 53.4

 

CMYK 42 / 0 / 71 / 31

HEX #67B134

RGB 103 177 52

HSL 95.52, 0.55%, 0.45%

LAB 65.42, -44.24, 54.01

 

CMYK 46 / 0 / 79 / 38

HEX #569F21

RGB 86 159 33

HSL 94.76, 0.66%, 0.38%

LAB 58.87, -43.72, 54.01

 

CMYK 51 / 0 / 90 / 45

HEX #458D0E

RGB 69 141 14

HSL 94.02, 0.82%, 0.3%

LAB 52.23, -42.84, 52.81

 

CMYK 36 / 0 / 58 / 17

HEX #88D459

RGB 136 212 89

HSL 97.07, 0.59%, 0.59%

LAB 77.9, -44.66, 52.5

 

CMYK 20 / 0 / 58 / 17

HEX #A9D459

RGB 169 212 89

HSL 80.98, 0.59%, 0.59%

LAB 79.75, -32.77, 55.1

 

CMYK 5 / 0 / 58 / 17

HEX #CAD459

RGB 202 212 89

HSL 64.88, 0.59%, 0.59%

LAB 82.04, -19.74, 58.29

 

CMYK 0 / 11 / 58 / 17

HEX #D4BD59

RGB 212 189 89

HSL 48.78, 0.59%, 0.59%

LAB 76.75, -3.96, 52.57

 

CMYK 0 / 27 / 58 / 17

HEX #D49B59

RGB 212 155 89

HSL 32.2, 0.59%, 0.59%

LAB 68.14, 14.12, 42.53

 

CMYK 36 / 0 / 58 / 17

HEX #88D459

RGB 136 212 89

HSL 97.07, 0.59%, 0.59%

LAB 77.9, -44.66, 52.5

 

CMYK 51 / 0 / 58 / 17

HEX #67D459

RGB 103 212 89

HSL 113.17, 0.59%, 0.59%

LAB 76.49, -54.72, 50.51

 

CMYK 58 / 0 / 49 / 17

HEX #59D46C

RGB 89 212 108

HSL 129.27, 0.59%, 0.59%

LAB 76.25, -55.8, 41.17

 

CMYK 58 / 0 / 33 / 17

HEX #59D48D

RGB 89 212 141

HSL 145.37, 0.59%, 0.59%

LAB 76.76, -50.29, 25.1

 

CMYK 58 / 0 / 17 / 17

HEX #59D4AF

RGB 89 212 175

HSL 161.95, 0.59%, 0.59%

LAB 77.46, -43.11, 8.1

 

CMYK 36 / 0 / 58 / 17

HEX #88D459

RGB 136 212 89

HSL 97.07, 0.59%, 0.59%

LAB 77.9, -44.66, 52.5

 

CMYK 42 / 0 / 69 / 10

HEX #84E548

RGB 132 229 72

HSL 97.07, 0.75%, 0.59%

LAB 82.6, -54.39, 64.58

 

CMYK 48 / 0 / 78 / 4

HEX #80F637

RGB 128 246 55

HSL 97.07, 0.91%, 0.59%

LAB 87.38, -63.1, 74.87

 

CMYK 36 / 0 / 58 / 17

HEX #88D459

RGB 136 212 89

HSL 97.07, 0.59%, 0.59%

LAB 77.9, -44.66, 52.5

 

CMYK 28 / 0 / 46 / 24

HEX #8CC36A

RGB 140 195 106

HSL 97.08, 0.43%, 0.59%

LAB 73.32, -33.8, 38.97

 

CMYK 19 / 0 / 31 / 30

HEX #90B27B

RGB 144 178 123

HSL 97.09, 0.26%, 0.59%

LAB 68.9, -21.77, 24.44

 

CMYK 8 / 0 / 13 / 37

HEX #94A18C

RGB 148 161 140

HSL 97.14, 0.1%, 0.59%

LAB 64.71, -8.61, 9.38

 

CMYK 3 / 8 / 0 / 39

HEX #98909C

RGB 152 144 156

HSL 280, 0.06%, 0.59%

LAB 60.8, 5.27, -5.28

 

CMYK 5 / 0 / 58 / 17

HEX #CAD459

RGB 202 212 89

HSL 64.88, 0.59%, 0.59%

LAB 82.04, -19.74, 58.29

 

