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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 20 / 0 / 30 it is the complementary color CMYK 0 / 14 / 42 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 20 / 0 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 20 / 0 / 30: CMYK 25 / 18 / 0 / 32, CMYK 24 / 17 / 0 / 24, CMYK 23 / 16 / 0 / 17, CMYK 22 / 15 / 0 / 9 and CMYK 21 / 14 / 0 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 20 / 0 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 20 / 0 / 30: CMYK 30 / 20 / 0 / 30, CMYK 33 / 22 / 0 / 37, CMYK 35 / 24 / 0 / 45, CMYK 39 / 27 / 0 / 52 and CMYK 45 / 31 / 0 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 20 / 0 / 30

HEX #7D8FB3

RGB 125 143 179

HSL 220, 0.26%, 0.6%

LAB 59.21, 2.1, -20.95

 

Complementary color

CMYK 0 / 14 / 42 / 49

HEX #82704C

RGB 130 112 76

HSL 40, 0.26%, 0.4%

LAB 48.08, 1.62, 22.62

 

CMYK 25 / 18 / 0 / 32

HEX #828FAE

RGB 130 143 174

HSL 222.27, 0.21%, 0.6%

LAB 59.39, 2.39, -17.82

 

CMYK 24 / 17 / 0 / 24

HEX #93A1C1

RGB 147 161 193

HSL 221.74, 0.27%, 0.67%

LAB 66.17, 2.16, -18.09

 

CMYK 23 / 16 / 0 / 17

HEX #A4B3D4

RGB 164 179 212

HSL 221.25, 0.36%, 0.74%

LAB 72.82, 1.94, -18.38

 

CMYK 22 / 15 / 0 / 9

HEX #B5C5E7

RGB 181 197 231

HSL 220.8, 0.51%, 0.81%

LAB 79.34, 1.73, -18.68

 

CMYK 21 / 14 / 0 / 2

HEX #C6D7FA

RGB 198 215 250

HSL 220.38, 0.84%, 0.88%

LAB 85.76, 1.54, -18.99

 

CMYK 30 / 20 / 0 / 30

HEX #7D8FB3

RGB 125 143 179

HSL 220, 0.26%, 0.6%

LAB 59.21, 2.1, -20.95

 

CMYK 33 / 22 / 0 / 37

HEX #6C7DA0

RGB 108 125 160

HSL 220.38, 0.21%, 0.53%

LAB 52.28, 2.41, -20.76

 

CMYK 35 / 24 / 0 / 45

HEX #5B6B8D

RGB 91 107 141

HSL 220.8, 0.22%, 0.45%

LAB 45.17, 2.77, -20.61

 

CMYK 39 / 27 / 0 / 52

HEX #4A597A

RGB 74 89 122

HSL 221.25, 0.24%, 0.38%

LAB 37.85, 3.2, -20.5

 

CMYK 45 / 31 / 0 / 60

HEX #394767

RGB 57 71 103

HSL 221.74, 0.29%, 0.31%

LAB 30.29, 3.76, -20.46

 

CMYK 30 / 20 / 0 / 30

HEX #7D8FB3

RGB 125 143 179

HSL 220, 0.26%, 0.6%

LAB 59.21, 2.1, -20.95

 

CMYK 30 / 25 / 0 / 30

HEX #7E87B3

RGB 126 135 179

HSL 229.81, 0.26%, 0.6%

LAB 57.09, 7.02, -24.2

 

CMYK 30 / 30 / 0 / 30

HEX #7E7EB3

RGB 126 126 179

HSL 240, 0.26%, 0.6%

LAB 54.67, 12.3, -27.94

 

CMYK 25 / 30 / 0 / 30

HEX #877EB3

RGB 135 126 179

HSL 250.19, 0.26%, 0.6%

LAB 55.41, 15.06, -26.74

 

CMYK 20 / 30 / 0 / 30

HEX #907EB3

RGB 144 126 179

HSL 260.38, 0.26%, 0.6%

LAB 56.19, 17.91, -25.46

 

