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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D214 it is the complementary color #762DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D214 shade: #8ED20F, #9FE422, #B0F635, #C1FF48 and #D2FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D214 shade: #89D214, #78C001, #67AE00, #569C00 and #458A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D214 shade: #89D214, #BCD214, #D2B414, #D28114 and #D24E14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D214 shade: #89D214, #55D214, #22D214, #14D238 and #14D26C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D214 shade matches the following richer shades: #89D214 and #8DE501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D214 shade: #89D214, #85BF26, #80AD39, #7C9A4B and #78885E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D214 shade: #D2B514, #BCD214, #89D214, #56D214 and #23D214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D214 shade: #58860C, #70AC10, #89D214, #9EEB24 and #AFEE4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D214 shade: #89D214, #14D283 and #CF14D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D214 shade: #89D214, #1489D2 and #D21489

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D214 shade: #89D214, #14D283, #5D14D2 and #D21463

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D214 shade: #89D214, #14D2BC, #5D14D2 and #D2142A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

Complementary color

CMYK 50 / 81 / 0 / 8

HEX #762DEB

RGB 118 45 235

HSL 263.05, 0.83%, 0.55%

LAB 40.78, 68.66, -82.3

 

CMYK 32 / 0 / 93 / 18

HEX #8ED20F

RGB 142 210 15

HSL 80.92, 0.87%, 0.44%

LAB 77.21, -45.82, 74.7

 

CMYK 30 / 0 / 85 / 11

HEX #9FE422

RGB 159 228 34

HSL 81.34, 0.78%, 0.51%

LAB 83.43, -46.74, 77.06

 

CMYK 28 / 0 / 78 / 4

HEX #B0F635

RGB 176 246 53

HSL 81.76, 0.91%, 0.59%

LAB 89.58, -47.45, 78.27

 

CMYK 24 / 0 / 72 / 0

HEX #C1FF48

RGB 193 255 72

HSL 80.33, 1%, 0.64%

LAB 93.16, -44.17, 76.23

 

CMYK 18 / 0 / 64 / 0

HEX #D2FF5B

RGB 210 255 91

HSL 76.46, 1%, 0.68%

LAB 94.3, -36.68, 70.88

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 38 / 0 / 99 / 25

HEX #78C001

RGB 120 192 1

HSL 82.62, 0.99%, 0.38%

LAB 70.66, -46.48, 70.55

 

CMYK 41 / 0 / 100 / 32

HEX #67AE00

RGB 103 174 0

HSL 84.48, 1%, 0.34%

LAB 64.29, -45.1, 65.37

 

CMYK 45 / 0 / 100 / 39

HEX #569C00

RGB 86 156 0

HSL 86.92, 1%, 0.31%

LAB 57.8, -43.63, 59.98

 

CMYK 50 / 0 / 100 / 46

HEX #458A00

RGB 69 138 0

HSL 90, 1%, 0.27%

LAB 51.2, -42.05, 54.5

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 10 / 0 / 90 / 18

HEX #BCD214

RGB 188 210 20

HSL 66.95, 0.83%, 0.45%

LAB 80.09, -27.64, 77.53

 

CMYK 0 / 14 / 90 / 18

HEX #D2B414

RGB 210 180 20

HSL 50.53, 0.83%, 0.45%

LAB 73.8, -3.16, 73.4

 

CMYK 0 / 39 / 90 / 18

HEX #D28114

RGB 210 129 20

HSL 34.42, 0.83%, 0.45%

LAB 61.18, 24.19, 63.79

 

CMYK 0 / 63 / 90 / 18

HEX #D24E14

RGB 210 78 20

HSL 18.32, 0.83%, 0.45%

LAB 50.92, 49.8, 56.23

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 60 / 0 / 90 / 18

HEX #55D214

RGB 85 210 20

HSL 99.47, 0.83%, 0.45%

LAB 74.87, -63.33, 71.12

 

CMYK 84 / 0 / 90 / 18

HEX #22D214

RGB 34 210 20

HSL 115.58, 0.83%, 0.45%

LAB 73.86, -72.03, 69.86

 

CMYK 90 / 0 / 73 / 18

HEX #14D238

RGB 20 210 56

HSL 131.37, 0.83%, 0.45%

LAB 73.89, -71.2, 60.56

 

