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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89184C it is the complementary color #76E7B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89184C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89184C shade: #8E1847, #9F2A5A, #B03C6D, #C14E80 and #D26093

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89184C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89184C shade: #89184C, #780639, #670026, #560013 and #450000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89184C shade: #8B184D, #8B182E and #8B1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89184C shade: #8B184D, #8B186C, #8B188B, #6C188B and #4D188B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89184C shade matches the following richer shades: #8B184D and #980B4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89184C shade: #8B184D, #7E264E, #70334F, #634050 and #564D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89184C shade: #8B188B, #8B186C, #8B184E, #8B182F and #8B2018

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89184C shade: #450C26, #68123A, #8B184D, #AE1F61 and #D12574

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89184C shade: #89184C, #8B6C18 and #187B8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89184C shade: #89184C, #4E8B18 and #184E8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89184C shade: #89184C, #8B6C18, #188B55 and #18378B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89184C shade: #89184C, #878B18, #188B55 and #1C188B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 45 / 46

HEX #89184C

RGB 137 24 76

HSL 332.39, 0.7%, 0.32%

LAB 30.62, 49.5, -1.45

 

Complementary color

CMYK 49 / 0 / 23 / 9

HEX #76E7B3

RGB 118 231 179

HSL 152.39, 0.7%, 0.68%

LAB 84.1, -44.14, 15.54

 

CMYK 0 / 83 / 50 / 44

HEX #8E1847

RGB 142 24 71

HSL 336.1, 0.71%, 0.33%

LAB 31.48, 50.4, 3.22

 

CMYK 0 / 74 / 43 / 38

HEX #9F2A5A

RGB 159 42 90

HSL 335.38, 0.58%, 0.39%

LAB 37.42, 51.31, -0.09

 

CMYK 0 / 66 / 38 / 31

HEX #B03C6D

RGB 176 60 109

HSL 334.66, 0.49%, 0.46%

LAB 43.6, 51.38, -2.58

 

CMYK 0 / 60 / 34 / 24

HEX #C14E80

RGB 193 78 128

HSL 333.91, 0.48%, 0.53%

LAB 49.91, 51, -4.52

 

CMYK 0 / 54 / 30 / 18

HEX #D26093

RGB 210 96 147

HSL 333.16, 0.56%, 0.6%

LAB 56.26, 50.38, -6.09

 

CMYK 0 / 82 / 45 / 46

HEX #89184C

RGB 137 24 76

HSL 332.39, 0.7%, 0.32%

LAB 30.62, 49.5, -1.45

 

CMYK 0 / 95 / 53 / 53

HEX #780639

RGB 120 6 57

HSL 333.16, 0.9%, 0.25%

LAB 25.01, 47.26, 2.74

 

CMYK 0 / 100 / 63 / 60

HEX #670026

RGB 103 0 38

HSL 337.86, 1%, 0.2%

LAB 20.14, 42.69, 8.64

 

CMYK 0 / 100 / 78 / 66

HEX #560013

RGB 86 0 19

HSL 346.74, 1%, 0.17%

LAB 15.62, 36.97, 15.51

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69 0 0

HSL 0, 1%, 0.14%

LAB 11.03, 31.28, 17.37

 

CMYK 0 / 83 / 45 / 45

HEX #8B184D

RGB 139 24 77

HSL 332.35, 0.71%, 0.32%

LAB 31.06, 50.14, -1.43

 

CMYK 0 / 83 / 67 / 45

HEX #8B182E

RGB 139 24 46

HSL 348.52, 0.71%, 0.32%

LAB 30.25, 47.7, 18

 

CMYK 0 / 83 / 83 / 45

HEX #8B1818

RGB 139 24 24

HSL 0, 0.71%, 0.32%

LAB 29.93, 46.7, 31.51

 

CMYK 0 / 83 / 45 / 45

HEX #8B184D

RGB 139 24 77

HSL 332.35, 0.71%, 0.32%

LAB 31.06, 50.14, -1.43

 

CMYK 0 / 83 / 22 / 45

HEX #8B186C

RGB 139 24 108

HSL 316.17, 0.71%, 0.32%

LAB 32.31, 53.79, -19.67

 

CMYK 0 / 83 / 0 / 45

HEX #8B188B

RGB 139 24 139

HSL 300, 0.71%, 0.32%

LAB 34, 58.46, -36.51

 

CMYK 22 / 83 / 0 / 45

HEX #6C188B

RGB 108 24 139

HSL 283.83, 0.71%, 0.32%

LAB 28.66, 52.43, -45.37

 

CMYK 45 / 83 / 0 / 45

HEX #4D188B

RGB 77 24 139

HSL 267.65, 0.71%, 0.32%

LAB 23.98, 47.21, -53.19

 

CMYK 0 / 83 / 45 / 45

HEX #8B184D

RGB 139 24 77

HSL 332.35, 0.71%, 0.32%

LAB 31.06, 50.14, -1.43

 

CMYK 0 / 93 / 50 / 40

HEX #980B4C

RGB 152 11 76

HSL 332.34, 0.87%, 0.32%

LAB 32.78, 56.12, 2.06

 

CMYK 0 / 83 / 45 / 45

HEX #8B184D

RGB 139 24 77

HSL 332.35, 0.71%, 0.32%

LAB 31.06, 50.14, -1.43

 