CMYK 30 / 20 / 0 / 30

HEX #7D8FB3

RGB 125 143 179

HSL 220, 0.26%, 0.6%

LAB 59.21, 2.1, -20.95

 

CMYK 30 / 20 / 0 / 10

HEX #A1B8E6

RGB 161 184 230

HSL 220, 0.58%, 0.77%

LAB 74.55, 2.59, -25.55

 

CMYK 31 / 19 / 0 / 90

HEX #12151A

RGB 18 21 26

HSL 217.5, 0.18%, 0.09%

LAB 6.68, 0.05, -3.91

 

CMYK 30 / 19 / 0 / 70

HEX #363E4D

RGB 54 62 77

HSL 219.13, 0.18%, 0.26%

LAB 26.06, 0.72, -10.2

 

CMYK 30 / 20 / 0 / 50

HEX #596680

RGB 89 102 128

HSL 220, 0.18%, 0.43%

LAB 43.04, 1.58, -16.09

 

CMYK 30 / 20 / 0 / 30

HEX #7D8FB3

RGB 125 143 179

HSL 220, 0.26%, 0.6%

LAB 59.21, 2.1, -20.95

 

CMYK 4 / 30 / 0 / 30

HEX #AC7EB3

RGB 172 126 179

HSL 292.08, 0.26%, 0.6%

LAB 58.93, 27.08, -21.03

 

CMYK 8 / 0 / 30 / 30

HEX #A5B37E

RGB 165 179 126

HSL 75.85, 0.26%, 0.6%

LAB 70.7, -13.93, 25.51

 

CMYK 30 / 20 / 0 / 30

HEX #7D8FB3

RGB 125 143 179

HSL 220, 0.26%, 0.6%

LAB 59.21, 2.1, -20.95

 

CMYK 0 / 30 / 20 / 30

HEX #B37E90

RGB 179 126 144

HSL 339.62, 0.26%, 0.6%

LAB 58.53, 23.25, -1.45

 

CMYK 20 / 0 / 30 / 30

HEX #90B37E

RGB 144 179 126

HSL 99.62, 0.26%, 0.6%

LAB 69.24, -21.8, 23.29

 

CMYK 30 / 20 / 0 / 30

HEX #7D8FB3

RGB 125 143 179

HSL 220, 0.26%, 0.6%

LAB 59.21, 2.1, -20.95

 

CMYK 4 / 30 / 0 / 30

HEX #AC7EB3

RGB 172 126 179

HSL 292.08, 0.26%, 0.6%

LAB 58.93, 27.08, -21.03

 

CMYK 0 / 10 / 30 / 30

HEX #B3A17E

RGB 179 161 126

HSL 39.62, 0.26%, 0.6%

LAB 66.96, 1.14, 20.65

 

CMYK 26 / 0 / 30 / 30

HEX #85B37E

RGB 133 179 126

HSL 112.08, 0.26%, 0.6%

LAB 68.56, -25.72, 22.26

 

CMYK 30 / 20 / 0 / 30

HEX #7D8FB3

RGB 125 143 179

HSL 220, 0.26%, 0.6%

LAB 59.21, 2.1, -20.95

 

CMYK 0 / 30 / 5 / 30

HEX #B37EAA

RGB 179 126 170

HSL 310.19, 0.26%, 0.6%

LAB 59.35, 27.72, -15.17

 

CMYK 0 / 10 / 30 / 30

HEX #B3A17E

RGB 179 161 126

HSL 39.62, 0.26%, 0.6%

LAB 66.96, 1.14, 20.65

 

CMYK 30 / 0 / 25 / 30

HEX #7EB387

RGB 126 179 135

HSL 130.19, 0.26%, 0.6%

LAB 68.33, -26.52, 17.01

 

Description

Color code: CMYK 30 / 20 / 0 / 30 | qconv.com Color code: CMYK 30 / 20 / 0 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 143 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 143 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 20 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 20% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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