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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 11 / 0 / 39 it is the complementary color CMYK 0 / 30 / 41 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 11 / 0 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 44 / 11 / 0 / 39: CMYK 39 / 9 / 0 / 41, CMYK 36 / 8 / 0 / 33, CMYK 33 / 8 / 0 / 26, CMYK 31 / 8 / 0 / 18 and CMYK 30 / 7 / 0 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 11 / 0 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 44 / 11 / 0 / 39: CMYK 44 / 12 / 0 / 39, CMYK 49 / 12 / 0 / 46, CMYK 55 / 14 / 0 / 54, CMYK 64 / 15 / 0 / 61 and CMYK 76 / 18 / 0 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 11 / 0 / 39

HEX #578A9C

RGB 87 138 156

HSL 195.65, 0.28%, 0.48%

LAB 54.66, -12.12, -14.93

 

Complementary color

CMYK 0 / 30 / 41 / 34

HEX #A87563

RGB 168 117 99

HSL 15.65, 0.28%, 0.52%

LAB 53.97, 17.74, 17.96

 

CMYK 39 / 9 / 0 / 41

HEX #5C8A97

RGB 92 138 151

HSL 193.22, 0.24%, 0.48%

LAB 54.75, -12.14, -11.89

 

CMYK 36 / 8 / 0 / 33

HEX #6D9CAA

RGB 109 156 170

HSL 193.77, 0.26%, 0.55%

LAB 61.59, -12.18, -12.34

 

CMYK 33 / 8 / 0 / 26

HEX #7EAEBD

RGB 126 174 189

HSL 194.29, 0.32%, 0.62%

LAB 68.3, -12.21, -12.78

 

CMYK 31 / 8 / 0 / 18

HEX #8FC0D0

RGB 143 192 208

HSL 194.77, 0.41%, 0.69%

LAB 74.88, -12.23, -13.22

 

CMYK 30 / 7 / 0 / 11

HEX #A0D2E3

RGB 160 210 227

HSL 195.22, 0.54%, 0.76%

LAB 81.35, -12.24, -13.65

 

CMYK 44 / 12 / 0 / 39

HEX #578A9C

RGB 87 138 156

HSL 195.65, 0.28%, 0.48%

LAB 54.66, -12.12, -14.93

 

CMYK 49 / 12 / 0 / 46

HEX #467889

RGB 70 120 137

HSL 195.22, 0.32%, 0.41%

LAB 47.68, -11.94, -14.51

 

CMYK 55 / 14 / 0 / 54

HEX #356676

RGB 53 102 118

HSL 194.77, 0.38%, 0.34%

LAB 40.52, -11.67, -14.06

 

CMYK 64 / 15 / 0 / 61

HEX #245463

RGB 36 84 99

HSL 194.29, 0.47%, 0.26%

LAB 33.17, -11.21, -13.58

 

CMYK 76 / 18 / 0 / 69

HEX #134250

RGB 19 66 80

HSL 193.77, 0.62%, 0.19%

LAB 25.61, -10.42, -13.02

 

CMYK 44 / 12 / 0 / 39

HEX #578A9C

RGB 87 138 156

HSL 195.65, 0.28%, 0.48%

LAB 54.66, -12.12, -14.93

 

CMYK 44 / 18 / 0 / 39

HEX #58809C

RGB 88 128 156

HSL 204.71, 0.28%, 0.48%

LAB 51.74, -6.21, -19.37

 

CMYK 44 / 26 / 0 / 39

HEX #58749C

RGB 88 116 156

HSL 215.29, 0.28%, 0.48%

LAB 48.22, 0.83, -24.79

 

CMYK 44 / 33 / 0 / 39

HEX #58699C

RGB 88 105 156

HSL 225, 0.28%, 0.48%

LAB 45.05, 7.51, -29.72

 

CMYK 44 / 40 / 0 / 39

HEX #585D9C

RGB 88 93 156

HSL 235.59, 0.28%, 0.48%

LAB 41.69, 14.99, -34.99

 

