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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E51F0 it is the complementary color #A1AE0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E51F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E51F0 shade: #6351EB, #7463FE, #8575FF, #9687FF and #A799FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E51F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E51F0 shade: #5E51F0, #4D3FDD, #3C2DCA, #2B1BB7 and #1A09A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E51F0 shade: #5E51F0, #8951F0, #B451F0, #DF51F0 and #F051D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E51F0 shade: #5E51F0 and #5151F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E51F0 shade matches the following richer shades: #5E51F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E51F0 shade: #5E51F0, #6B61E1, #7870D1, #857FC2 and #918EB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E51F0 shade: #519BF0, #5171F0, #5C51F0, #8651F0 and #B151F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E51F0 shade: #2413DC, #3B2BED, #5E51F0, #8177F3 and #A59DF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E51F0 shade: #5E51F0, #F051C6 and #86F051

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E51F0 shade: #5E51F0, #F05C51 and #51F05C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E51F0 shade: #5E51F0, #F051C6, #E5F051 and #51F07C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E51F0 shade: #5E51F0, #F05196, #E5F051 and #51F0AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

Complementary color

CMYK 7 / 0 / 91 / 32

HEX #A1AE0F

RGB 161 174 15

HSL 64.91, 0.84%, 0.37%

LAB 67.93, -21.66, 67.82

 

CMYK 58 / 66 / 0 / 8

HEX #6351EB

RGB 99 81 235

HSL 247.01, 0.79%, 0.62%

LAB 44.99, 49.06, -75.45

 

CMYK 54 / 61 / 0 / 0

HEX #7463FE

RGB 116 99 254

HSL 246.58, 0.99%, 0.69%

LAB 51.6, 47.35, -75.24

 

CMYK 48 / 54 / 0 / 0

HEX #8575FF

RGB 133 117 255

HSL 246.96, 1%, 0.73%

LAB 57.01, 40.55, -66.98

 

CMYK 41 / 47 / 0 / 0

HEX #9687FF

RGB 150 135 255

HSL 247.5, 1%, 0.76%

LAB 62.53, 33.96, -58.04

 

CMYK 35 / 40 / 0 / 0

HEX #A799FF

RGB 167 153 255

HSL 248.24, 1%, 0.8%

LAB 68.18, 27.94, -49

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 65 / 71 / 0 / 13

HEX #4D3FDD

RGB 77 63 221

HSL 245.32, 0.7%, 0.56%

LAB 38.47, 51.76, -78.26

 

CMYK 70 / 78 / 0 / 21

HEX #3C2DCA

RGB 60 45 202

HSL 245.73, 0.64%, 0.48%

LAB 32.04, 53.58, -77.93

 

CMYK 77 / 85 / 0 / 28

HEX #2B1BB7

RGB 43 27 183

HSL 246.15, 0.74%, 0.41%

LAB 25.91, 54.88, -76.92

 

CMYK 84 / 95 / 0 / 36

HEX #1A09A4

RGB 26 9 164

HSL 246.58, 0.9%, 0.34%

LAB 20.42, 54.81, -74.65

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 43 / 66 / 0 / 6

HEX #8951F0

RGB 137 81 240

HSL 261.13, 0.84%, 0.63%

LAB 48.88, 56.91, -71.78

 

CMYK 25 / 66 / 0 / 6

HEX #B451F0

RGB 180 81 240

HSL 277.36, 0.84%, 0.63%

LAB 53.9, 65.41, -63.41

 

CMYK 7 / 66 / 0 / 6

HEX #DF51F0

RGB 223 81 240

HSL 293.58, 0.84%, 0.63%

LAB 59.77, 74.62, -53.69

 

CMYK 0 / 66 / 11 / 6

HEX #F051D6

RGB 240 81 214

HSL 309.81, 0.84%, 0.63%

LAB 61.01, 74.38, -36.97

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 66 / 66 / 0 / 6

HEX #5151F0

RGB 81 81 240

HSL 240, 0.84%, 0.63%

LAB 44.13, 48.13, -79.74

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 52 / 57 / 0 / 12

HEX #6B61E1

RGB 107 97 225

HSL 244.69, 0.68%, 0.63%

LAB 48.4, 38.13, -64.23

 

CMYK 43 / 46 / 0 / 18

HEX #7870D1

RGB 120 112 209

HSL 244.95, 0.51%, 0.63%

LAB 52.05, 27.27, -49.25

 

