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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #884B97 it is the complementary color #77B468. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #884B97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #884B97 shade: #8D4B92, #9E5DA5, #AF6FB8, #C081CB and #D193DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #884B97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #884B97 shade: #884B97, #773984, #662771, #55155E and #44034B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #884B97 shade: #874A96, #964A91, #964A7C, #964A68 and #964A53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #884B97 shade: #874A96, #734A96, #5E4A96 and #4A4A96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #884B97 shade matches the following richer shades: #874A96, #9238A9, #9D26BB, #A814CD and #B301DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #884B97 shade: #874A96, #7C5C84, #716E72, #668160 and #5B934E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #884B97 shade: #5E4A96, #734A96, #874A96, #964A91 and #964A7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #884B97 shade: #562F5F, #6E3C7B, #874A96, #9E5BAE and #AE77BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #884B97 shade: #884B97, #964A4A and #4A9669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #884B97 shade: #884B97, #96874A and #4A9687

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #884B97 shade: #884B97, #964A4A, #59964A and #4A9696

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #884B97 shade: #884B97, #96614A, #59964A and #4A7F96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 50 / 0 / 41

HEX #884B97

RGB 136 75 151

HSL 288.16, 0.34%, 0.44%

LAB 42, 38.48, -31.19

 

Complementary color

CMYK 34 / 0 / 42 / 29

HEX #77B468

RGB 119 180 104

HSL 108.16, 0.34%, 0.56%

LAB 67.7, -34.42, 32.63

 

CMYK 3 / 49 / 0 / 43

HEX #8D4B92

RGB 141 75 146

HSL 295.77, 0.32%, 0.43%

LAB 42.41, 38.96, -27.48

 

CMYK 4 / 44 / 0 / 35

HEX #9E5DA5

RGB 158 93 165

HSL 294.17, 0.29%, 0.51%

LAB 49.27, 38.19, -27.94

 

CMYK 5 / 40 / 0 / 28

HEX #AF6FB8

RGB 175 111 184

HSL 292.6, 0.34%, 0.58%

LAB 56.03, 37.41, -28.32

 

CMYK 5 / 36 / 0 / 20

HEX #C081CB

RGB 192 129 203

HSL 291.08, 0.42%, 0.65%

LAB 62.69, 36.65, -28.65

 

CMYK 6 / 34 / 0 / 13

HEX #D193DE

RGB 209 147 222

HSL 289.6, 0.53%, 0.72%

LAB 69.25, 35.92, -28.96

 

CMYK 10 / 50 / 0 / 41

HEX #884B97

RGB 136 75 151

HSL 288.16, 0.34%, 0.44%

LAB 42, 38.48, -31.19

 

CMYK 10 / 57 / 0 / 48

HEX #773984

RGB 119 57 132

HSL 289.6, 0.4%, 0.37%

LAB 35.03, 39.2, -30.74

 

CMYK 10 / 65 / 0 / 56

HEX #662771

RGB 102 39 113

HSL 291.08, 0.49%, 0.3%

LAB 28.03, 39.67, -30.05

 

CMYK 10 / 78 / 0 / 63

HEX #55155E

RGB 85 21 94

HSL 292.6, 0.63%, 0.23%

LAB 21.12, 39.49, -28.88

 

CMYK 9 / 96 / 0 / 71

HEX #44034B

RGB 68 3 75

HSL 294.17, 0.92%, 0.15%

LAB 14.41, 38.16, -26.95

 

CMYK 10 / 51 / 0 / 41

HEX #874A96

RGB 135 74 150

HSL 288.16, 0.34%, 0.44%

LAB 41.61, 38.52, -31.21

 

CMYK 0 / 51 / 3 / 41

HEX #964A91

RGB 150 74 145

HSL 303.95, 0.34%, 0.44%

LAB 43.4, 42.05, -25.25

 

CMYK 0 / 51 / 17 / 41

HEX #964A7C

RGB 150 74 124

HSL 320.53, 0.34%, 0.44%

LAB 42.52, 38.4, -13.86

 

CMYK 0 / 51 / 31 / 41

HEX #964A68

RGB 150 74 104

HSL 336.32, 0.34%, 0.44%

LAB 41.82, 35.38, -2.6

 

CMYK 0 / 51 / 45 / 41

HEX #964A53

RGB 150 74 83

HSL 352.89, 0.34%, 0.44%

LAB 41.23, 32.75, 9.57

 

CMYK 10 / 51 / 0 / 41

HEX #874A96

RGB 135 74 150

HSL 288.16, 0.34%, 0.44%

LAB 41.61, 38.52, -31.21

 

CMYK 23 / 51 / 0 / 41

HEX #734A96

RGB 115 74 150

HSL 272.37, 0.34%, 0.44%

LAB 39.15, 32.64, -35.26

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 51 / 51 / 0 / 41

HEX #4A4A96

RGB 74 74 150

HSL 240, 0.34%, 0.44%

LAB 35.11, 21.69, -41.92

 

CMYK 10 / 51 / 0 / 41

HEX #874A96

RGB 135 74 150

HSL 288.16, 0.34%, 0.44%

LAB 41.61, 38.52, -31.21

 

CMYK 14 / 67 / 0 / 34

HEX #9238A9

RGB 146 56 169

HSL 287.79, 0.5%, 0.44%

LAB 40.9, 54.24, -43.61

 

CMYK 16 / 80 / 0 / 27

HEX #9D26BB

RGB 157 38 187

HSL 287.92, 0.66%, 0.44%

LAB 41.44, 66.53, -53.3

 

CMYK 18 / 90 / 0 / 20

HEX #A814CD

RGB 168 20 205

HSL 288, 0.82%, 0.44%

LAB 43.11, 75.58, -61.01

 

