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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8975D1 it is the complementary color #768A2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8975D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8975D1 shade: #8E75CC, #9F87DF, #B099F2, #C1ABFF and #D2BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8975D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8975D1 shade: #8975D1, #7863BE, #6751AB, #563F98 and #452D85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8975D1 shade: #8975D1, #A275D1, #BB75D1, #D175CF and #D175B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8975D1 shade: #8975D1 and #7575D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8975D1 shade matches the following richer shades: #8975D1, #8166E0, #7858EF and #7049FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8975D1 shade: #8975D1, #9284C2, #9A93B3, #A2A2A5 and #ABB196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8975D1 shade: #7592D1, #757AD1, #8975D1, #A275D1 and #BA75D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8975D1 shade: #573DB7, #6F56C7, #8975D1, #A494DB and #BEB3E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8975D1 shade: #8975D1, #D175AB and #86D175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8975D1 shade: #8975D1, #D18975 and #75D189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8975D1 shade: #8975D1, #D175AB, #BDD175 and #75D19C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8975D1 shade: #8975D1, #D1758F, #BDD175 and #75D1B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

Complementary color

CMYK 14 / 0 / 67 / 46

HEX #768A2E

RGB 118 138 46

HSL 73.04, 0.5%, 0.36%

LAB 54.27, -20.87, 45.14

 

CMYK 30 / 43 / 0 / 20

HEX #8E75CC

RGB 142 117 204

HSL 257.24, 0.46%, 0.63%

LAB 54.9, 28.73, -41.76

 

CMYK 29 / 39 / 0 / 13

HEX #9F87DF

RGB 159 135 223

HSL 256.36, 0.58%, 0.7%

LAB 61.68, 27.89, -41.67

 

CMYK 27 / 37 / 0 / 5

HEX #B099F2

RGB 176 153 242

HSL 255.51, 0.77%, 0.77%

LAB 68.33, 27.13, -41.62

 

CMYK 24 / 33 / 0 / 0

HEX #C1ABFF

RGB 193 171 255

HSL 255.71, 1%, 0.84%

LAB 74.62, 25.03, -38.76

 

CMYK 18 / 26 / 0 / 0

HEX #D2BDFF

RGB 210 189 255

HSL 259.09, 1%, 0.87%

LAB 80.36, 20.21, -29.79

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 37 / 48 / 0 / 25

HEX #7863BE

RGB 120 99 190

HSL 253.85, 0.41%, 0.57%

LAB 47.8, 29.68, -45.12

 

CMYK 40 / 53 / 0 / 33

HEX #6751AB

RGB 103 81 171

HSL 254.67, 0.36%, 0.49%

LAB 40.75, 30.81, -45.34

 

CMYK 43 / 59 / 0 / 40

HEX #563F98

RGB 86 63 152

HSL 255.51, 0.41%, 0.42%

LAB 33.56, 32.1, -45.57

 

CMYK 48 / 66 / 0 / 48

HEX #452D85

RGB 69 45 133

HSL 256.36, 0.49%, 0.35%

LAB 26.26, 33.5, -45.77

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 22 / 44 / 0 / 18

HEX #A275D1

RGB 162 117 209

HSL 269.35, 0.5%, 0.64%

LAB 57.08, 35.59, -41.02

 

CMYK 11 / 44 / 0 / 18

HEX #BB75D1

RGB 187 117 209

HSL 285.65, 0.5%, 0.64%

LAB 59.79, 42.83, -36.58

 

CMYK 0 / 44 / 1 / 18

HEX #D175CF

RGB 209 117 207

HSL 301.3, 0.5%, 0.64%

LAB 62.32, 48.95, -31.31

 

CMYK 0 / 44 / 13 / 18

HEX #D175B6

RGB 209 117 182

HSL 317.61, 0.5%, 0.64%

LAB 61.36, 44.67, -18.65

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 44 / 44 / 0 / 18

HEX #7575D1

RGB 117 117 209

HSL 240, 0.5%, 0.64%

LAB 53.07, 23.53, -47.63

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 42 / 54 / 0 / 12

HEX #8166E0

RGB 129 102 224

HSL 253.28, 0.66%, 0.64%

LAB 51.33, 39.53, -58.85

 

CMYK 50 / 63 / 0 / 6

HEX #7858EF

RGB 120 88 239

HSL 252.72, 0.83%, 0.64%

LAB 48.52, 49.84, -71.88

 

