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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #888F79 it is the complementary color #777086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #888F79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #888F79: #8D8F74, #9EA187, #AFB39A, #C0C5AD and #D1D7C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #888F79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #888F79: #888F79, #777D66, #666B53, #555940 and #44472D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 15 / 44

HEX #888F79

RGB 136 143 121

HSL 79.09, 0.09%, 0.52%

LAB 58.28, -6.69, 10.85

 

Complementary color

CMYK 11 / 16 / 0 / 47

HEX #777086

RGB 119 112 134

HSL 259.09, 0.09%, 0.48%

LAB 48.55, 7.32, -11.09

 

CMYK 1 / 0 / 19 / 44

HEX #8D8F74

RGB 141 143 116

HSL 64.44, 0.11%, 0.51%

LAB 58.57, -5.58, 14.15

 

CMYK 2 / 0 / 16 / 37

HEX #9EA187

RGB 158 161 135

HSL 66.92, 0.12%, 0.58%

LAB 65.36, -5.73, 13.19

 

CMYK 2 / 0 / 14 / 30

HEX #AFB39A

RGB 175 179 154

HSL 69.6, 0.14%, 0.65%

LAB 72.02, -5.85, 12.3

 

CMYK 3 / 0 / 12 / 23

HEX #C0C5AD

RGB 192 197 173

HSL 72.5, 0.17%, 0.73%

LAB 78.55, -5.96, 11.45

 

CMYK 3 / 0 / 11 / 16

HEX #D1D7C0

RGB 209 215 192

HSL 75.65, 0.22%, 0.8%

LAB 84.98, -6.07, 10.65

 

CMYK 5 / 0 / 15 / 44

HEX #888F79

RGB 136 143 121

HSL 79.09, 0.09%, 0.52%

LAB 58.28, -6.69, 10.85

 

CMYK 5 / 0 / 18 / 51

HEX #777D66

RGB 119 125 102

HSL 75.65, 0.1%, 0.45%

LAB 51.32, -6.61, 11.8

 

CMYK 5 / 0 / 22 / 58

HEX #666B53

RGB 102 107 83

HSL 72.5, 0.13%, 0.37%

LAB 44.18, -6.51, 12.84

 

CMYK 4 / 0 / 28 / 65

HEX #555940

RGB 85 89 64

HSL 69.6, 0.16%, 0.3%

LAB 36.83, -6.38, 13.98

 

CMYK 4 / 0 / 37 / 72

HEX #44472D

RGB 68 71 45

HSL 66.92, 0.22%, 0.23%

LAB 29.22, -6.2, 15.26

 

CMYK 5 / 0 / 15 / 44

HEX #888F79

RGB 136 143 121

HSL 79.09, 0.09%, 0.52%

LAB 58.28, -6.69, 10.85

 

CMYK 8 / 0 / 15 / 44

HEX #848F79

RGB 132 143 121

HSL 90, 0.09%, 0.52%

LAB 57.97, -8.22, 10.37

 

CMYK 10 / 0 / 15 / 44

HEX #818F79

RGB 129 143 121

HSL 98.18, 0.09%, 0.52%

LAB 57.74, -9.35, 10.01

 

CMYK 13 / 0 / 15 / 44

HEX #7D8F79

RGB 125 143 121

HSL 109.09, 0.09%, 0.52%

LAB 57.45, -10.85, 9.56

 

CMYK 15 / 0 / 15 / 44

HEX #798F79

RGB 121 143 121

HSL 120, 0.09%, 0.52%

LAB 57.16, -12.33, 9.11

 

CMYK 5 / 0 / 15 / 44

HEX #888F79

RGB 136 143 121

HSL 79.09, 0.09%, 0.52%

LAB 58.28, -6.69, 10.85

 

CMYK 5 / 0 / 15 / 24

HEX #B9C2A4

RGB 185 194 164

HSL 78, 0.2%, 0.7%

LAB 77.03, -8.42, 14.05

 

CMYK 5 / 0 / 16 / 4

HEX #E9F5CF

RGB 233 245 207

HSL 78.95, 0.66%, 0.89%

LAB 94.79, -10.41, 16.97

 

CMYK 5 / 0 / 15 / 84

HEX #272923

RGB 39 41 35

HSL 80, 0.08%, 0.15%

LAB 16.2, -2.31, 3.63

 

CMYK 5 / 0 / 15 / 64

HEX #575C4E

RGB 87 92 78

HSL 81.43, 0.08%, 0.33%

LAB 38.25, -4.84, 7.39

 

CMYK 5 / 0 / 15 / 44

HEX #888F79

RGB 136 143 121

HSL 79.09, 0.09%, 0.52%

LAB 58.28, -6.69, 10.85

 

CMYK 15 / 0 / 8 / 44

HEX #798F84

RGB 121 143 132

HSL 150, 0.09%, 0.52%

LAB 57.44, -10.15, 3.22

 

CMYK 1 / 15 / 0 / 44

HEX #8D798F

RGB 141 121 143

HSL 294.55, 0.09%, 0.52%

LAB 53.3, 11.88, -9.05

 

CMYK 5 / 0 / 15 / 44

HEX #888F79

RGB 136 143 121

HSL 79.09, 0.09%, 0.52%

LAB 58.28, -6.69, 10.85

 

CMYK 15 / 5 / 0 / 44

HEX #79888F

RGB 121 136 143

HSL 199.09, 0.09%, 0.52%

LAB 55.74, -3.89, -5.59

 

CMYK 0 / 15 / 5 / 44

HEX #8F7988

RGB 143 121 136

HSL 319.09, 0.09%, 0.52%

LAB 53.27, 11.24, -4.99

 

CMYK 5 / 0 / 15 / 44

HEX #888F79

RGB 136 143 121

HSL 79.09, 0.09%, 0.52%

LAB 58.28, -6.69, 10.85

 

CMYK 15 / 0 / 8 / 44

HEX #798F84

RGB 121 143 132

HSL 150, 0.09%, 0.52%

LAB 57.44, -10.15, 3.22

 

CMYK 10 / 15 / 0 / 44

HEX #80798F

RGB 128 121 143

HSL 259.09, 0.09%, 0.52%

LAB 52.12, 7.21, -10.95

 

CMYK 0 / 15 / 8 / 44

HEX #8F7984

RGB 143 121 132

HSL 330, 0.09%, 0.52%

LAB 53.15, 10.48, -2.83

 

CMYK 5 / 0 / 15 / 44

HEX #888F79

RGB 136 143 121

HSL 79.09, 0.09%, 0.52%

LAB 58.28, -6.69, 10.85

 

CMYK 15 / 0 / 3 / 44

HEX #798F8B

RGB 121 143 139

HSL 169.09, 0.09%, 0.52%

LAB 57.63, -8.68, -0.51

 

CMYK 10 / 15 / 0 / 44

HEX #80798F

RGB 128 121 143

HSL 259.09, 0.09%, 0.52%

LAB 52.12, 7.21, -10.95

 

CMYK 0 / 15 / 13 / 44

HEX #8F797D

RGB 143 121 125

HSL 349.09, 0.09%, 0.52%

LAB 52.94, 9.2, 0.98

 

Description

Color code: HEX #888F79 | qconv.com Color code: HEX #888F79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 143 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 143 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 15 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 15% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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