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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #897DB3 it is the complementary color #76824C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #897DB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #897DB3 shade: #8E7DAE, #9F8FC1, #B0A1D4, #C1B3E7 and #D2C5FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #897DB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #897DB3 shade: #897DB3, #786BA0, #67598D, #56477A and #453567

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #897DB3 shade: #8A7EB3, #987EB3, #A67EB3, #B37EB1 and #B37EA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #897DB3 shade: #8A7EB3 and #7E7EB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #897DB3 shade matches the following richer shades: #8A7EB3, #816DC4, #775DD4, #6E4CE5 and #653CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #897DB3 shade: #8A7EB3, #938EA3, #9C9F92, #A5AF82 and #AEC071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #897DB3 shade: #7E8FB3, #7E81B3, #897EB3, #987EB3 and #A67EB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #897DB3 shade: #5F528C, #7264A4, #8A7EB3, #A198C2 and #B9B2D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #897DB3 shade: #897DB3, #B37E9D and #88B37E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #897DB3 shade: #897DB3, #B3897E and #7EB389

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #897DB3 shade: #897DB3, #B37E9D, #A8B37E and #7EB394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #897DB3 shade: #897DB3, #B37E8D, #A8B37E and #7EB3A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 30 / 0 / 30

HEX #897DB3

RGB 137 125 179

HSL 253.33, 0.26%, 0.6%

LAB 55.32, 16.28, -26.86

 

Complementary color

CMYK 9 / 0 / 42 / 49

HEX #76824C

RGB 118 130 76

HSL 73.33, 0.26%, 0.4%

LAB 52.22, -13.67, 27.74

 

CMYK 18 / 28 / 0 / 32

HEX #8E7DAE

RGB 142 125 174

HSL 260.82, 0.23%, 0.59%

LAB 55.56, 16.67, -23.59

 

CMYK 18 / 26 / 0 / 24

HEX #9F8FC1

RGB 159 143 193

HSL 259.2, 0.29%, 0.66%

LAB 62.39, 16.14, -23.76

 

CMYK 17 / 24 / 0 / 17

HEX #B0A1D4

RGB 176 161 212

HSL 257.65, 0.37%, 0.73%

LAB 69.09, 15.66, -23.96

 

CMYK 16 / 23 / 0 / 9

HEX #C1B3E7

RGB 193 179 231

HSL 256.15, 0.52%, 0.8%

LAB 75.67, 15.22, -24.18

 

CMYK 16 / 21 / 0 / 2

HEX #D2C5FA

RGB 210 197 250

HSL 254.72, 0.84%, 0.88%

LAB 82.13, 14.82, -24.41

 

CMYK 23 / 30 / 0 / 30

HEX #897DB3

RGB 137 125 179

HSL 253.33, 0.26%, 0.6%

LAB 55.32, 16.28, -26.86

 

CMYK 25 / 33 / 0 / 37

HEX #786BA0

RGB 120 107 160

HSL 254.72, 0.22%, 0.52%

LAB 48.32, 16.9, -26.8

 

CMYK 27 / 37 / 0 / 45

HEX #67598D

RGB 103 89 141

HSL 256.15, 0.23%, 0.45%

LAB 41.14, 17.6, -26.78

 

CMYK 30 / 42 / 0 / 52

HEX #56477A

RGB 86 71 122

HSL 257.65, 0.26%, 0.38%

LAB 33.75, 18.43, -26.82

 

CMYK 33 / 49 / 0 / 60

HEX #453567

RGB 69 53 103

HSL 259.2, 0.32%, 0.31%

LAB 26.13, 19.41, -26.92

 

CMYK 23 / 30 / 0 / 30

HEX #8A7EB3

RGB 138 126 179

HSL 253.58, 0.26%, 0.6%

LAB 55.66, 16, -26.32

 

CMYK 15 / 30 / 0 / 30

HEX #987EB3

RGB 152 126 179

HSL 269.43, 0.26%, 0.6%

LAB 56.93, 20.49, -24.26

 

