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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88AFBC it is the complementary color #775043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88AFBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88AFBC shade: #8DAFB7, #9EC1CA, #AFD3DD, #C0E5F0 and #D1F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88AFBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88AFBC shade: #88AFBC, #779DA9, #668B96, #557983 and #446770

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88AFBC shade: #89B0BD, #89A2BD, #8994BD, #8D89BD and #9A89BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88AFBC shade: #89B0BD, #89A2BD, #8994BD and #8989BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88AFBC shade matches the following richer shades: #89B0BD, #7BB7CC, #6CBFDB, #5DC6E9 and #4ECEF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88AFBC shade: #89B0BD, #98A9AE, #A7A19F, #B69A90 and #C59281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88AFBC shade: #89BDAE, #89BDBC, #89B0BD, #89A2BD and #8995BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88AFBC shade: #588B9C, #6F9EAE, #89B0BD, #A4C2CC and #BED4DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88AFBC shade: #88AFBC, #A189BD and #BDB589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88AFBC shade: #88AFBC, #BD89B0 and #B0BD89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88AFBC shade: #88AFBC, #A189BD, #BD9689 and #A6BD89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88AFBC shade: #88AFBC, #B089BD, #BD9689 and #96BD89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 7 / 0 / 26

HEX #88AFBC

RGB 136 175 188

HSL 195, 0.28%, 0.64%

LAB 69.13, -10.06, -10.93

 

Complementary color

CMYK 0 / 33 / 44 / 53

HEX #775043

RGB 119 80 67

HSL 15, 0.28%, 0.36%

LAB 37.96, 14.65, 14.28

 

CMYK 23 / 4 / 0 / 28

HEX #8DAFB7

RGB 141 175 183

HSL 191.43, 0.23%, 0.64%

LAB 69.29, -9.7, -7.91

 

CMYK 22 / 4 / 0 / 21

HEX #9EC1CA

RGB 158 193 202

HSL 192.27, 0.29%, 0.71%

LAB 75.87, -9.69, -8.4

 

CMYK 21 / 5 / 0 / 13

HEX #AFD3DD

RGB 175 211 221

HSL 193.04, 0.4%, 0.78%

LAB 82.34, -9.69, -8.88

 

CMYK 20 / 5 / 0 / 6

HEX #C0E5F0

RGB 192 229 240

HSL 193.75, 0.62%, 0.85%

LAB 88.7, -9.7, -9.36

 

CMYK 18 / 3 / 0 / 0

HEX #D1F7FF

RGB 209 247 255

HSL 190.43, 1%, 0.91%

LAB 94.86, -10.54, -7.92

 

CMYK 28 / 7 / 0 / 26

HEX #88AFBC

RGB 136 175 188

HSL 195, 0.28%, 0.64%

LAB 69.13, -10.06, -10.93

 

CMYK 30 / 7 / 0 / 34

HEX #779DA9

RGB 119 157 169

HSL 194.4, 0.23%, 0.56%

LAB 62.42, -10.06, -10.48

 

CMYK 32 / 7 / 0 / 41

HEX #668B96

RGB 102 139 150

HSL 193.75, 0.19%, 0.49%

LAB 55.58, -10.05, -10.01

 

CMYK 35 / 8 / 0 / 49

HEX #557983

RGB 85 121 131

HSL 193.04, 0.21%, 0.42%

LAB 48.57, -10.04, -9.54

 

CMYK 39 / 8 / 0 / 56

HEX #446770

RGB 68 103 112

HSL 192.27, 0.24%, 0.35%

LAB 41.37, -10.01, -9.05

 

CMYK 28 / 7 / 0 / 26

HEX #89B0BD

RGB 137 176 189

HSL 195, 0.28%, 0.64%

LAB 69.5, -10.06, -10.92

 

CMYK 28 / 14 / 0 / 26

HEX #89A2BD

RGB 137 162 189

HSL 211.15, 0.28%, 0.64%

LAB 65.62, -2.45, -16.76

 

