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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88651E it is the complementary color #779AE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88651E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #88651E: #8D6519, #9E772C, #AF893F, #C09B52 and #D1AD65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88651E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #88651E: #88651E, #77530B, #664100, #552F00 and #441D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 78 / 47

HEX #88651E

RGB 136 101 30

HSL 40.19, 0.64%, 0.33%

LAB 45.13, 6.96, 43.29

 

Complementary color

CMYK 47 / 32 / 0 / 12

HEX #779AE1

RGB 119 154 225

HSL 220.19, 0.64%, 0.67%

LAB 63.73, 6.89, -39.77

 

CMYK 0 / 28 / 82 / 45

HEX #8D6519

RGB 141 101 25

HSL 39.31, 0.7%, 0.33%

LAB 45.69, 9.1, 46.03

 

CMYK 0 / 25 / 72 / 38

HEX #9E772C

RGB 158 119 44

HSL 39.47, 0.56%, 0.4%

LAB 52.56, 7.49, 45.4

 

CMYK 0 / 22 / 64 / 31

HEX #AF893F

RGB 175 137 63

HSL 39.64, 0.47%, 0.47%

LAB 59.31, 6.18, 44.25

 

CMYK 0 / 19 / 57 / 25

HEX #C09B52

RGB 192 155 82

HSL 39.82, 0.47%, 0.54%

LAB 65.95, 5.09, 42.95

 

CMYK 0 / 17 / 52 / 18

HEX #D1AD65

RGB 209 173 101

HSL 40, 0.54%, 0.61%

LAB 72.48, 4.18, 41.62

 

CMYK 0 / 26 / 78 / 47

HEX #88651E

RGB 136 101 30

HSL 40.19, 0.64%, 0.33%

LAB 45.13, 6.96, 43.29

 

CMYK 0 / 30 / 91 / 53

HEX #77530B

RGB 119 83 11

HSL 40, 0.83%, 0.25%

LAB 38.08, 8.79, 43.2

 

CMYK 0 / 36 / 100 / 60

HEX #664100

RGB 102 65 0

HSL 38.24, 1%, 0.2%

LAB 30.89, 11.09, 40.58

 

CMYK 0 / 45 / 100 / 67

HEX #552F00

RGB 85 47 0

HSL 33.18, 1%, 0.17%

LAB 23.55, 13.85, 33.25

 

CMYK 0 / 57 / 100 / 73

HEX #441D00

RGB 68 29 0

HSL 25.59, 1%, 0.13%

LAB 16.04, 16.73, 23.97

 

CMYK 0 / 26 / 78 / 47

HEX #88651E

RGB 136 101 30

HSL 40.19, 0.64%, 0.33%

LAB 45.13, 6.96, 43.29

 

CMYK 0 / 13 / 78 / 46

HEX #8A781E

RGB 138 120 30

HSL 50, 0.64%, 0.33%

LAB 50.61, -3.01, 48.55

 

CMYK 0 / 0 / 78 / 46

HEX #8A8A1E

RGB 138 138 30

HSL 60, 0.64%, 0.33%

LAB 55.76, -12.89, 53.3

 

CMYK 13 / 0 / 78 / 46

HEX #788A1E

RGB 120 138 30

HSL 70, 0.64%, 0.33%

LAB 54.31, -20.95, 51.43

 

CMYK 26 / 0 / 78 / 46

HEX #668A1E

RGB 102 138 30

HSL 80, 0.64%, 0.33%

LAB 53.05, -28.64, 49.81

 

CMYK 0 / 26 / 78 / 47

HEX #88651E

RGB 136 101 30

HSL 40.19, 0.64%, 0.33%

LAB 45.13, 6.96, 43.29

 

CMYK 0 / 26 / 78 / 27

HEX #BB8B29

RGB 187 139 41

HSL 40.27, 0.64%, 0.45%

LAB 60.95, 9.23, 55.96

 

CMYK 0 / 26 / 78 / 7

HEX #EEB135

RGB 238 177 53

HSL 40.22, 0.84%, 0.57%

LAB 75.99, 11.42, 67.56

 

CMYK 0 / 26 / 76 / 87

HEX #221908

RGB 34 25 8

HSL 39.23, 0.62%, 0.08%

LAB 9.42, 1.81, 10.85

 

CMYK 0 / 26 / 78 / 67

HEX #553F13

RGB 85 63 19

HSL 40, 0.63%, 0.2%

LAB 28.2, 4.51, 29.51

 

CMYK 0 / 26 / 78 / 47

HEX #88651E

RGB 136 101 30

HSL 40.19, 0.64%, 0.33%

LAB 45.13, 6.96, 43.29

 

CMYK 68 / 0 / 78 / 46

HEX #2C8A1E

RGB 44 138 30

HSL 112.22, 0.64%, 0.33%

LAB 50.46, -47.61, 46.41

 

CMYK 57 / 78 / 0 / 46

HEX #3B1E8A

RGB 59 30 138

HSL 256.11, 0.64%, 0.33%

LAB 22.63, 41.62, -54.87

 

CMYK 0 / 26 / 78 / 47

HEX #88651E

RGB 136 101 30

HSL 40.19, 0.64%, 0.33%

LAB 45.13, 6.96, 43.29

 

CMYK 78 / 0 / 26 / 46

HEX #1E8A66

RGB 30 138 102

HSL 160, 0.64%, 0.33%

LAB 51.17, -38.52, 10.96

 

CMYK 26 / 78 / 0 / 46

HEX #661E8A

RGB 102 30 138

HSL 280, 0.64%, 0.33%

LAB 28.35, 48.99, -45.3

 

CMYK 0 / 26 / 78 / 47

HEX #88651E

RGB 136 101 30

HSL 40.19, 0.64%, 0.33%

LAB 45.13, 6.96, 43.29

 

CMYK 68 / 0 / 78 / 46

HEX #2C8A1E

RGB 44 138 30

HSL 112.22, 0.64%, 0.33%

LAB 50.46, -47.61, 46.41

 

CMYK 78 / 52 / 0 / 46

HEX #1E428A

RGB 30 66 138

HSL 220, 0.64%, 0.33%

LAB 29.43, 14.47, -43.86

 

CMYK 11 / 78 / 0 / 46

HEX #7B1E8A

RGB 123 30 138

HSL 291.67, 0.64%, 0.33%

LAB 31.75, 53.25, -39.64

 

CMYK 0 / 26 / 78 / 47

HEX #88651E

RGB 136 101 30

HSL 40.19, 0.64%, 0.33%

LAB 45.13, 6.96, 43.29

 

CMYK 78 / 0 / 65 / 46

HEX #1E8A30

RGB 30 138 48

HSL 130, 0.64%, 0.33%

LAB 50.29, -48.48, 38.77

 

CMYK 78 / 52 / 0 / 46

HEX #1E428A

RGB 30 66 138

HSL 220, 0.64%, 0.33%

LAB 29.43, 14.47, -43.86

 

CMYK 0 / 78 / 13 / 46

HEX #8A1E78

RGB 138 30 120

HSL 310, 0.64%, 0.33%

LAB 33.32, 53.55, -25.73

 

Description

Color code: HEX #88651E | qconv.com Color code: HEX #88651E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 101 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 101 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 78 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 78% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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