CMYK 7 / 30 / 0 / 30

HEX #A67EB3

RGB 166 126 179

HSL 285.28, 0.26%, 0.6%

LAB 58.31, 25.09, -22.03

 

CMYK 0 / 30 / 1 / 30

HEX #B37EB1

RGB 179 126 177

HSL 302.26, 0.26%, 0.6%

LAB 59.6, 29.04, -18.79

 

CMYK 0 / 30 / 9 / 30

HEX #B37EA3

RGB 179 126 163

HSL 318.11, 0.26%, 0.6%

LAB 59.11, 26.46, -11.52

 

CMYK 23 / 30 / 0 / 30

HEX #8A7EB3

RGB 138 126 179

HSL 253.58, 0.26%, 0.6%

LAB 55.66, 16, -26.32

 

CMYK 30 / 30 / 0 / 30

HEX #7E7EB3

RGB 126 126 179

HSL 240, 0.26%, 0.6%

LAB 54.67, 12.3, -27.94

 

CMYK 23 / 30 / 0 / 30

HEX #8A7EB3

RGB 138 126 179

HSL 253.58, 0.26%, 0.6%

LAB 55.66, 16, -26.32

 

CMYK 34 / 44 / 0 / 23

HEX #816DC4

RGB 129 109 196

HSL 253.79, 0.42%, 0.6%

LAB 51.37, 27.76, -42.85

 

CMYK 44 / 56 / 0 / 17

HEX #775DD4

RGB 119 93 212

HSL 253.11, 0.58%, 0.6%

LAB 47.63, 39.14, -58.04

 

CMYK 52 / 67 / 0 / 10

HEX #6E4CE5

RGB 110 76 229

HSL 253.33, 0.75%, 0.6%

LAB 44.43, 51.79, -72.93

 

CMYK 59 / 76 / 0 / 4

HEX #653CF5

RGB 101 60 245

HSL 253.3, 0.9%, 0.6%

LAB 42.14, 63.05, -85.76

 

CMYK 23 / 30 / 0 / 30

HEX #8A7EB3

RGB 138 126 179

HSL 253.58, 0.26%, 0.6%

LAB 55.66, 16, -26.32

 

CMYK 10 / 13 / 0 / 36

HEX #938EA3

RGB 147 142 163

HSL 254.29, 0.1%, 0.6%

LAB 60.06, 6.08, -10.41

 

CMYK 2 / 0 / 8 / 38

HEX #9C9F92

RGB 156 159 146

HSL 73.85, 0.06%, 0.6%

LAB 64.91, -3.5, 6.4

 

CMYK 6 / 0 / 26 / 31

HEX #A5AF82

RGB 165 175 130

HSL 73.33, 0.22%, 0.6%

LAB 69.66, -11.27, 21.96

 

CMYK 9 / 0 / 41 / 25

HEX #AEC071

RGB 174 192 113

HSL 73.67, 0.39%, 0.6%

LAB 74.76, -18.74, 37.72

 

CMYK 30 / 20 / 0 / 30

HEX #7E8FB3

RGB 126 143 179

HSL 220.75, 0.26%, 0.6%

LAB 59.28, 2.41, -20.84

 

CMYK 30 / 28 / 0 / 30

HEX #7E81B3

RGB 126 129 179

HSL 236.6, 0.26%, 0.6%

LAB 55.47, 10.53, -26.7

 

CMYK 23 / 30 / 0 / 30

HEX #897EB3

RGB 137 126 179

HSL 252.45, 0.26%, 0.6%

LAB 55.58, 15.69, -26.46

 

CMYK 15 / 30 / 0 / 30

HEX #987EB3

RGB 152 126 179

HSL 269.43, 0.26%, 0.6%

LAB 56.93, 20.49, -24.26

 

CMYK 7 / 30 / 0 / 30

HEX #A67EB3

RGB 166 126 179

HSL 285.28, 0.26%, 0.6%

LAB 58.31, 25.09, -22.03

 