CMYK 28 / 22 / 0 / 26

HEX #8994BD

RGB 137 148 189

HSL 227.31, 0.28%, 0.64%

LAB 61.8, 5.42, -22.57

 

CMYK 25 / 28 / 0 / 26

HEX #8D89BD

RGB 141 137 189

HSL 244.62, 0.28%, 0.64%

LAB 59.18, 12.98, -26.57

 

CMYK 19 / 28 / 0 / 26

HEX #9A89BD

RGB 154 137 189

HSL 259.62, 0.28%, 0.64%

LAB 60.28, 17.06, -24.79

 

CMYK 28 / 7 / 0 / 26

HEX #89B0BD

RGB 137 176 189

HSL 195, 0.28%, 0.64%

LAB 69.5, -10.06, -10.92

 

CMYK 28 / 14 / 0 / 26

HEX #89A2BD

RGB 137 162 189

HSL 211.15, 0.28%, 0.64%

LAB 65.62, -2.45, -16.76

 

CMYK 28 / 22 / 0 / 26

HEX #8994BD

RGB 137 148 189

HSL 227.31, 0.28%, 0.64%

LAB 61.8, 5.42, -22.57

 

CMYK 28 / 28 / 0 / 26

HEX #8989BD

RGB 137 137 189

HSL 240, 0.28%, 0.64%

LAB 58.87, 11.75, -27.08

 

CMYK 28 / 7 / 0 / 26

HEX #89B0BD

RGB 137 176 189

HSL 195, 0.28%, 0.64%

LAB 69.5, -10.06, -10.92

 

CMYK 40 / 10 / 0 / 20

HEX #7BB7CC

RGB 123 183 204

HSL 195.56, 0.44%, 0.64%

LAB 71.17, -13.97, -16.73

 

CMYK 51 / 13 / 0 / 14

HEX #6CBFDB

RGB 108 191 219

HSL 195.14, 0.61%, 0.64%

LAB 73.26, -17.7, -21.81

 

CMYK 60 / 15 / 0 / 9

HEX #5DC6E9

RGB 93 198 233

HSL 195, 0.76%, 0.64%

LAB 75.2, -20.24, -26.47

 

CMYK 69 / 17 / 0 / 3

HEX #4ECEF8

RGB 78 206 248

HSL 194.82, 0.92%, 0.64%

LAB 77.6, -22.15, -30.88

 

CMYK 28 / 7 / 0 / 26

HEX #89B0BD

RGB 137 176 189

HSL 195, 0.28%, 0.64%

LAB 69.5, -10.06, -10.92

 

CMYK 13 / 3 / 0 / 32

HEX #98A9AE

RGB 152 169 174

HSL 193.64, 0.12%, 0.64%

LAB 68.1, -4.88, -4.6

 

CMYK 0 / 4 / 5 / 35

HEX #A7A19F

RGB 167 161 159

HSL 15, 0.04%, 0.64%

LAB 66.68, 1.8, 1.8

 

CMYK 0 / 15 / 21 / 29

HEX #B69A90

RGB 182 154 144

HSL 15.79, 0.21%, 0.64%

LAB 65.8, 8.77, 9.1

 

CMYK 0 / 26 / 35 / 23

HEX #C59281

RGB 197 146 129

HSL 15, 0.37%, 0.64%

LAB 64.97, 16.94, 16.54

 

CMYK 28 / 0 / 8 / 26

HEX #89BDAE

RGB 137 189 174

HSL 162.69, 0.28%, 0.64%

LAB 72.74, -20.22, 2.09

 

CMYK 28 / 0 / 1 / 26

HEX #89BDBC

RGB 137 189 188

HSL 178.85, 0.28%, 0.64%

LAB 73.12, -17.11, -5

 

CMYK 28 / 7 / 0 / 26

HEX #89B0BD

RGB 137 176 189

HSL 195, 0.28%, 0.64%

LAB 69.5, -10.06, -10.92

 

CMYK 28 / 14 / 0 / 26

HEX #89A2BD

RGB 137 162 189

HSL 211.15, 0.28%, 0.64%

LAB 65.62, -2.45, -16.76

 

