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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89AEEB it is the complementary color #765114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89AEEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #89AEEB: #8EAEE6, #9FC0F9, #B0D2FF, #C1E4FF and #D2F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89AEEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #89AEEB: #89AEEB, #789CD8, #678AC5, #5678B2 and #45669F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 26 / 0 / 8

HEX #89AEEB

RGB 137 174 235

HSL 217.35, 0.71%, 0.73%

LAB 70.59, 2.87, -34.5

 

Complementary color

CMYK 0 / 31 / 83 / 54

HEX #765114

RGB 118 81 20

HSL 37.35, 0.71%, 0.27%

LAB 37.46, 9.8, 39.44

 

CMYK 38 / 24 / 0 / 10

HEX #8EAEE6

RGB 142 174 230

HSL 218.18, 0.64%, 0.73%

LAB 70.69, 2.82, -31.59

 

CMYK 36 / 23 / 0 / 2

HEX #9FC0F9

RGB 159 192 249

HSL 218, 0.88%, 0.8%

LAB 77.23, 2.45, -31.7

 

CMYK 31 / 18 / 0 / 0

HEX #B0D2FF

RGB 176 210 255

HSL 214.18, 1%, 0.85%

LAB 83.2, -1.07, -25.66

 

CMYK 24 / 11 / 0 / 0

HEX #C1E4FF

RGB 193 228 255

HSL 206.13, 1%, 0.88%

LAB 88.94, -5.62, -16.86

 

CMYK 18 / 4 / 0 / 0

HEX #D2F6FF

RGB 210 246 255

HSL 192, 1%, 0.91%

LAB 94.67, -9.73, -8.21

 

CMYK 42 / 26 / 0 / 8

HEX #89AEEB

RGB 137 174 235

HSL 217.35, 0.71%, 0.73%

LAB 70.59, 2.87, -34.5

 

CMYK 44 / 28 / 0 / 15

HEX #789CD8

RGB 120 156 216

HSL 217.5, 0.55%, 0.66%

LAB 63.94, 3.37, -34.45

 

CMYK 48 / 30 / 0 / 23

HEX #678AC5

RGB 103 138 197

HSL 217.66, 0.45%, 0.59%

LAB 57.16, 3.97, -34.44

 

CMYK 52 / 33 / 0 / 30

HEX #5678B2

RGB 86 120 178

HSL 217.83, 0.37%, 0.52%

LAB 50.25, 4.69, -34.46

 

CMYK 57 / 36 / 0 / 38

HEX #45669F

RGB 69 102 159

HSL 218, 0.39%, 0.45%

LAB 43.17, 5.6, -34.53

 

CMYK 42 / 26 / 0 / 8

HEX #89AEEB

RGB 137 174 235

HSL 217.35, 0.71%, 0.73%

LAB 70.59, 2.87, -34.5

 

CMYK 42 / 33 / 0 / 8

HEX #899EEB

RGB 137 158 235

HSL 227.14, 0.71%, 0.73%

LAB 66.34, 11.92, -41.11

 

CMYK 42 / 40 / 0 / 8

HEX #898EEB

RGB 137 142 235

HSL 236.94, 0.71%, 0.73%

LAB 62.22, 21.17, -47.59

 

CMYK 37 / 42 / 0 / 8

HEX #9489EB

RGB 148 137 235

HSL 246.73, 0.71%, 0.73%

LAB 61.81, 26.87, -48.18

 

CMYK 30 / 42 / 0 / 8

HEX #A489EB

RGB 164 137 235

HSL 256.53, 0.71%, 0.73%

LAB 63.16, 31.12, -45.96

 

CMYK 42 / 26 / 0 / 8

HEX #89AEEB

RGB 137 174 235

HSL 217.35, 0.71%, 0.73%

LAB 70.59, 2.87, -34.5

 

CMYK 42 / 26 / 0 / 88

HEX #12171F

RGB 18 23 31

HSL 216.92, 0.27%, 0.1%

LAB 7.59, 0.18, -6.36

 

CMYK 41 / 26 / 0 / 68

HEX #303D52

RGB 48 61 82

HSL 217.06, 0.26%, 0.25%

LAB 25.49, 0.85, -14.39

 

CMYK 41 / 26 / 0 / 48

HEX #4E6285

RGB 78 98 133

HSL 218.18, 0.26%, 0.41%

LAB 41.29, 2.08, -21.86

 

CMYK 42 / 26 / 0 / 28

HEX #6B88B8

RGB 107 136 184

HSL 217.4, 0.35%, 0.57%

LAB 56.28, 2.34, -28.41

 

CMYK 42 / 26 / 0 / 8

HEX #89AEEB

RGB 137 174 235

HSL 217.35, 0.71%, 0.73%

LAB 70.59, 2.87, -34.5

 

CMYK 8 / 42 / 0 / 8

HEX #D989EB

RGB 217 137 235

HSL 288.98, 0.71%, 0.73%

LAB 68.49, 46.21, -37.23

 

CMYK 9 / 0 / 42 / 8

HEX #D5EB89

RGB 213 235 137

HSL 73.47, 0.71%, 0.73%

LAB 89.57, -22.18, 45.05

 

CMYK 42 / 26 / 0 / 8

HEX #89AEEB

RGB 137 174 235

HSL 217.35, 0.71%, 0.73%

LAB 70.59, 2.87, -34.5

 

CMYK 0 / 42 / 26 / 8

HEX #EB89AE

RGB 235 137 174

HSL 337.35, 0.71%, 0.73%

LAB 68.47, 41.81, -3.14

 

CMYK 26 / 0 / 42 / 8

HEX #AEEB89

RGB 174 235 137

HSL 97.35, 0.71%, 0.73%

LAB 87.11, -36.32, 41.42

 

CMYK 42 / 26 / 0 / 8

HEX #89AEEB

RGB 137 174 235

HSL 217.35, 0.71%, 0.73%

LAB 70.59, 2.87, -34.5

 

CMYK 8 / 42 / 0 / 8

HEX #D989EB

RGB 217 137 235

HSL 288.98, 0.71%, 0.73%

LAB 68.49, 46.21, -37.23

 

CMYK 0 / 16 / 42 / 8

HEX #EBC589

RGB 235 197 137

HSL 36.73, 0.71%, 0.73%

LAB 81.51, 5.59, 35.1

 

CMYK 34 / 0 / 42 / 8

HEX #9BEB89

RGB 155 235 137

HSL 108.98, 0.71%, 0.73%

LAB 86.1, -42.64, 39.94

 

CMYK 42 / 26 / 0 / 8

HEX #89AEEB

RGB 137 174 235

HSL 217.35, 0.71%, 0.73%

LAB 70.59, 2.87, -34.5

 

CMYK 0 / 42 / 5 / 8

HEX #EB89DF

RGB 235 137 223

HSL 307.35, 0.71%, 0.73%

LAB 70.09, 49.39, -27.98

 

CMYK 0 / 16 / 42 / 8

HEX #EBC589

RGB 235 197 137

HSL 36.73, 0.71%, 0.73%

LAB 81.51, 5.59, 35.1

 

CMYK 42 / 0 / 37 / 8

HEX #89EB94

RGB 137 235 148

HSL 126.73, 0.71%, 0.73%

LAB 85.44, -46.48, 33.43

 

Description

Color code: HEX #89AEEB | qconv.com Color code: HEX #89AEEB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 174 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 174 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 26 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 26% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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