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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88FFFA it is the complementary color #770005. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88FFFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #88FFFA: #8DFFF5, #9EFFFF, #AFFFFF, #C0FFFF and #D1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88FFFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #88FFFA: #88FFFA, #77EDE7, #66DBD4, #55C9C1 and #44B7AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

Complementary color

CMYK 0 / 100 / 96 / 53

HEX #770005

RGB 119 0 5

HSL 357.48, 1%, 0.23%

LAB 23.45, 45.7, 33.27

 

CMYK 45 / 0 / 4 / 0

HEX #8DFFF5

RGB 141 255 245

HSL 174.74, 1%, 0.78%

LAB 93.35, -34.88, -5.36

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 50 / 0 / 3 / 7

HEX #77EDE7

RGB 119 237 231

HSL 176.95, 0.77%, 0.7%

LAB 87.12, -34.74, -7.36

 

CMYK 53 / 0 / 3 / 14

HEX #66DBD4

RGB 102 219 212

HSL 176.41, 0.62%, 0.63%

LAB 80.87, -34.63, -6.64

 

CMYK 58 / 0 / 4 / 21

HEX #55C9C1

RGB 85 201 193

HSL 175.86, 0.52%, 0.56%

LAB 74.54, -34.44, -5.85

 

CMYK 63 / 0 / 5 / 28

HEX #44B7AE

RGB 68 183 174

HSL 175.3, 0.46%, 0.49%

LAB 68.13, -34.13, -5

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 46 / 5 / 0 / 0

HEX #89F1FF

RGB 137 241 255

HSL 187.12, 1%, 0.77%

LAB 89.6, -26.69, -16.16

 

CMYK 46 / 13 / 0 / 0

HEX #89DDFF

RGB 137 221 255

HSL 197.29, 1%, 0.77%

LAB 84.1, -16.77, -24.48

 

CMYK 46 / 21 / 0 / 0

HEX #89CAFF

RGB 137 202 255

HSL 206.95, 1%, 0.77%

LAB 78.91, -6.87, -32.41

 

CMYK 46 / 29 / 0 / 0

HEX #89B6FF

RGB 137 182 255

HSL 217.12, 1%, 0.77%

LAB 73.54, 4.01, -40.74

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 47 / 0 / 2 / 80

HEX #1B3332

RGB 27 51 50

HSL 177.5, 0.31%, 0.15%

LAB 19.35, -9.64, -2.32

 

CMYK 47 / 0 / 2 / 60

HEX #366664

RGB 54 102 100

HSL 177.5, 0.31%, 0.31%

LAB 39.93, -16.83, -3.96

 

CMYK 46 / 0 / 2 / 40

HEX #529996

RGB 82 153 150

HSL 177.46, 0.3%, 0.46%

LAB 58.77, -23.03, -5.36

 

CMYK 47 / 0 / 2 / 20

HEX #6DCCC8

RGB 109 204 200

HSL 177.47, 0.48%, 0.61%

LAB 76.44, -29.06, -6.74

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 39 / 46 / 0 / 0

HEX #9B89FF

RGB 155 137 255

HSL 249.15, 1%, 0.77%

LAB 63.41, 34.01, -56.63

 

CMYK 0 / 21 / 46 / 0

HEX #FFCA89

RGB 255 202 137

HSL 33.05, 1%, 0.77%

LAB 84.64, 10.91, 39.52

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 2 / 46 / 0 / 0

HEX #F989FF

RGB 249 137 255

HSL 296.95, 1%, 0.77%

LAB 73.06, 59.04, -40.77

 

CMYK 0 / 2 / 46 / 0

HEX #FFF989

RGB 255 249 137

HSL 56.95, 1%, 0.77%

LAB 96.33, -12.84, 54.12

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 39 / 46 / 0 / 0

HEX #9B89FF

RGB 155 137 255

HSL 249.15, 1%, 0.77%

LAB 63.41, 34.01, -56.63

 

CMYK 0 / 46 / 44 / 0

HEX #FF898F

RGB 255 137 143

HSL 356.95, 1%, 0.77%

LAB 70.27, 45.17, 17.14

 

CMYK 7 / 0 / 46 / 0

HEX #EDFF89

RGB 237 255 137

HSL 69.15, 1%, 0.77%

LAB 96.55, -22.66, 54.06

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 25 / 46 / 0 / 0

HEX #BE89FF

RGB 190 137 255

HSL 266.95, 1%, 0.77%

LAB 66.56, 42.93, -51.42

 

CMYK 0 / 46 / 44 / 0

HEX #FF898F

RGB 255 137 143

HSL 356.95, 1%, 0.77%

LAB 70.27, 45.17, 17.14

 

CMYK 21 / 0 / 46 / 0

HEX #CAFF89

RGB 202 255 137

HSL 86.95, 1%, 0.77%

LAB 94.26, -35.58, 50.75

 

Description

Color code: HEX #88FFFA | qconv.com Color code: HEX #88FFFA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 255 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 255 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 2 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 2% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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