CMYK 90 / 0 / 49 / 18

HEX #14D26C

RGB 20 210 108

HSL 147.79, 0.83%, 0.45%

LAB 74.4, -64.89, 38.59

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 38 / 0 / 100 / 10

HEX #8DE501

RGB 141 229 1

HSL 83.16, 0.99%, 0.45%

LAB 82.76, -54.1, 80.39

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 30 / 0 / 80 / 25

HEX #85BF26

RGB 133 191 38

HSL 82.75, 0.67%, 0.45%

LAB 71.14, -40.33, 64.74

 

CMYK 26 / 0 / 67 / 32

HEX #80AD39

RGB 128 173 57

HSL 83.28, 0.5%, 0.45%

LAB 65.57, -33.02, 52.6

 

CMYK 19 / 0 / 51 / 40

HEX #7C9A4B

RGB 124 154 75

HSL 82.78, 0.34%, 0.45%

LAB 59.8, -23.8, 37.75

 

CMYK 12 / 0 / 31 / 47

HEX #78885E

RGB 120 136 94

HSL 82.86, 0.18%, 0.45%

LAB 54.46, -13.57, 20.69

 

CMYK 0 / 14 / 90 / 18

HEX #D2B514

RGB 210 181 20

HSL 50.84, 0.83%, 0.45%

LAB 74.06, -3.68, 73.6

 

CMYK 10 / 0 / 90 / 18

HEX #BCD214

RGB 188 210 20

HSL 66.95, 0.83%, 0.45%

LAB 80.09, -27.64, 77.53

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 59 / 0 / 90 / 18

HEX #56D214

RGB 86 210 20

HSL 99.16, 0.83%, 0.45%

LAB 74.9, -63.09, 71.16

 

CMYK 83 / 0 / 90 / 18

HEX #23D214

RGB 35 210 20

HSL 115.26, 0.83%, 0.45%

LAB 73.87, -71.93, 69.88

 

CMYK 34 / 0 / 91 / 47

HEX #58860C

RGB 88 134 12

HSL 82.62, 0.84%, 0.29%

LAB 50.86, -33.15, 52.43

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 33 / 0 / 85 / 8

HEX #9EEB24

RGB 158 235 36

HSL 83.22, 0.83%, 0.53%

LAB 85.41, -49.95, 78.32

 

CMYK 26 / 0 / 69 / 7

HEX #AFEE4A

RGB 175 238 74

HSL 83.05, 0.83%, 0.61%

LAB 87.37, -43.3, 69.42

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 90 / 0 / 38 / 18

HEX #14D283

RGB 20 210 131

HSL 155.05, 0.83%, 0.45%

LAB 74.75, -60.73, 27.39

 

CMYK 1 / 90 / 0 / 18

HEX #CF14D2

RGB 207 20 210

HSL 299.05, 0.83%, 0.45%

LAB 50, 82.61, -52.46

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 90 / 35 / 0 / 18

HEX #1489D2

RGB 20 137 210

HSL 203.05, 0.83%, 0.45%

LAB 54.75, -3.35, -45.76

 

CMYK 0 / 90 / 35 / 18

HEX #D21489

RGB 210 20 137

HSL 323.05, 0.83%, 0.45%

LAB 46.99, 73.95, -14.04

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 90 / 0 / 38 / 18

HEX #14D283

RGB 20 210 131

HSL 155.05, 0.83%, 0.45%

LAB 74.75, -60.73, 27.39

 

CMYK 56 / 90 / 0 / 18

HEX #5D14D2

RGB 93 20 210

HSL 263.05, 0.83%, 0.45%

LAB 32.88, 67.67, -81.1

 

CMYK 0 / 90 / 53 / 18

HEX #D21463

RGB 210 20 99

HSL 335.05, 0.83%, 0.45%

LAB 45.77, 70.65, 7.56

 

CMYK 35 / 0 / 90 / 18

HEX #89D214

RGB 137 210 20

HSL 83.05, 0.83%, 0.45%

LAB 76.96, -47.53, 73.7

 

CMYK 90 / 0 / 10 / 18

HEX #14D2BC

RGB 20 210 188

HSL 173.05, 0.83%, 0.45%

LAB 75.99, -47.19, -1.15

 

CMYK 56 / 90 / 0 / 18

HEX #5D14D2

RGB 93 20 210

HSL 263.05, 0.83%, 0.45%

LAB 32.88, 67.67, -81.1

 

CMYK 0 / 90 / 80 / 18

HEX #D2142A

RGB 210 20 42

HSL 353.05, 0.83%, 0.45%

LAB 44.76, 67.79, 40.99

 

Description

Color code: HEX #89D214 | qconv.com Color code: HEX #89D214 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 210 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 210 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 90 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 90% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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