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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88A450 it is the complementary color #775BAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88A450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #88A450: #8DA44B, #9EB65E, #AFC871, #C0DA84 and #D1EC97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88A450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #88A450: #88A450, #77923D, #66802A, #556E17 and #445C04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

Complementary color

CMYK 32 / 48 / 0 / 31

HEX #775BAF

RGB 119 91 175

HSL 260, 0.34%, 0.52%

LAB 44.94, 30.12, -40.92

 

CMYK 14 / 0 / 54 / 36

HEX #8DA44B

RGB 141 164 75

HSL 75.51, 0.37%, 0.47%

LAB 63.93, -21.94, 42.93

 

CMYK 13 / 0 / 48 / 29

HEX #9EB65E

RGB 158 182 94

HSL 76.36, 0.38%, 0.54%

LAB 70.55, -22.17, 41.79

 

CMYK 13 / 0 / 44 / 22

HEX #AFC871

RGB 175 200 113

HSL 77.24, 0.44%, 0.61%

LAB 77.05, -22.32, 40.62

 

CMYK 12 / 0 / 39 / 15

HEX #C0DA84

RGB 192 218 132

HSL 78.14, 0.54%, 0.69%

LAB 83.45, -22.43, 39.46

 

CMYK 11 / 0 / 36 / 7

HEX #D1EC97

RGB 209 236 151

HSL 79.06, 0.69%, 0.76%

LAB 89.76, -22.51, 38.34

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 18 / 0 / 58 / 43

HEX #77923D

RGB 119 146 61

HSL 79.06, 0.41%, 0.41%

LAB 56.9, -23.25, 41.16

 

CMYK 20 / 0 / 67 / 50

HEX #66802A

RGB 102 128 42

HSL 78.14, 0.51%, 0.33%

LAB 50.01, -22.92, 42.05

 

CMYK 23 / 0 / 79 / 57

HEX #556E17

RGB 85 110 23

HSL 77.24, 0.65%, 0.26%

LAB 42.98, -22.38, 42.32

 

CMYK 26 / 0 / 96 / 64

HEX #445C04

RGB 68 92 4

HSL 76.36, 0.92%, 0.19%

LAB 35.78, -21.54, 41.29

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 26 / 0 / 51 / 36

HEX #7AA450

RGB 122 164 80

HSL 90, 0.34%, 0.48%

LAB 62.73, -28.92, 38.74

 

CMYK 34 / 0 / 51 / 36

HEX #6CA450

RGB 108 164 80

HSL 100, 0.34%, 0.48%

LAB 61.93, -34.07, 37.57

 

CMYK 43 / 0 / 51 / 36

HEX #5EA450

RGB 94 164 80

HSL 110, 0.34%, 0.48%

LAB 61.23, -38.8, 36.56

 

CMYK 51 / 0 / 51 / 36

HEX #50A450

RGB 80 164 80

HSL 120, 0.34%, 0.48%

LAB 60.64, -43.03, 35.7

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 17 / 0 / 51 / 16

HEX #B2D769

RGB 178 215 105

HSL 80.18, 0.58%, 0.63%

LAB 81.34, -29.26, 49.78

 

CMYK 18 / 0 / 55 / 96

HEX #090B05

RGB 9 11 5

HSL 80, 0.38%, 0.03%

LAB 2.79, -1.37, 2.09

 

CMYK 18 / 0 / 52 / 76

HEX #333E1E

RGB 51 62 30

HSL 80.63, 0.35%, 0.18%

LAB 24.46, -10.91, 18.14

 

CMYK 17 / 0 / 51 / 56

HEX #5E7137

RGB 94 113 55

HSL 79.66, 0.35%, 0.33%

LAB 44.89, -17.26, 29.67

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 51 / 0 / 24 / 36

HEX #50A47D

RGB 80 164 125

HSL 152.14, 0.34%, 0.48%

LAB 61.43, -34.93, 12.56

 

CMYK 4 / 51 / 0 / 36

HEX #9E50A4

RGB 158 80 164

HSL 295.71, 0.34%, 0.48%

LAB 46.56, 44.92, -31.58

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 51 / 17 / 0 / 36

HEX #5088A4

RGB 80 136 164

HSL 200, 0.34%, 0.48%

LAB 54.02, -10.42, -20.55

 

CMYK 0 / 51 / 17 / 36

HEX #A45088

RGB 164 80 136

HSL 320, 0.34%, 0.48%

LAB 46.19, 41.82, -15.37

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 51 / 0 / 24 / 36

HEX #50A47D

RGB 80 164 125

HSL 152.14, 0.34%, 0.48%

LAB 61.43, -34.93, 12.56

 

CMYK 34 / 51 / 0 / 36

HEX #6C50A4

RGB 108 80 164

HSL 260, 0.34%, 0.48%

LAB 40.58, 30.76, -41.42

 

CMYK 0 / 51 / 27 / 36

HEX #A45077

RGB 164 80 119

HSL 332.14, 0.34%, 0.48%

LAB 45.58, 39.25, -5.99

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 51 / 0 / 9 / 36

HEX #50A496

RGB 80 164 150

HSL 170, 0.34%, 0.48%

LAB 62.05, -29.01, -0.55

 

CMYK 34 / 51 / 0 / 36

HEX #6C50A4

RGB 108 80 164

HSL 260, 0.34%, 0.48%

LAB 40.58, 30.76, -41.42

 

CMYK 0 / 51 / 43 / 36

HEX #A4505E

RGB 164 80 94

HSL 350, 0.34%, 0.48%

LAB 44.85, 36.07, 8.21

 

Description

Color code: HEX #88A450 | qconv.com Color code: HEX #88A450 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 164 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 164 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 51 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 51% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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