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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70AC10 it is the complementary color #8F53EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70AC10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #70AC10: #75AC0B, #86BE1E, #97D031, #A8E244 and #B9F457

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70AC10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #70AC10: #70AC10, #5F9A00, #4E8800, #3D7600 and #2C6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

Complementary color

CMYK 40 / 65 / 0 / 6

HEX #8F53EF

RGB 143 83 239

HSL 263.08, 0.83%, 0.63%

LAB 49.81, 56.78, -69.68

 

CMYK 32 / 0 / 94 / 33

HEX #75AC0B

RGB 117 172 11

HSL 80.5, 0.88%, 0.36%

LAB 64.41, -38.92, 64.36

 

CMYK 29 / 0 / 84 / 25

HEX #86BE1E

RGB 134 190 30

HSL 81, 0.73%, 0.43%

LAB 70.86, -39.83, 66.59

 

CMYK 27 / 0 / 76 / 18

HEX #97D031

RGB 151 208 49

HSL 81.51, 0.63%, 0.5%

LAB 77.23, -40.51, 67.49

 

CMYK 26 / 0 / 70 / 11

HEX #A8E244

RGB 168 226 68

HSL 82.03, 0.73%, 0.58%

LAB 83.51, -41.01, 67.56

 

CMYK 24 / 0 / 64 / 4

HEX #B9F457

RGB 185 244 87

HSL 82.55, 0.88%, 0.65%

LAB 89.72, -41.38, 67.13

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 38 / 0 / 100 / 40

HEX #5F9A00

RGB 95 154 0

HSL 82.99, 1%, 0.3%

LAB 57.6, -39.6, 60.01

 

CMYK 43 / 0 / 100 / 47

HEX #4E8800

RGB 78 136 0

HSL 85.59, 1%, 0.27%

LAB 50.95, -38.13, 54.49

 

CMYK 48 / 0 / 100 / 54

HEX #3D7600

RGB 61 118 0

HSL 88.98, 1%, 0.23%

LAB 44.16, -36.57, 48.84

 

CMYK 56 / 0 / 100 / 61

HEX #2C6400

RGB 44 100 0

HSL 93.6, 1%, 0.2%

LAB 37.21, -34.83, 43.08

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 50 / 0 / 91 / 33

HEX #56AC10

RGB 86 172 16

HSL 93.08, 0.83%, 0.37%

LAB 62.94, -49.56, 61.78

 

CMYK 65 / 0 / 91 / 33

HEX #3CAC10

RGB 60 172 16

HSL 103.08, 0.83%, 0.37%

LAB 62.09, -56.48, 60.71

 

CMYK 80 / 0 / 91 / 33

HEX #22AC10

RGB 34 172 16

HSL 113.08, 0.83%, 0.37%

LAB 61.55, -61.07, 60.05

 

CMYK 91 / 0 / 87 / 33

HEX #10AC17

RGB 16 172 23

HSL 122.69, 0.83%, 0.37%

LAB 61.37, -62.59, 58.4

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 35 / 0 / 91 / 13

HEX #91DF15

RGB 145 223 21

HSL 83.17, 0.83%, 0.48%

LAB 81.21, -50.02, 77.2

 

CMYK 37 / 0 / 89 / 93

HEX #0C1302

RGB 12 19 2

HSL 84.71, 0.81%, 0.04%

LAB 4.95, -5.15, 6.5

 

CMYK 34 / 0 / 90 / 73

HEX #2E4607

RGB 46 70 7

HSL 82.86, 0.82%, 0.15%

LAB 26.67, -19.89, 31.9

 

CMYK 35 / 0 / 91 / 53

HEX #4F790B

RGB 79 121 11

HSL 82.91, 0.83%, 0.26%

LAB 46.12, -30.78, 48.45

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 91 / 0 / 38 / 33

HEX #10AC6B

RGB 16 172 107

HSL 155, 0.83%, 0.37%

LAB 62.23, -52.12, 23.32

 

CMYK 1 / 91 / 0 / 33

HEX #AA10AC

RGB 170 16 172

HSL 299.23, 0.83%, 0.37%

LAB 41.05, 71.04, -44.94

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 91 / 35 / 0 / 33

HEX #1070AC

RGB 16 112 172

HSL 203.08, 0.83%, 0.37%

LAB 45.19, -3.16, -39.11

 

CMYK 0 / 91 / 35 / 33

HEX #AC1070

RGB 172 16 112

HSL 323.08, 0.83%, 0.37%

LAB 38.4, 63.54, -12.32

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 91 / 0 / 38 / 33

HEX #10AC6B

RGB 16 172 107

HSL 155, 0.83%, 0.37%

LAB 62.23, -52.12, 23.32

 

CMYK 56 / 91 / 0 / 33

HEX #4C10AC

RGB 76 16 172

HSL 263.08, 0.83%, 0.37%

LAB 26.41, 57.98, -69.42

 

CMYK 0 / 91 / 53 / 33

HEX #AC1051

RGB 172 16 81

HSL 335, 0.83%, 0.37%

LAB 37.36, 60.71, 5.93

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 91 / 0 / 10 / 33

HEX #10AC9A

RGB 16 172 154

HSL 173.08, 0.83%, 0.37%

LAB 63.3, -40.51, -1.11

 

CMYK 56 / 91 / 0 / 33

HEX #4C10AC

RGB 76 16 172

HSL 263.08, 0.83%, 0.37%

LAB 26.41, 57.98, -69.42

 

CMYK 0 / 91 / 80 / 33

HEX #AC1022

RGB 172 16 34

HSL 353.08, 0.83%, 0.37%

LAB 36.47, 58.2, 34.56

 

Description

Color code: HEX #70AC10 | qconv.com Color code: HEX #70AC10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 172 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 172 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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