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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8952F0 it is the complementary color #76AD0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8952F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8952F0 shade: #8E52EB, #9F64FE, #B076FF, #C188FF and #D29AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8952F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8952F0 shade: #8952F0, #7840DD, #672ECA, #561CB7 and #450AA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8952F0 shade: #8951F0, #B351F0, #DE51F0, #F051D7 and #F051AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8952F0 shade: #8951F0, #5E51F0 and #5151F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8952F0 shade matches the following richer shades: #8951F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8952F0 shade: #8951F0, #8D61E1, #9270D1, #967FC2 and #9B8EB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8952F0 shade: #5171F0, #5C51F0, #8651F0, #B151F0 and #DB51F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8952F0 shade: #5913DC, #6F2BED, #8951F0, #A277F3 and #BC9DF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8952F0 shade: #8952F0, #F0519B and #5CF051

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8952F0 shade: #8952F0, #F08651 and #51F086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8952F0 shade: #8952F0, #F0519B, #BBF051 and #51F0A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8952F0 shade: #8952F0, #F0516C, #BBF051 and #51F0D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 66 / 0 / 6

HEX #8952F0

RGB 137 82 240

HSL 260.89, 0.84%, 0.63%

LAB 49.06, 56.41, -71.48

 

Complementary color

CMYK 32 / 0 / 91 / 32

HEX #76AD0F

RGB 118 173 15

HSL 80.89, 0.84%, 0.37%

LAB 64.78, -38.89, 64.09

 

CMYK 40 / 65 / 0 / 8

HEX #8E52EB

RGB 142 82 235

HSL 263.53, 0.79%, 0.62%

LAB 49.23, 56.08, -68.37

 

CMYK 37 / 61 / 0 / 0

HEX #9F64FE

RGB 159 100 254

HSL 262.99, 0.99%, 0.69%

LAB 55.73, 55.07, -68.37

 

CMYK 31 / 54 / 0 / 0

HEX #B076FF

RGB 176 118 255

HSL 265.4, 1%, 0.73%

LAB 61.14, 49.65, -60.13

 

CMYK 24 / 47 / 0 / 0

HEX #C188FF

RGB 193 136 255

HSL 268.74, 1%, 0.77%

LAB 66.65, 44.26, -51.27

 

CMYK 18 / 40 / 0 / 0

HEX #D29AFF

RGB 210 154 255

HSL 273.27, 1%, 0.8%

LAB 72.25, 39.24, -42.34

 

CMYK 43 / 66 / 0 / 6

HEX #8952F0

RGB 137 82 240

HSL 260.89, 0.84%, 0.63%

LAB 49.06, 56.41, -71.48

 

CMYK 46 / 71 / 0 / 13

HEX #7840DD

RGB 120 64 221

HSL 261.4, 0.7%, 0.56%

LAB 42.58, 57.39, -71.36

 

CMYK 49 / 77 / 0 / 21

HEX #672ECA

RGB 103 46 202

HSL 261.92, 0.63%, 0.49%

LAB 36.18, 58.07, -70.97

 

CMYK 53 / 85 / 0 / 28

HEX #561CB7

RGB 86 28 183

HSL 262.45, 0.73%, 0.41%

LAB 29.98, 58.1, -70.06

 

CMYK 58 / 94 / 0 / 36

HEX #450AA4

RGB 69 10 164

HSL 262.99, 0.89%, 0.34%

LAB 24.2, 56.82, -68.26

 

CMYK 43 / 66 / 0 / 6

HEX #8951F0

RGB 137 81 240

HSL 261.13, 0.84%, 0.63%

LAB 48.88, 56.91, -71.78

 

CMYK 25 / 66 / 0 / 6

HEX #B351F0

RGB 179 81 240

HSL 276.98, 0.84%, 0.63%

LAB 53.77, 65.2, -63.62

 

CMYK 8 / 66 / 0 / 6

HEX #DE51F0

RGB 222 81 240

HSL 293.21, 0.84%, 0.63%

LAB 59.62, 74.4, -53.93

 

CMYK 0 / 66 / 10 / 6

HEX #F051D7

RGB 240 81 215

HSL 309.43, 0.84%, 0.63%

LAB 61.06, 74.53, -37.46

 

CMYK 0 / 66 / 28 / 6

HEX #F051AC

RGB 240 81 172

HSL 325.66, 0.84%, 0.63%

LAB 59.33, 68.77, -15.56

 

CMYK 43 / 66 / 0 / 6

HEX #8951F0

RGB 137 81 240

HSL 261.13, 0.84%, 0.63%

LAB 48.88, 56.91, -71.78

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 66 / 66 / 0 / 6

HEX #5151F0

RGB 81 81 240

HSL 240, 0.84%, 0.63%

LAB 44.13, 48.13, -79.74

 

CMYK 43 / 66 / 0 / 6

HEX #8951F0

RGB 137 81 240

HSL 261.13, 0.84%, 0.63%

LAB 48.88, 56.91, -71.78

 

CMYK 43 / 66 / 0 / 6

HEX #8951F0

RGB 137 81 240

HSL 261.13, 0.84%, 0.63%

LAB 48.88, 56.91, -71.78

 

CMYK 37 / 57 / 0 / 12

HEX #8D61E1

RGB 141 97 225

HSL 260.63, 0.68%, 0.63%

LAB 51.44, 45.35, -59.18

 