CMYK 44 / 12 / 0 / 39

HEX #578A9C

RGB 87 138 156

HSL 195.65, 0.28%, 0.48%

LAB 54.66, -12.12, -14.93

 

CMYK 44 / 12 / 0 / 19

HEX #73B7CF

RGB 115 183 207

HSL 195.65, 0.49%, 0.63%

LAB 70.88, -15.2, -18.85

 

CMYK 33 / 0 / 0 / 99

HEX #020303

RGB 2 3 3

HSL 180, 0.2%, 0.01%

LAB 0.76, -0.26, -0.09

 

CMYK 44 / 11 / 0 / 79

HEX #1E3036

RGB 30 48 54

HSL 195, 0.29%, 0.16%

LAB 18.61, -5.44, -6.16

 

CMYK 44 / 11 / 0 / 59

HEX #3B5D69

RGB 59 93 105

HSL 195.65, 0.28%, 0.32%

LAB 37.44, -8.81, -10.73

 

CMYK 44 / 12 / 0 / 39

HEX #578A9C

RGB 87 138 156

HSL 195.65, 0.28%, 0.48%

LAB 54.66, -12.12, -14.93

 

CMYK 24 / 44 / 0 / 39

HEX #76589C

RGB 118 88 156

HSL 266.47, 0.28%, 0.48%

LAB 43.11, 26.72, -32.58

 

CMYK 0 / 6 / 44 / 39

HEX #9C9258

RGB 156 146 88

HSL 51.18, 0.28%, 0.48%

LAB 60.19, -4.85, 32.01

 

CMYK 44 / 12 / 0 / 39

HEX #578A9C

RGB 87 138 156

HSL 195.65, 0.28%, 0.48%

LAB 54.66, -12.12, -14.93

 

CMYK 0 / 44 / 11 / 39

HEX #9C588B

RGB 156 88 139

HSL 315, 0.28%, 0.48%

LAB 46.86, 35.4, -16.25

 

CMYK 11 / 0 / 44 / 39

HEX #8B9C58

RGB 139 156 88

HSL 75, 0.28%, 0.48%

LAB 61.63, -17.28, 33.53

 

CMYK 44 / 12 / 0 / 39

HEX #578A9C

RGB 87 138 156

HSL 195.65, 0.28%, 0.48%

LAB 54.66, -12.12, -14.93

 

CMYK 24 / 44 / 0 / 39

HEX #76589C

RGB 118 88 156

HSL 266.47, 0.28%, 0.48%

LAB 43.11, 26.72, -32.58

 

CMYK 0 / 33 / 44 / 39

HEX #9C6958

RGB 156 105 88

HSL 15, 0.28%, 0.48%

LAB 49.34, 18.31, 17.85

 

CMYK 20 / 0 / 44 / 39

HEX #7D9C58

RGB 125 156 88

HSL 87.35, 0.28%, 0.48%

LAB 60.64, -22.86, 32.08

 

CMYK 44 / 12 / 0 / 39

HEX #578A9C

RGB 87 138 156

HSL 195.65, 0.28%, 0.48%

LAB 54.66, -12.12, -14.93

 

CMYK 11 / 44 / 0 / 39

HEX #8B589C

RGB 139 88 156

HSL 285, 0.28%, 0.48%

LAB 45.45, 33.19, -28.74

 

CMYK 0 / 33 / 44 / 39

HEX #9C6958

RGB 156 105 88

HSL 15, 0.28%, 0.48%

LAB 49.34, 18.31, 17.85

 

CMYK 33 / 0 / 44 / 39

HEX #699C58

RGB 105 156 88

HSL 105, 0.28%, 0.48%

LAB 59.42, -30.31, 30.28

 

Description

Color code: CMYK 44 / 11 / 0 / 39 | qconv.com Color code: CMYK 44 / 11 / 0 / 39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 138 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 138 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 11 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 11% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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