CMYK 31 / 35 / 0 / 24

HEX #857FC2

RGB 133 127 194

HSL 245.37, 0.35%, 0.63%

LAB 56.15, 17.7, -34.17

 

CMYK 19 / 21 / 0 / 30

HEX #918EB3

RGB 145 142 179

HSL 244.86, 0.2%, 0.63%

LAB 60.45, 8.97, -18.94

 

CMYK 66 / 35 / 0 / 6

HEX #519BF0

RGB 81 155 240

HSL 212.08, 0.84%, 0.63%

LAB 62.91, 3.45, -49.45

 

CMYK 66 / 53 / 0 / 6

HEX #5171F0

RGB 81 113 240

HSL 227.92, 0.84%, 0.63%

LAB 51.67, 28.8, -67.45

 

CMYK 62 / 66 / 0 / 6

HEX #5C51F0

RGB 92 81 240

HSL 244.15, 0.84%, 0.63%

LAB 44.87, 49.57, -78.48

 

CMYK 44 / 66 / 0 / 6

HEX #8651F0

RGB 134 81 240

HSL 260, 0.84%, 0.63%

LAB 48.57, 56.37, -72.3

 

CMYK 26 / 66 / 0 / 6

HEX #B151F0

RGB 177 81 240

HSL 276.23, 0.84%, 0.63%

LAB 53.52, 64.79, -64.05

 

CMYK 84 / 91 / 0 / 14

HEX #2413DC

RGB 36 19 220

HSL 245.07, 0.84%, 0.47%

LAB 29.43, 67.46, -92.74

 

CMYK 75 / 82 / 0 / 7

HEX #3B2BED

RGB 59 43 237

HSL 244.95, 0.84%, 0.55%

LAB 35.54, 64.72, -92.26

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 47 / 51 / 0 / 5

HEX #8177F3

RGB 129 119 243

HSL 244.84, 0.84%, 0.71%

LAB 56.42, 35.06, -61.3

 

CMYK 33 / 36 / 0 / 3

HEX #A59DF7

RGB 165 157 247

HSL 245.33, 0.85%, 0.79%

LAB 68.63, 23.08, -43.95

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 0 / 66 / 18 / 6

HEX #F051C6

RGB 240 81 198

HSL 315.85, 0.84%, 0.63%

LAB 60.33, 72.12, -28.97

 

CMYK 44 / 0 / 66 / 6

HEX #86F051

RGB 134 240 81

HSL 100, 0.84%, 0.63%

LAB 86, -57.37, 64.75

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 0 / 62 / 66 / 6

HEX #F05C51

RGB 240 92 81

HSL 4.15, 0.84%, 0.63%

LAB 58.76, 56.29, 36.39

 

CMYK 66 / 0 / 62 / 6

HEX #51F05C

RGB 81 240 92

HSL 124.15, 0.84%, 0.63%

LAB 84.4, -69.39, 58.07

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 0 / 66 / 18 / 6

HEX #F051C6

RGB 240 81 198

HSL 315.85, 0.84%, 0.63%

LAB 60.33, 72.12, -28.97

 

CMYK 5 / 0 / 66 / 6

HEX #E5F051

RGB 229 240 81

HSL 64.15, 0.84%, 0.63%

LAB 91.49, -22.91, 72.18

 

CMYK 66 / 0 / 48 / 6

HEX #51F07C

RGB 81 240 124

HSL 136.23, 0.84%, 0.63%

LAB 84.75, -65.32, 44

 

CMYK 61 / 66 / 0 / 6

HEX #5E51F0

RGB 94 81 240

HSL 244.91, 0.84%, 0.63%

LAB 45.02, 49.85, -78.24

 

CMYK 0 / 66 / 38 / 6

HEX #F05196

RGB 240 81 150

HSL 333.96, 0.84%, 0.63%

LAB 58.61, 66.3, -3.84

 

CMYK 5 / 0 / 66 / 6

HEX #E5F051

RGB 229 240 81

HSL 64.15, 0.84%, 0.63%

LAB 91.49, -22.91, 72.18

 

CMYK 66 / 0 / 29 / 6

HEX #51F0AB

RGB 81 240 171

HSL 153.96, 0.84%, 0.63%

LAB 85.51, -56.99, 21.49

 

Description

Color code: HEX #5E51F0 | qconv.com Color code: HEX #5E51F0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 81 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 81 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 66 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 66% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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