CMYK 0 / 70 / 38 / 51

HEX #7E264E

RGB 126 38 78

HSL 332.73, 0.54%, 0.32%

LAB 30.33, 41.51, -3.45

 

CMYK 0 / 54 / 29 / 56

HEX #70334F

RGB 112 51 79

HSL 332.46, 0.37%, 0.32%

LAB 30.34, 30.45, -4.35

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 10 / 6 / 66

HEX #564D51

RGB 86 77 81

HSL 333.33, 0.06%, 0.32%

LAB 33.73, 4.55, -1

 

CMYK 0 / 83 / 0 / 45

HEX #8B188B

RGB 139 24 139

HSL 300, 0.71%, 0.32%

LAB 34, 58.46, -36.51

 

CMYK 0 / 83 / 22 / 45

HEX #8B186C

RGB 139 24 108

HSL 316.17, 0.71%, 0.32%

LAB 32.31, 53.79, -19.67

 

CMYK 0 / 83 / 44 / 45

HEX #8B184E

RGB 139 24 78

HSL 331.83, 0.71%, 0.32%

LAB 31.1, 50.24, -2.04

 

CMYK 0 / 83 / 66 / 45

HEX #8B182F

RGB 139 24 47

HSL 348, 0.71%, 0.32%

LAB 30.27, 47.76, 17.37

 

CMYK 0 / 77 / 83 / 45

HEX #8B2018

RGB 139 32 24

HSL 4.17, 0.71%, 0.32%

LAB 30.85, 44.13, 32.42

 

CMYK 0 / 83 / 45 / 73

HEX #450C26

RGB 69 12 38

HSL 332.63, 0.7%, 0.16%

LAB 13.64, 29.12, -1.68

 

CMYK 0 / 83 / 44 / 59

HEX #68123A

RGB 104 18 58

HSL 332.09, 0.7%, 0.24%

LAB 22.59, 40.1, -1.9

 

CMYK 0 / 83 / 45 / 45

HEX #8B184D

RGB 139 24 77

HSL 332.35, 0.71%, 0.32%

LAB 31.06, 50.14, -1.43

 

CMYK 0 / 82 / 44 / 32

HEX #AE1F61

RGB 174 31 97

HSL 332.31, 0.7%, 0.4%

LAB 39.31, 59.49, -1.43

 

CMYK 0 / 82 / 44 / 18

HEX #D12574

RGB 209 37 116

HSL 332.44, 0.7%, 0.48%

LAB 47.16, 68.61, -0.98

 

CMYK 0 / 82 / 45 / 46

HEX #89184C

RGB 137 24 76

HSL 332.39, 0.7%, 0.32%

LAB 30.62, 49.5, -1.45

 

CMYK 0 / 22 / 83 / 45

HEX #8B6C18

RGB 139 108 24

HSL 43.83, 0.71%, 0.32%

LAB 47.34, 4.06, 47.78

 

CMYK 83 / 12 / 0 / 45

HEX #187B8B

RGB 24 123 139

HSL 188.35, 0.71%, 0.32%

LAB 47.27, -21.04, -16.44

 

CMYK 0 / 82 / 45 / 46

HEX #89184C

RGB 137 24 76

HSL 332.39, 0.7%, 0.32%

LAB 30.62, 49.5, -1.45

 

CMYK 44 / 0 / 83 / 45

HEX #4E8B18

RGB 78 139 24

HSL 91.83, 0.71%, 0.32%

LAB 52.01, -38.6, 50.26

 

CMYK 83 / 44 / 0 / 45

HEX #184E8B

RGB 24 78 139

HSL 211.83, 0.71%, 0.32%

LAB 32.93, 6, -38.85

 

CMYK 0 / 82 / 45 / 46

HEX #89184C

RGB 137 24 76

HSL 332.39, 0.7%, 0.32%

LAB 30.62, 49.5, -1.45

 

CMYK 0 / 22 / 83 / 45

HEX #8B6C18

RGB 139 108 24

HSL 43.83, 0.71%, 0.32%

LAB 47.34, 4.06, 47.78

 

CMYK 83 / 0 / 39 / 45

HEX #188B55

RGB 24 139 85

HSL 151.83, 0.71%, 0.32%

LAB 51.05, -43.54, 20.45

 

CMYK 83 / 60 / 0 / 45

HEX #18378B

RGB 24 55 139

HSL 223.83, 0.71%, 0.32%

LAB 26.13, 21.85, -49.85

 

CMYK 0 / 82 / 45 / 46

HEX #89184C

RGB 137 24 76

HSL 332.39, 0.7%, 0.32%

LAB 30.62, 49.5, -1.45

 

CMYK 3 / 0 / 83 / 45

HEX #878B18

RGB 135 139 24

HSL 62.09, 0.71%, 0.32%

LAB 55.77, -15.01, 55.04

 

CMYK 83 / 0 / 39 / 45

HEX #188B55

RGB 24 139 85

HSL 151.83, 0.71%, 0.32%

LAB 51.05, -43.54, 20.45

 

CMYK 80 / 83 / 0 / 45

HEX #1C188B

RGB 28 24 139

HSL 242.09, 0.71%, 0.32%

LAB 19.07, 41.81, -61.46

 

Description

Color code: HEX #89184C | qconv.com Color code: HEX #89184C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 24 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 24 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 45 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 45% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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