CMYK 20 / 0 / 58 / 17

HEX #A9D459

RGB 169 212 89

HSL 80.98, 0.59%, 0.59%

LAB 79.75, -32.77, 55.1

 

CMYK 36 / 0 / 58 / 17

HEX #88D459

RGB 136 212 89

HSL 97.07, 0.59%, 0.59%

LAB 77.9, -44.66, 52.5

 

CMYK 51 / 0 / 58 / 17

HEX #67D459

RGB 103 212 89

HSL 113.17, 0.59%, 0.59%

LAB 76.49, -54.72, 50.51

 

CMYK 58 / 0 / 50 / 17

HEX #59D46B

RGB 89 212 107

HSL 128.78, 0.59%, 0.59%

LAB 76.24, -55.94, 41.64

 

CMYK 46 / 0 / 74 / 32

HEX #5EAE2D

RGB 94 174 45

HSL 97.21, 0.59%, 0.43%

LAB 64.03, -46.46, 55.08

 

CMYK 45 / 0 / 73 / 20

HEX #70CC38

RGB 112 204 56

HSL 97.3, 0.59%, 0.51%

LAB 74.14, -51.95, 61.5

 

CMYK 36 / 0 / 58 / 17

HEX #88D459

RGB 136 212 89

HSL 97.07, 0.59%, 0.59%

LAB 77.9, -44.66, 52.5

 

CMYK 28 / 0 / 45 / 13

HEX #9FDD7A

RGB 159 221 122

HSL 97.58, 0.59%, 0.67%

LAB 82.1, -37.05, 42.28

 

CMYK 20 / 0 / 33 / 10

HEX #B7E59A

RGB 183 229 154

HSL 96.8, 0.59%, 0.75%

LAB 86.23, -28.1, 31.86

 

CMYK 36 / 0 / 58 / 16

HEX #89D55A

RGB 137 213 90

HSL 97.07, 0.59%, 0.59%

LAB 78.25, -44.65, 52.47

 

CMYK 58 / 0 / 10 / 17

HEX #59D4BE

RGB 89 212 190

HSL 169.27, 0.59%, 0.59%

LAB 77.83, -39.51, 0.61

 

CMYK 0 / 58 / 13 / 17

HEX #D459B9

RGB 212 89 185

HSL 313.17, 0.59%, 0.59%

LAB 56.73, 59.59, -27.43

 

CMYK 36 / 0 / 58 / 16

HEX #89D55A

RGB 137 213 90

HSL 97.07, 0.59%, 0.59%

LAB 78.25, -44.65, 52.47

 

CMYK 58 / 36 / 0 / 17

HEX #5988D4

RGB 89 136 212

HSL 217.07, 0.59%, 0.59%

LAB 56.57, 6.73, -43.89

 

CMYK 0 / 58 / 36 / 17

HEX #D45988

RGB 212 89 136

HSL 337.07, 0.59%, 0.59%

LAB 54.99, 52.97, -1.47

 

CMYK 36 / 0 / 58 / 16

HEX #89D55A

RGB 137 213 90

HSL 97.07, 0.59%, 0.59%

LAB 78.25, -44.65, 52.47

 

CMYK 58 / 0 / 10 / 17

HEX #59D4BE

RGB 89 212 190

HSL 169.27, 0.59%, 0.59%

LAB 77.83, -39.51, 0.61

 

CMYK 22 / 58 / 0 / 17

HEX #A559D4

RGB 165 89 212

HSL 277.07, 0.59%, 0.59%

LAB 51.72, 52.17, -51.2

 

CMYK 0 / 58 / 48 / 17

HEX #D4596F

RGB 212 89 111

HSL 349.27, 0.59%, 0.59%

LAB 54.33, 50.36, 12.38

 

CMYK 36 / 0 / 58 / 16

HEX #89D55A

RGB 137 213 90

HSL 97.07, 0.59%, 0.59%

LAB 78.25, -44.65, 52.47

 

CMYK 58 / 7 / 0 / 17

HEX #59C6D4

RGB 89 198 212

HSL 186.83, 0.59%, 0.59%

LAB 74.36, -27.06, -16.41

 

CMYK 22 / 58 / 0 / 17

HEX #A559D4

RGB 165 89 212

HSL 277.07, 0.59%, 0.59%

LAB 51.72, 52.17, -51.2

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

Description

Color code: HEX #89D55A | qconv.com Color code: HEX #89D55A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 213 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 213 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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