CMYK 20 / 100 / 0 / 13

HEX #B301DF

RGB 179 1 223

HSL 288.11, 0.99%, 0.44%

LAB 45.54, 82.28, -67.33

 

CMYK 10 / 51 / 0 / 41

HEX #874A96

RGB 135 74 150

HSL 288.16, 0.34%, 0.44%

LAB 41.61, 38.52, -31.21

 

CMYK 6 / 30 / 0 / 48

HEX #7C5C84

RGB 124 92 132

HSL 288, 0.18%, 0.44%

LAB 43.66, 20.65, -17.27

 

CMYK 1 / 4 / 0 / 55

HEX #716E72

RGB 113 110 114

HSL 285, 0.02%, 0.44%

LAB 46.81, 1.97, -1.81

 

CMYK 21 / 0 / 26 / 49

HEX #668160

RGB 102 129 96

HSL 109.09, 0.15%, 0.44%

LAB 51.12, -16.47, 14.79

 

CMYK 38 / 0 / 47 / 42

HEX #5B934E

RGB 91 147 78

HSL 108.7, 0.31%, 0.44%

LAB 55.73, -32.38, 30.74

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 23 / 51 / 0 / 41

HEX #734A96

RGB 115 74 150

HSL 272.37, 0.34%, 0.44%

LAB 39.15, 32.64, -35.26

 

CMYK 10 / 51 / 0 / 41

HEX #874A96

RGB 135 74 150

HSL 288.16, 0.34%, 0.44%

LAB 41.61, 38.52, -31.21

 

CMYK 0 / 51 / 3 / 41

HEX #964A91

RGB 150 74 145

HSL 303.95, 0.34%, 0.44%

LAB 43.4, 42.05, -25.25

 

CMYK 0 / 51 / 17 / 41

HEX #964A7D

RGB 150 74 125

HSL 319.74, 0.34%, 0.44%

LAB 42.55, 38.56, -14.41

 

CMYK 9 / 51 / 0 / 63

HEX #562F5F

RGB 86 47 95

HSL 288.75, 0.34%, 0.28%

LAB 26.27, 26.59, -21.38

 

CMYK 11 / 51 / 0 / 52

HEX #6E3C7B

RGB 110 60 123

HSL 287.62, 0.34%, 0.36%

LAB 33.93, 32.93, -26.96

 

CMYK 10 / 51 / 0 / 41

HEX #874A96

RGB 135 74 150

HSL 288.16, 0.34%, 0.44%

LAB 41.61, 38.52, -31.21

 

CMYK 9 / 48 / 0 / 32

HEX #9E5BAE

RGB 158 91 174

HSL 288.43, 0.34%, 0.52%

LAB 49.26, 41.1, -33.23

 

CMYK 7 / 37 / 0 / 26

HEX #AE77BC

RGB 174 119 188

HSL 287.83, 0.34%, 0.6%

LAB 57.87, 33.48, -27.77

 

CMYK 10 / 50 / 0 / 41

HEX #884B97

RGB 136 75 151

HSL 288.16, 0.34%, 0.44%

LAB 42, 38.48, -31.19

 

CMYK 0 / 51 / 51 / 41

HEX #964A4A

RGB 150 74 74

HSL 0, 0.34%, 0.44%

LAB 41.02, 31.81, 14.84

 

CMYK 51 / 0 / 30 / 41

HEX #4A9669

RGB 74 150 105

HSL 144.47, 0.34%, 0.44%

LAB 56.38, -34.28, 16.68

 

CMYK 10 / 50 / 0 / 41

HEX #884B97

RGB 136 75 151

HSL 288.16, 0.34%, 0.44%

LAB 42, 38.48, -31.19

 

CMYK 0 / 10 / 51 / 41

HEX #96874A

RGB 150 135 74

HSL 48.16, 0.34%, 0.44%

LAB 56.39, -2.84, 34.62

 

CMYK 51 / 0 / 10 / 41

HEX #4A9687

RGB 74 150 135

HSL 168.16, 0.34%, 0.44%

LAB 57.09, -27.37, 0.69

 

CMYK 10 / 50 / 0 / 41

HEX #884B97

RGB 136 75 151

HSL 288.16, 0.34%, 0.44%

LAB 42, 38.48, -31.19

 

CMYK 0 / 51 / 51 / 41

HEX #964A4A

RGB 150 74 74

HSL 0, 0.34%, 0.44%

LAB 41.02, 31.81, 14.84

 

CMYK 41 / 0 / 51 / 41

HEX #59964A

RGB 89 150 74

HSL 108.16, 0.34%, 0.44%

LAB 56.52, -34.99, 33.79

 

CMYK 51 / 0 / 0 / 41

HEX #4A9696

RGB 74 150 150

HSL 180, 0.34%, 0.44%

LAB 57.53, -23.39, -7.23

 

CMYK 10 / 50 / 0 / 41

HEX #884B97

RGB 136 75 151

HSL 288.16, 0.34%, 0.44%

LAB 42, 38.48, -31.19

 

CMYK 0 / 35 / 51 / 41

HEX #96614A

RGB 150 97 74

HSL 18.16, 0.34%, 0.44%

LAB 46.35, 18.86, 21.95

 

CMYK 41 / 0 / 51 / 41

HEX #59964A

RGB 89 150 74

HSL 108.16, 0.34%, 0.44%

LAB 56.52, -34.99, 33.79

 

CMYK 51 / 15 / 0 / 41

HEX #4A7F96

RGB 74 127 150

HSL 198.16, 0.34%, 0.44%

LAB 50.5, -11.01, -17.84

 

Description

Color code: HEX #884B97 | qconv.com Color code: HEX #884B97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 75 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 75 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 50 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 50% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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