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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #634050 it is the complementary color #9CBFAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #634050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #634050 shade: #68404B, #79525E, #8A6471, #9B7684 and #AC8897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #634050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #634050 shade: #634050, #522E3D, #411C2A, #300A17 and #1F0004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #634050 shade: #634050, #634047 and #634040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #634050 shade: #634050, #634059, #634063, #5A4063 and #504063

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #634050 shade matches the following richer shades: #634050, #70334F, #7D264E, #8A194D and #980C4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #634050 shade: #634050, #564E51, #485B52, #3B6854 and #2E7555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #634050 shade: #634063, #63405A, #634050, #634047 and #634340

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #634050 shade: #312028, #4A303C, #634050, #7C5164 and #956179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #634050 shade: #634050, #635A40 and #405E63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #634050 shade: #634050, #506340 and #405063

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #634050 shade: #634050, #635A40, #406353 and #404A63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #634050 shade: #634050, #626340, #406353 and #424063

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

Complementary color

CMYK 18 / 0 / 8 / 25

HEX #9CBFAF

RGB 156 191 175

HSL 152.57, 0.21%, 0.68%

LAB 74.46, -14.98, 4.18

 

CMYK 0 / 38 / 28 / 59

HEX #68404B

RGB 104 64 75

HSL 343.5, 0.24%, 0.33%

LAB 32.07, 19.09, 0.66

 

CMYK 0 / 32 / 22 / 53

HEX #79525E

RGB 121 82 94

HSL 341.54, 0.19%, 0.4%

LAB 39.42, 18.21, -0.37

 

CMYK 0 / 28 / 18 / 46

HEX #8A6471

RGB 138 100 113

HSL 339.47, 0.16%, 0.47%

LAB 46.59, 17.44, -1.25

 

CMYK 0 / 24 / 15 / 39

HEX #9B7684

RGB 155 118 132

HSL 337.3, 0.16%, 0.54%

LAB 53.59, 16.77, -2.03

 

CMYK 0 / 21 / 12 / 33

HEX #AC8897

RGB 172 136 151

HSL 335, 0.18%, 0.6%

LAB 60.44, 16.18, -2.75

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 44 / 26 / 68

HEX #522E3D

RGB 82 46 61

HSL 335, 0.28%, 0.25%

LAB 23.95, 18.81, -2.38

 

CMYK 0 / 57 / 35 / 75

HEX #411C2A

RGB 65 28 42

HSL 337.3, 0.4%, 0.18%

LAB 16.11, 19.83, -1.03

 

CMYK 0 / 79 / 52 / 81

HEX #300A17

RGB 48 10 23

HSL 339.47, 0.66%, 0.11%

LAB 8.19, 20.63, 1.15

 

CMYK 0 / 100 / 87 / 88

HEX #1F0004

RGB 31 0 4

HSL 352.26, 1%, 0.06%

LAB 2.71, 12.36, 2.64

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 35 / 28 / 61

HEX #634047

RGB 99 64 71

HSL 348, 0.21%, 0.32%

LAB 31.29, 16.35, 2.02

 

CMYK 0 / 35 / 35 / 61

HEX #634040

RGB 99 64 64

HSL 0, 0.21%, 0.32%

LAB 31.09, 15.27, 6.26

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 35 / 10 / 61

HEX #634059

RGB 99 64 89

HSL 317.14, 0.21%, 0.32%

LAB 31.9, 19.58, -8.68

 

CMYK 0 / 35 / 0 / 61

HEX #634063

RGB 99 64 99

HSL 300, 0.21%, 0.32%

LAB 32.3, 21.63, -14.47

 

CMYK 9 / 35 / 0 / 61

HEX #5A4063

RGB 90 64 99

HSL 284.57, 0.21%, 0.32%

LAB 31.21, 18.35, -16.24

 

CMYK 19 / 35 / 0 / 61

HEX #504063

RGB 80 64 99

HSL 267.43, 0.21%, 0.32%

LAB 30.09, 14.77, -18.06

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 54 / 29 / 56

HEX #70334F

RGB 112 51 79

HSL 332.46, 0.37%, 0.32%

LAB 30.34, 30.45, -4.35

 

CMYK 0 / 70 / 38 / 51

HEX #7D264E

RGB 125 38 78

HSL 332.41, 0.53%, 0.32%

LAB 30.15, 41.2, -3.74

 

CMYK 0 / 82 / 44 / 46

HEX #8A194D

RGB 138 25 77

HSL 332.39, 0.69%, 0.32%

LAB 30.96, 49.59, -1.6

 

