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Color name
RGB 212 103 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 103 89 it is the complementary color RGB 43 152 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 103 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 103 89 shade: RGB 217 103 84, RGB 234 121 103, RGB 251 139 122, RGB 255 157 141 and RGB 255 175 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 103 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 103 89 shade: RGB 212 103 89, RGB 195 85 70, RGB 178 67 51, RGB 161 49 32 and RGB 144 31 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 103 89 shade: RGB 212 103 89 and RGB 212 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 103 89 shade: RGB 212 103 89, RGB 212 136 89, RGB 212 169 89, RGB 212 203 89 and RGB 188 212 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 103 89 shade matches the following richer shades: RGB 212 103 89, RGB 229 90 72 and RGB 246 77 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 103 89 shade: RGB 212 103 89, RGB 195 116 106, RGB 178 129 123, RGB 161 142 140 and RGB 144 155 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 103 89 shade: RGB 212 89 142, RGB 212 89 109, RGB 212 101 89, RGB 212 134 89 and RGB 212 167 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 103 89 shade: RGB 174 59 45, RGB 204 73 56, RGB 212 103 89, RGB 221 133 122 and RGB 229 163 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 103 89 shade: RGB 212 103 89, RGB 175 212 89 and RGB 89 126 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 103 89 shade: RGB 212 103 89, RGB 89 212 101 and RGB 101 89 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 103 89 shade: RGB 212 103 89, RGB 175 212 89, RGB 89 200 212 and RGB 126 89 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 103 89 shade: RGB 212 103 89, RGB 138 212 89, RGB 89 200 212 and RGB 163 89 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

Complementary color

CMYK 74 / 8 / 0 / 35

HEX #2B98A6

RGB 43 152 166

HSL 186.83, 0.59%, 0.41%

LAB 57.77, -25.09, -16.09

 

CMYK 0 / 53 / 61 / 15

HEX #D96754

RGB 217 103 84

HSL 8.57, 0.64%, 0.59%

LAB 57.17, 43.24, 31.93

 

CMYK 0 / 48 / 56 / 8

HEX #EA7967

RGB 234 121 103

HSL 8.24, 0.76%, 0.66%

LAB 63.46, 41.97, 29.82

 

CMYK 0 / 45 / 51 / 2

HEX #FB8B7A

RGB 251 139 122

HSL 7.91, 0.94%, 0.73%

LAB 69.74, 40.76, 27.96

 

CMYK 0 / 38 / 45 / 0

HEX #FF9D8D

RGB 255 157 141

HSL 8.42, 1%, 0.78%

LAB 74.38, 34.79, 23.88

 

CMYK 0 / 31 / 37 / 0

HEX #FFAFA0

RGB 255 175 160

HSL 9.47, 1%, 0.81%

LAB 78.73, 27.44, 19.55

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 0 / 56 / 64 / 24

HEX #C35546

RGB 195 85 70

HSL 7.2, 0.51%, 0.52%

LAB 50.15, 43, 30.43

 

CMYK 0 / 62 / 71 / 30

HEX #B24333

RGB 178 67 51

HSL 7.56, 0.55%, 0.45%

LAB 43.83, 44.23, 33.12

 

CMYK 0 / 70 / 80 / 37

HEX #A13120

RGB 161 49 32

HSL 7.91, 0.67%, 0.38%

LAB 37.62, 45.27, 36.17

 

CMYK 0 / 78 / 91 / 44

HEX #901F0D

RGB 144 31 13

HSL 8.24, 0.83%, 0.31%

LAB 31.67, 45.82, 39.16

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 0 / 58 / 58 / 17

HEX #D45959

RGB 212 89 89

HSL 0, 0.59%, 0.59%

LAB 53.88, 48.52, 24.71

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 0 / 36 / 58 / 17

HEX #D48859

RGB 212 136 89

HSL 22.93, 0.59%, 0.59%

LAB 63.61, 24.41, 37.04

 

CMYK 0 / 20 / 58 / 17

HEX #D4A959

RGB 212 169 89

HSL 39.02, 0.59%, 0.59%

LAB 71.62, 6.59, 46.65

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB59

RGB 212 203 89

HSL 55.61, 0.59%, 0.59%

LAB 80.42, -11.15, 56.71

 

CMYK 11 / 0 / 58 / 17

HEX #BCD459

RGB 188 212 89

HSL 71.71, 0.59%, 0.59%

LAB 81.02, -25.36, 56.87

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 0 / 61 / 69 / 10

HEX #E55A48

RGB 229 90 72

HSL 6.88, 0.75%, 0.59%

LAB 56.52, 52.94, 38.27

 

