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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #886080 it is the complementary color #779F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #886080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #886080: #8D607B, #9E728E, #AF84A1, #C096B4 and #D1A8C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #886080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #886080: #886080, #774E6D, #663C5A, #552A47 and #441834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 6 / 47

HEX #886080

RGB 136 96 128

HSL 312, 0.17%, 0.45%

LAB 45.85, 21.77, -11.4

 

Complementary color

CMYK 25 / 0 / 20 / 38

HEX #779F7F

RGB 119 159 127

HSL 132, 0.17%, 0.55%

LAB 61.87, -20.33, 12.35

 

CMYK 0 / 32 / 13 / 45

HEX #8D607B

RGB 141 96 123

HSL 324, 0.19%, 0.46%

LAB 46.26, 22.68, -7.73

 

CMYK 0 / 28 / 10 / 38

HEX #9E728E

RGB 158 114 142

HSL 321.82, 0.18%, 0.53%

LAB 53.23, 21.96, -8.39

 

CMYK 0 / 25 / 8 / 31

HEX #AF84A1

RGB 175 132 161

HSL 319.53, 0.21%, 0.6%

LAB 60.06, 21.3, -9

 

CMYK 0 / 22 / 6 / 25

HEX #C096B4

RGB 192 150 180

HSL 317.14, 0.25%, 0.67%

LAB 66.76, 20.71, -9.56

 

CMYK 0 / 20 / 5 / 18

HEX #D1A8C7

RGB 209 168 199

HSL 314.63, 0.31%, 0.74%

LAB 73.34, 20.16, -10.1

 

CMYK 0 / 29 / 6 / 47

HEX #886080

RGB 136 96 128

HSL 312, 0.17%, 0.45%

LAB 45.85, 21.77, -11.4

 

CMYK 0 / 34 / 8 / 53

HEX #774E6D

RGB 119 78 109

HSL 314.63, 0.21%, 0.39%

LAB 38.68, 22.53, -10.82

 

CMYK 0 / 41 / 12 / 60

HEX #663C5A

RGB 102 60 90

HSL 317.14, 0.26%, 0.32%

LAB 31.33, 23.37, -10.14

 

CMYK 0 / 51 / 16 / 67

HEX #552A47

RGB 85 42 71

HSL 319.53, 0.34%, 0.25%

LAB 23.81, 24.25, -9.29

 

CMYK 0 / 65 / 24 / 73

HEX #441834

RGB 68 24 52

HSL 321.82, 0.48%, 0.18%

LAB 16.16, 25.01, -8.06

 

CMYK 0 / 29 / 6 / 47

HEX #886080

RGB 136 96 128

HSL 312, 0.17%, 0.45%

LAB 45.85, 21.77, -11.4

 

CMYK 0 / 29 / 11 / 47

HEX #865F77

RGB 134 95 119

HSL 323.08, 0.17%, 0.45%

LAB 45.06, 19.92, -7.18

 

CMYK 0 / 29 / 16 / 47

HEX #865F71

RGB 134 95 113

HSL 332.31, 0.17%, 0.45%

LAB 44.86, 18.84, -3.84

 

CMYK 0 / 29 / 21 / 47

HEX #865F6A

RGB 134 95 106

HSL 343.08, 0.17%, 0.45%

LAB 44.65, 17.64, 0.09

 

CMYK 0 / 29 / 25 / 47

HEX #865F64

RGB 134 95 100

HSL 352.31, 0.17%, 0.45%

LAB 44.48, 16.67, 3.48

 

CMYK 0 / 29 / 6 / 47

HEX #886080

RGB 136 96 128

HSL 312, 0.17%, 0.45%

LAB 45.85, 21.77, -11.4

 

CMYK 0 / 29 / 6 / 27

HEX #BB84B0

RGB 187 132 176

HSL 312, 0.29%, 0.63%

LAB 61.83, 28.23, -14.76

 

CMYK 0 / 29 / 6 / 7

HEX #EEA8E0

RGB 238 168 224

HSL 312, 0.67%, 0.8%

LAB 77.02, 34.35, -17.94

 

CMYK 0 / 29 / 6 / 87

HEX #221820

RGB 34 24 32

HSL 312, 0.17%, 0.11%

LAB 9.78, 6.81, -3.63

 

CMYK 0 / 29 / 6 / 67

HEX #553C50

RGB 85 60 80

HSL 312, 0.17%, 0.28%

LAB 28.75, 14.77, -7.77

 

CMYK 0 / 29 / 6 / 47

HEX #886080

RGB 136 96 128

HSL 312, 0.17%, 0.45%

LAB 45.85, 21.77, -11.4

 

CMYK 0 / 18 / 29 / 47

HEX #866E5F

RGB 134 110 95

HSL 23.08, 0.17%, 0.45%

LAB 48.32, 7.07, 11.92

 

CMYK 29 / 0 / 6 / 47

HEX #5F867E

RGB 95 134 126

HSL 167.69, 0.17%, 0.45%

LAB 52.94, -15.38, -0.07

 

CMYK 0 / 29 / 6 / 47

HEX #886080

RGB 136 96 128

HSL 312, 0.17%, 0.45%

LAB 45.85, 21.77, -11.4

 

CMYK 6 / 0 / 29 / 47

HEX #7E865F

RGB 126 134 95

HSL 72.31, 0.17%, 0.45%

LAB 54.36, -9.91, 20.07

 

CMYK 29 / 6 / 0 / 47

HEX #5F7E86

RGB 95 126 134

HSL 192.31, 0.17%, 0.45%

LAB 50.78, -9, -7.93

 

CMYK 0 / 29 / 6 / 47

HEX #886080

RGB 136 96 128

HSL 312, 0.17%, 0.45%

LAB 45.85, 21.77, -11.4

 

CMYK 0 / 18 / 29 / 47

HEX #866E5F

RGB 134 110 95

HSL 23.08, 0.17%, 0.45%

LAB 48.32, 7.07, 11.92

 

CMYK 29 / 0 / 23 / 47

HEX #5F8667

RGB 95 134 103

HSL 132.31, 0.17%, 0.45%

LAB 52.36, -20.34, 12.42

 

CMYK 29 / 12 / 0 / 47

HEX #5F7686

RGB 95 118 134

HSL 204.62, 0.17%, 0.45%

LAB 48.4, -4.41, -11.5

 

CMYK 0 / 29 / 6 / 47

HEX #886080

RGB 136 96 128

HSL 312, 0.17%, 0.45%

LAB 45.85, 21.77, -11.4

 

CMYK 0 / 9 / 29 / 47

HEX #867A5F

RGB 134 122 95

HSL 41.54, 0.17%, 0.45%

LAB 51.63, 0.13, 16.48

 

CMYK 29 / 0 / 23 / 47

HEX #5F8667

RGB 95 134 103

HSL 132.31, 0.17%, 0.45%

LAB 52.36, -20.34, 12.42

 

CMYK 29 / 21 / 0 / 47

HEX #5F6A86

RGB 95 106 134

HSL 223.08, 0.17%, 0.45%

LAB 44.89, 2.71, -16.83

 

Description

Color code: HEX #886080 | qconv.com Color code: HEX #886080 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 96 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 96 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 6 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 6% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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