CMYK 32 / 41 / 0 / 45

HEX #5F528C

RGB 95 82 140

HSL 253.45, 0.26%, 0.44%

LAB 38.48, 19.23, -30.39

 

CMYK 30 / 39 / 0 / 36

HEX #7264A4

RGB 114 100 164

HSL 253.13, 0.26%, 0.52%

LAB 46.14, 20.33, -32.59

 

CMYK 23 / 30 / 0 / 30

HEX #8A7EB3

RGB 138 126 179

HSL 253.58, 0.26%, 0.6%

LAB 55.66, 16, -26.32

 

CMYK 17 / 22 / 0 / 24

HEX #A198C2

RGB 161 152 194

HSL 252.86, 0.26%, 0.68%

LAB 64.91, 11.9, -20.47

 

CMYK 12 / 15 / 0 / 18

HEX #B9B2D2

RGB 185 178 210

HSL 253.13, 0.26%, 0.76%

LAB 74.07, 8.73, -15.25

 

CMYK 23 / 30 / 0 / 30

HEX #897DB3

RGB 137 125 179

HSL 253.33, 0.26%, 0.6%

LAB 55.32, 16.28, -26.86

 

CMYK 0 / 30 / 12 / 30

HEX #B37E9D

RGB 179 126 157

HSL 324.91, 0.26%, 0.6%

LAB 58.92, 25.41, -8.36

 

CMYK 24 / 0 / 30 / 30

HEX #88B37E

RGB 136 179 126

HSL 108.68, 0.26%, 0.6%

LAB 68.74, -24.67, 22.53

 

CMYK 23 / 30 / 0 / 30

HEX #897DB3

RGB 137 125 179

HSL 253.33, 0.26%, 0.6%

LAB 55.32, 16.28, -26.86

 

CMYK 0 / 23 / 30 / 30

HEX #B3897E

RGB 179 137 126

HSL 12.45, 0.26%, 0.6%

LAB 60.77, 14.4, 12.08

 

CMYK 30 / 0 / 23 / 30

HEX #7EB389

RGB 126 179 137

HSL 132.45, 0.26%, 0.6%

LAB 68.37, -26.15, 15.98

 

CMYK 23 / 30 / 0 / 30

HEX #897DB3

RGB 137 125 179

HSL 253.33, 0.26%, 0.6%

LAB 55.32, 16.28, -26.86

 

CMYK 0 / 30 / 12 / 30

HEX #B37E9D

RGB 179 126 157

HSL 324.91, 0.26%, 0.6%

LAB 58.92, 25.41, -8.36

 

CMYK 6 / 0 / 30 / 30

HEX #A8B37E

RGB 168 179 126

HSL 72.45, 0.26%, 0.6%

LAB 70.92, -12.78, 25.85

 

CMYK 30 / 0 / 17 / 30

HEX #7EB394

RGB 126 179 148

HSL 144.91, 0.26%, 0.6%

LAB 68.62, -24.03, 10.3

 

CMYK 23 / 30 / 0 / 30

HEX #897DB3

RGB 137 125 179

HSL 253.33, 0.26%, 0.6%

LAB 55.32, 16.28, -26.86

 

CMYK 0 / 30 / 21 / 30

HEX #B37E8D

RGB 179 126 141

HSL 343.02, 0.26%, 0.6%

LAB 58.44, 22.78, 0.15

 

CMYK 6 / 0 / 30 / 30

HEX #A8B37E

RGB 168 179 126

HSL 72.45, 0.26%, 0.6%

LAB 70.92, -12.78, 25.85

 

CMYK 30 / 0 / 8 / 30

HEX #7EB3A4

RGB 126 179 164

HSL 163.02, 0.26%, 0.6%

LAB 69.01, -20.68, 2.07

 

Description

Color code: HEX #897DB3 | qconv.com Color code: HEX #897DB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 125 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 125 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 30 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 30% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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