CMYK 0 / 69 / 78 / 4

HEX #F64D37

RGB 246 77 55

HSL 6.91, 0.91%, 0.59%

LAB 57.25, 63.14, 48.95

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 0 / 41 / 46 / 24

HEX #C3746A

RGB 195 116 106

HSL 6.74, 0.43%, 0.59%

LAB 57.21, 29.93, 18.87

 

CMYK 0 / 28 / 31 / 30

HEX #B2817B

RGB 178 129 123

HSL 6.55, 0.26%, 0.59%

LAB 58.6, 18.08, 10.72

 

CMYK 0 / 12 / 13 / 37

HEX #A18E8C

RGB 161 142 140

HSL 5.71, 0.1%, 0.59%

LAB 60.62, 6.76, 3.66

 

CMYK 8 / 1 / 0 / 39

HEX #909B9C

RGB 144 155 156

HSL 185, 0.06%, 0.59%

LAB 63.15, -3.71, -1.88

 

CMYK 0 / 58 / 33 / 17

HEX #D4598E

RGB 212 89 142

HSL 334.15, 0.59%, 0.59%

LAB 55.17, 53.67, -4.74

 

CMYK 0 / 58 / 49 / 17

HEX #D4596D

RGB 212 89 109

HSL 350.24, 0.59%, 0.59%

LAB 54.29, 50.17, 13.5

 

CMYK 0 / 52 / 58 / 17

HEX #D46559

RGB 212 101 89

HSL 5.85, 0.59%, 0.59%

LAB 56.11, 42.73, 27.61

 

CMYK 0 / 37 / 58 / 17

HEX #D48659

RGB 212 134 89

HSL 21.95, 0.59%, 0.59%

LAB 63.15, 25.48, 36.47

 

CMYK 0 / 21 / 58 / 17

HEX #D4A759

RGB 212 167 89

HSL 38.05, 0.59%, 0.59%

LAB 71.12, 7.66, 46.06

 

CMYK 0 / 66 / 74 / 32

HEX #AE3B2D

RGB 174 59 45

HSL 6.51, 0.59%, 0.43%

LAB 41.71, 46.09, 33.96

 

CMYK 0 / 64 / 73 / 20

HEX #CC4938

RGB 204 73 56

HSL 6.89, 0.59%, 0.51%

LAB 49.36, 50.96, 37.79

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 0 / 40 / 45 / 13

HEX #DD857A

RGB 221 133 122

HSL 6.67, 0.59%, 0.67%

LAB 64.61, 32.55, 20.4

 

CMYK 0 / 29 / 33 / 10

HEX #E5A39A

RGB 229 163 154

HSL 7.2, 0.59%, 0.75%

LAB 73.01, 23.26, 14.42

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 17 / 0 / 58 / 17

HEX #AFD459

RGB 175 212 89

HSL 78.05, 0.59%, 0.59%

LAB 80.14, -30.46, 55.64

 

CMYK 58 / 41 / 0 / 17

HEX #597ED4

RGB 89 126 212

HSL 221.95, 0.59%, 0.59%

LAB 53.81, 12.74, -48.26

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 58 / 0 / 52 / 17

HEX #59D465

RGB 89 212 101

HSL 125.85, 0.59%, 0.59%

LAB 76.16, -56.77, 44.44

 

CMYK 52 / 58 / 0 / 17

HEX #6559D4

RGB 101 89 212

HSL 245.85, 0.59%, 0.59%

LAB 45.17, 37.75, -62.08

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 17 / 0 / 58 / 17

HEX #AFD459

RGB 175 212 89

HSL 78.05, 0.59%, 0.59%

LAB 80.14, -30.46, 55.64

 

CMYK 58 / 6 / 0 / 17

HEX #59C8D4

RGB 89 200 212

HSL 185.85, 0.59%, 0.59%

LAB 74.94, -28.04, -15.53

 

CMYK 41 / 58 / 0 / 17

HEX #7E59D4

RGB 126 89 212

HSL 258.05, 0.59%, 0.59%

LAB 47.41, 42.98, -58.36

 

CMYK 0 / 51 / 58 / 17

HEX #D46759

RGB 212 103 89

HSL 6.83, 0.59%, 0.59%

LAB 56.5, 41.74, 28.11

 

CMYK 35 / 0 / 58 / 17

HEX #8AD459

RGB 138 212 89

HSL 96.1, 0.59%, 0.59%

LAB 78, -43.99, 52.64

 

CMYK 58 / 6 / 0 / 17

HEX #59C8D4

RGB 89 200 212

HSL 185.85, 0.59%, 0.59%

LAB 74.94, -28.04, -15.53

 

CMYK 23 / 58 / 0 / 17

HEX #A359D4

RGB 163 89 212

HSL 276.1, 0.59%, 0.59%

LAB 51.48, 51.68, -51.61

 

Description

Color code: RGB 212 103 89 | qconv.com Color code: RGB 212 103 89 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 103 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 103 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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