CMYK 30 / 46 / 0 / 18

HEX #9270D1

RGB 146 112 209

HSL 261.03, 0.51%, 0.63%

LAB 54.35, 33.99, -45.45

 

CMYK 23 / 35 / 0 / 24

HEX #967FC2

RGB 150 127 194

HSL 260.6, 0.35%, 0.63%

LAB 57.61, 22.77, -31.77

 

CMYK 13 / 21 / 0 / 30

HEX #9B8EB3

RGB 155 142 179

HSL 261.08, 0.2%, 0.63%

LAB 61.28, 12.27, -17.59

 

CMYK 66 / 53 / 0 / 6

HEX #5171F0

RGB 81 113 240

HSL 227.92, 0.84%, 0.63%

LAB 51.67, 28.8, -67.45

 

CMYK 62 / 66 / 0 / 6

HEX #5C51F0

RGB 92 81 240

HSL 244.15, 0.84%, 0.63%

LAB 44.87, 49.57, -78.48

 

CMYK 44 / 66 / 0 / 6

HEX #8651F0

RGB 134 81 240

HSL 260, 0.84%, 0.63%

LAB 48.57, 56.37, -72.3

 

CMYK 26 / 66 / 0 / 6

HEX #B151F0

RGB 177 81 240

HSL 276.23, 0.84%, 0.63%

LAB 53.52, 64.79, -64.05

 

CMYK 9 / 66 / 0 / 6

HEX #DB51F0

RGB 219 81 240

HSL 292.08, 0.84%, 0.63%

LAB 59.19, 73.75, -54.64

 

CMYK 60 / 91 / 0 / 14

HEX #5913DC

RGB 89 19 220

HSL 260.9, 0.84%, 0.47%

LAB 33.47, 69.96, -85.91

 

CMYK 53 / 82 / 0 / 7

HEX #6F2BED

RGB 111 43 237

HSL 261.03, 0.84%, 0.55%

LAB 39.95, 69.07, -84.82

 

CMYK 43 / 66 / 0 / 6

HEX #8951F0

RGB 137 81 240

HSL 261.13, 0.84%, 0.63%

LAB 48.88, 56.91, -71.78

 

CMYK 33 / 51 / 0 / 5

HEX #A277F3

RGB 162 119 243

HSL 260.81, 0.84%, 0.71%

LAB 59.29, 42.75, -56.54

 

CMYK 24 / 36 / 0 / 3

HEX #BC9DF7

RGB 188 157 247

HSL 260.67, 0.85%, 0.79%

LAB 70.54, 29.49, -40.82

 

CMYK 43 / 66 / 0 / 6

HEX #8952F0

RGB 137 82 240

HSL 260.89, 0.84%, 0.63%

LAB 49.06, 56.41, -71.48

 

CMYK 0 / 66 / 35 / 6

HEX #F0519B

RGB 240 81 155

HSL 332.08, 0.84%, 0.63%

LAB 58.77, 66.83, -6.53

 

CMYK 62 / 0 / 66 / 6

HEX #5CF051

RGB 92 240 81

HSL 115.85, 0.84%, 0.63%

LAB 84.58, -68.26, 62.81

 

CMYK 43 / 66 / 0 / 6

HEX #8952F0

RGB 137 82 240

HSL 260.89, 0.84%, 0.63%

LAB 49.06, 56.41, -71.48

 

CMYK 0 / 44 / 66 / 6

HEX #F08651

RGB 240 134 81

HSL 20, 0.84%, 0.63%

LAB 66.65, 36.16, 45.7

 

CMYK 66 / 0 / 44 / 6

HEX #51F086

RGB 81 240 134

HSL 140, 0.84%, 0.63%

LAB 84.89, -63.78, 39.33

 

CMYK 43 / 66 / 0 / 6

HEX #8952F0

RGB 137 82 240

HSL 260.89, 0.84%, 0.63%

LAB 49.06, 56.41, -71.48

 

CMYK 0 / 66 / 35 / 6

HEX #F0519B

RGB 240 81 155

HSL 332.08, 0.84%, 0.63%

LAB 58.77, 66.83, -6.53

 

CMYK 22 / 0 / 66 / 6

HEX #BBF051

RGB 187 240 81

HSL 80, 0.84%, 0.63%

LAB 88.68, -39.29, 68.39

 

CMYK 66 / 0 / 31 / 6

HEX #51F0A6

RGB 81 240 166

HSL 152.08, 0.84%, 0.63%

LAB 85.41, -58, 23.93

 

CMYK 43 / 66 / 0 / 6

HEX #8952F0

RGB 137 82 240

HSL 260.89, 0.84%, 0.63%

LAB 49.06, 56.41, -71.48

 

CMYK 0 / 66 / 55 / 6

HEX #F0516C

RGB 240 81 108

HSL 349.81, 0.84%, 0.63%

LAB 57.55, 62.54, 19.3

 

CMYK 22 / 0 / 66 / 6

HEX #BBF051

RGB 187 240 81

HSL 80, 0.84%, 0.63%

LAB 88.68, -39.29, 68.39

 

CMYK 66 / 0 / 11 / 6

HEX #51F0D5

RGB 81 240 213

HSL 169.81, 0.84%, 0.63%

LAB 86.44, -47.4, 0.95

 

Description

Color code: HEX #8952F0 | qconv.com Color code: HEX #8952F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 82 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 82 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 66 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 66% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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