CMYK 0 / 92 / 50 / 40

HEX #980C4C

RGB 152 12 76

HSL 332.57, 0.85%, 0.32%

LAB 32.83, 55.97, 2.14

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 9 / 6 / 66

HEX #564E51

RGB 86 78 81

HSL 337.5, 0.05%, 0.32%

LAB 34.03, 3.92, -0.57

 

CMYK 21 / 0 / 10 / 64

HEX #485B52

RGB 72 91 82

HSL 151.58, 0.12%, 0.32%

LAB 36.87, -9.36, 2.79

 

CMYK 43 / 0 / 19 / 59

HEX #3B6854

RGB 59 104 84

HSL 153.33, 0.28%, 0.32%

LAB 40.36, -20.63, 6.46

 

CMYK 61 / 0 / 27 / 54

HEX #2E7555

RGB 46 117 85

HSL 152.96, 0.44%, 0.32%

LAB 44.17, -30.4, 11.15

 

CMYK 0 / 35 / 0 / 61

HEX #634063

RGB 99 64 99

HSL 300, 0.21%, 0.32%

LAB 32.3, 21.63, -14.47

 

CMYK 0 / 35 / 9 / 61

HEX #63405A

RGB 99 64 90

HSL 315.43, 0.21%, 0.32%

LAB 31.94, 19.78, -9.27

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 35 / 28 / 61

HEX #634047

RGB 99 64 71

HSL 348, 0.21%, 0.32%

LAB 31.29, 16.35, 2.02

 

CMYK 0 / 32 / 35 / 61

HEX #634340

RGB 99 67 64

HSL 5.14, 0.21%, 0.32%

LAB 31.89, 13.41, 7.39

 

CMYK 0 / 35 / 18 / 81

HEX #312028

RGB 49 32 40

HSL 331.76, 0.21%, 0.16%

LAB 14.62, 9.78, -2.08

 

CMYK 0 / 35 / 19 / 71

HEX #4A303C

RGB 74 48 60

HSL 332.31, 0.21%, 0.24%

LAB 23.32, 13.98, -2.75

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 35 / 19 / 51

HEX #7C5164

RGB 124 81 100

HSL 333.49, 0.21%, 0.4%

LAB 39.73, 21.01, -3.6

 

CMYK 0 / 35 / 19 / 42

HEX #956179

RGB 149 97 121

HSL 332.31, 0.21%, 0.48%

LAB 47.39, 24.75, -4.73

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 9 / 35 / 61

HEX #635A40

RGB 99 90 64

HSL 44.57, 0.21%, 0.32%

LAB 38.44, -0.77, 16.37

 

CMYK 35 / 5 / 0 / 61

HEX #405E63

RGB 64 94 99

HSL 188.57, 0.21%, 0.32%

LAB 37.84, -9.61, -6.4

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 19 / 0 / 35 / 61

HEX #506340

RGB 80 99 64

HSL 92.57, 0.21%, 0.32%

LAB 39.58, -14.27, 17.6

 

CMYK 35 / 19 / 0 / 61

HEX #405063

RGB 64 80 99

HSL 212.57, 0.21%, 0.32%

LAB 33.41, -1.07, -13.08

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 0 / 9 / 35 / 61

HEX #635A40

RGB 99 90 64

HSL 44.57, 0.21%, 0.32%

LAB 38.44, -0.77, 16.37

 

CMYK 35 / 0 / 16 / 61

HEX #406353

RGB 64 99 83

HSL 152.57, 0.21%, 0.32%

LAB 38.96, -16.54, 5.11

 

CMYK 35 / 25 / 0 / 61

HEX #404A63

RGB 64 74 99

HSL 222.86, 0.21%, 0.32%

LAB 31.55, 2.76, -15.92

 

CMYK 0 / 35 / 19 / 61

HEX #634050

RGB 99 64 80

HSL 332.57, 0.21%, 0.32%

LAB 31.58, 17.89, -3.37

 

CMYK 1 / 0 / 35 / 61

HEX #626340

RGB 98 99 64

HSL 61.71, 0.21%, 0.32%

LAB 41.04, -6.53, 19.8

 

CMYK 35 / 0 / 16 / 61

HEX #406353

RGB 64 99 83

HSL 152.57, 0.21%, 0.32%

LAB 38.96, -16.54, 5.11

 

CMYK 33 / 35 / 0 / 61

HEX #424063

RGB 66 64 99

HSL 243.43, 0.21%, 0.32%

LAB 28.71, 9.98, -20.31

 

Description

Color code: HEX #634050 | qconv.com Color code: HEX #634050 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 64 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 64 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 19 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 19% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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