CMYK 28 / 21 / 0 / 26

HEX #8995BD

RGB 137 149 189

HSL 226.15, 0.28%, 0.64%

LAB 62.07, 4.85, -22.16

 

CMYK 44 / 11 / 0 / 39

HEX #588B9C

RGB 88 139 156

HSL 195, 0.28%, 0.48%

LAB 55.01, -12.41, -14.4

 

CMYK 36 / 9 / 0 / 32

HEX #6F9EAE

RGB 111 158 174

HSL 195.24, 0.28%, 0.56%

LAB 62.41, -11.67, -13.35

 

CMYK 28 / 7 / 0 / 26

HEX #89B0BD

RGB 137 176 189

HSL 195, 0.28%, 0.64%

LAB 69.5, -10.06, -10.92

 

CMYK 20 / 5 / 0 / 20

HEX #A4C2CC

RGB 164 194 204

HSL 195, 0.28%, 0.72%

LAB 76.58, -7.91, -8.39

 

CMYK 13 / 3 / 0 / 14

HEX #BED4DB

RGB 190 212 219

HSL 194.48, 0.29%, 0.8%

LAB 83.52, -5.93, -5.96

 

CMYK 28 / 7 / 0 / 26

HEX #88AFBC

RGB 136 175 188

HSL 195, 0.28%, 0.64%

LAB 69.13, -10.06, -10.93

 

CMYK 15 / 28 / 0 / 26

HEX #A189BD

RGB 161 137 189

HSL 267.69, 0.28%, 0.64%

LAB 60.91, 19.32, -23.77

 

CMYK 0 / 4 / 28 / 26

HEX #BDB589

RGB 189 181 137

HSL 50.77, 0.28%, 0.64%

LAB 73.33, -4.14, 23.49

 

CMYK 28 / 7 / 0 / 26

HEX #88AFBC

RGB 136 175 188

HSL 195, 0.28%, 0.64%

LAB 69.13, -10.06, -10.93

 

CMYK 0 / 28 / 7 / 26

HEX #BD89B0

RGB 189 137 176

HSL 315, 0.28%, 0.64%

LAB 63.21, 26.15, -12.65

 

CMYK 7 / 0 / 28 / 26

HEX #B0BD89

RGB 176 189 137

HSL 75, 0.28%, 0.64%

LAB 74.46, -13.32, 24.85

 

CMYK 28 / 7 / 0 / 26

HEX #88AFBC

RGB 136 175 188

HSL 195, 0.28%, 0.64%

LAB 69.13, -10.06, -10.93

 

CMYK 15 / 28 / 0 / 26

HEX #A189BD

RGB 161 137 189

HSL 267.69, 0.28%, 0.64%

LAB 60.91, 19.32, -23.77

 

CMYK 0 / 21 / 28 / 26

HEX #BD9689

RGB 189 150 137

HSL 15, 0.28%, 0.64%

LAB 65.31, 12.66, 12.41

 

CMYK 12 / 0 / 28 / 26

HEX #A6BD89

RGB 166 189 137

HSL 86.54, 0.28%, 0.64%

LAB 73.75, -17.08, 23.76

 

CMYK 28 / 7 / 0 / 26

HEX #88AFBC

RGB 136 175 188

HSL 195, 0.28%, 0.64%

LAB 69.13, -10.06, -10.93

 

CMYK 7 / 28 / 0 / 26

HEX #B089BD

RGB 176 137 189

HSL 285, 0.28%, 0.64%

LAB 62.33, 24.23, -21.46

 

CMYK 0 / 21 / 28 / 26

HEX #BD9689

RGB 189 150 137

HSL 15, 0.28%, 0.64%

LAB 65.31, 12.66, 12.41

 

CMYK 21 / 0 / 28 / 26

HEX #96BD89

RGB 150 189 137

HSL 105, 0.28%, 0.64%

LAB 72.68, -22.89, 22.14

 

Description

Color code: HEX #88AFBC | qconv.com Color code: HEX #88AFBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 175 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 175 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 7 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 7% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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