CMYK 56 / 71 / 0 / 0

HEX #7049FE

RGB 112 73 254

HSL 252.93, 0.99%, 0.64%

LAB 46.13, 60.69, -84.2

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 25 / 32 / 0 / 24

HEX #9284C2

RGB 146 132 194

HSL 253.55, 0.34%, 0.64%

LAB 58.52, 18.64, -30.4

 

CMYK 14 / 18 / 0 / 30

HEX #9A93B3

RGB 154 147 179

HSL 253.13, 0.17%, 0.64%

LAB 62.5, 9.09, -15.75

 

CMYK 2 / 2 / 0 / 35

HEX #A2A2A5

RGB 162 162 165

HSL 240, 0.02%, 0.64%

LAB 66.7, 0.58, -1.56

 

CMYK 3 / 0 / 15 / 31

HEX #ABB196

RGB 171 177 150

HSL 73.33, 0.15%, 0.64%

LAB 71.08, -6.93, 13.11

 

CMYK 44 / 30 / 0 / 18

HEX #7592D1

RGB 117 146 209

HSL 221.09, 0.5%, 0.64%

LAB 60.73, 6.35, -35.56

 

CMYK 44 / 42 / 0 / 18

HEX #757AD1

RGB 117 122 209

HSL 236.74, 0.5%, 0.64%

LAB 54.35, 20.53, -45.6

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 22 / 44 / 0 / 18

HEX #A275D1

RGB 162 117 209

HSL 269.35, 0.5%, 0.64%

LAB 57.08, 35.59, -41.02

 

CMYK 11 / 44 / 0 / 18

HEX #BA75D1

RGB 186 117 209

HSL 285, 0.5%, 0.64%

LAB 59.68, 42.54, -36.77

 

CMYK 52 / 67 / 0 / 28

HEX #573DB7

RGB 87 61 183

HSL 252.79, 0.5%, 0.48%

LAB 35.56, 42.72, -60.9

 

CMYK 44 / 57 / 0 / 22

HEX #6F56C7

RGB 111 86 199

HSL 253.27, 0.5%, 0.56%

LAB 44.46, 37.74, -55.71

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 25 / 32 / 0 / 14

HEX #A494DB

RGB 164 148 219

HSL 253.52, 0.5%, 0.72%

LAB 65.11, 20.93, -34.06

 

CMYK 17 / 22 / 0 / 10

HEX #BEB3E6

RGB 190 179 230

HSL 252.94, 0.5%, 0.8%

LAB 75.39, 14.07, -24.08

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 0 / 44 / 18 / 18

HEX #D175AB

RGB 209 117 171

HSL 324.78, 0.5%, 0.64%

LAB 60.97, 42.93, -12.94

 

CMYK 36 / 0 / 44 / 18

HEX #86D175

RGB 134 209 117

HSL 108.91, 0.5%, 0.64%

LAB 77.25, -40.72, 38.36

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 0 / 34 / 44 / 18

HEX #D18975

RGB 209 137 117

HSL 13.04, 0.5%, 0.64%

LAB 63.94, 25.21, 22.06

 

CMYK 44 / 0 / 34 / 18

HEX #75D189

RGB 117 209 137

HSL 133.04, 0.5%, 0.64%

LAB 76.79, -42.78, 27.4

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 0 / 44 / 18 / 18

HEX #D175AB

RGB 209 117 171

HSL 324.78, 0.5%, 0.64%

LAB 60.97, 42.93, -12.94

 

CMYK 10 / 0 / 44 / 18

HEX #BDD175

RGB 189 209 117

HSL 73.04, 0.5%, 0.64%

LAB 80.57, -20.89, 43.24

 

CMYK 44 / 0 / 25 / 18

HEX #75D19C

RGB 117 209 156

HSL 145.43, 0.5%, 0.64%

LAB 77.15, -39.29, 17.91

 

CMYK 34 / 44 / 0 / 18

HEX #8975D1

RGB 137 117 209

HSL 253.04, 0.5%, 0.64%

LAB 54.7, 28.67, -44.94

 

CMYK 0 / 44 / 32 / 18

HEX #D1758F

RGB 209 117 143

HSL 343.04, 0.5%, 0.64%

LAB 60.12, 38.97, 1.89

 

CMYK 10 / 0 / 44 / 18

HEX #BDD175

RGB 189 209 117

HSL 73.04, 0.5%, 0.64%

LAB 80.57, -20.89, 43.24

 

CMYK 44 / 0 / 12 / 18

HEX #75D1B7

RGB 117 209 183

HSL 163.04, 0.5%, 0.64%

LAB 77.76, -33.59, 4.37

 

Description

Color code: HEX #8975D1 | qconv.com Color code: HEX #8975D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 117 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 117 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 44 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 44% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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