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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4A96 it is the complementary color #A1B569. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4A96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4A96 shade: #634A91, #745CA4, #856EB7, #9680CA and #A792DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4A96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4A96 shade: #5E4A96, #4D3883, #3C2670, #2B145D and #1A024A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4A96 shade: #5E4A96, #724A96, #874A96, #964A90 and #964A7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4A96 shade: #5E4A96 and #4A4A96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4A96 shade matches the following richer shades: #5E4A96, #5537A8, #4C25BA, #4413CC and #3B01DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4A96 shade: #5E4A96, #665C84, #6F6E72, #77805F and #80924D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4A96 shade: #4A5F96, #4A4B96, #5D4A96, #714A96 and #854A96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4A96 shade: #3B2E5F, #4C3C7A, #5E4A96, #715BAE and #8976BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4A96 shade: #5E4A96, #964A74 and #55964A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4A96 shade: #5E4A96, #965D4A and #4A965D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4A96 shade: #5E4A96, #964A74, #83964A and #4A966C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4A96 shade: #5E4A96, #964A5D, #83964A and #4A9683

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

Complementary color

CMYK 11 / 0 / 42 / 29

HEX #A1B569

RGB 161 181 105

HSL 75.79, 0.34%, 0.56%

LAB 70.63, -19.25, 36.38

 

CMYK 32 / 49 / 0 / 43

HEX #634A91

RGB 99 74 145

HSL 261.13, 0.32%, 0.43%

LAB 37.1, 26.75, -35.58

 

CMYK 29 / 44 / 0 / 36

HEX #745CA4

RGB 116 92 164

HSL 260, 0.28%, 0.5%

LAB 44.3, 25.77, -35.47

 

CMYK 27 / 40 / 0 / 28

HEX #856EB7

RGB 133 110 183

HSL 258.9, 0.34%, 0.57%

LAB 51.33, 24.9, -35.4

 

CMYK 26 / 37 / 0 / 21

HEX #9680CA

RGB 150 128 202

HSL 257.84, 0.41%, 0.65%

LAB 58.21, 24.13, -35.37

 

CMYK 24 / 34 / 0 / 13

HEX #A792DD

RGB 167 146 221

HSL 256.8, 0.52%, 0.72%

LAB 64.96, 23.43, -35.38

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 41 / 57 / 0 / 49

HEX #4D3883

RGB 77 56 131

HSL 256.8, 0.4%, 0.37%

LAB 29.53, 27.99, -39.2

 

CMYK 46 / 66 / 0 / 56

HEX #3C2670

RGB 60 38 112

HSL 257.84, 0.49%, 0.29%

LAB 22, 29.36, -39.39

 

CMYK 54 / 78 / 0 / 64

HEX #2B145D

RGB 43 20 93

HSL 258.9, 0.65%, 0.22%

LAB 14.42, 30.68, -39.36

 

CMYK 65 / 97 / 0 / 71

HEX #1A024A

RGB 26 2 74

HSL 260, 0.95%, 0.15%

LAB 6.84, 31.88, -38.93

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 24 / 51 / 0 / 41

HEX #724A96

RGB 114 74 150

HSL 271.58, 0.34%, 0.44%

LAB 39.03, 32.36, -35.45

 

CMYK 10 / 51 / 0 / 41

HEX #874A96

RGB 135 74 150

HSL 288.16, 0.34%, 0.44%

LAB 41.61, 38.52, -31.21

 

CMYK 0 / 51 / 4 / 41

HEX #964A90

RGB 150 74 144

HSL 304.74, 0.34%, 0.44%

LAB 43.35, 41.86, -24.72

 

CMYK 0 / 51 / 17 / 41

HEX #964A7C

RGB 150 74 124

HSL 320.53, 0.34%, 0.44%

LAB 42.52, 38.4, -13.86

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 51 / 51 / 0 / 41

HEX #4A4A96

RGB 74 74 150

HSL 240, 0.34%, 0.44%

LAB 35.11, 21.69, -41.92

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 49 / 67 / 0 / 34

HEX #5537A8

RGB 85 55 168

HSL 255.93, 0.51%, 0.44%

LAB 32.9, 41.31, -56.32

 

CMYK 59 / 80 / 0 / 27

HEX #4C25BA

RGB 76 37 186

HSL 255.7, 0.67%, 0.44%

LAB 30.41, 54.25, -71.16

 

CMYK 67 / 91 / 0 / 20

HEX #4413CC

RGB 68 19 204

HSL 255.89, 0.83%, 0.44%

LAB 29.55, 64.65, -83.2

 

CMYK 73 / 100 / 0 / 13

HEX #3B01DE

RGB 59 1 222

HSL 255.75, 0.99%, 0.44%

LAB 29.97, 72.03, -92.95

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 23 / 30 / 0 / 48

HEX #665C84

RGB 102 92 132

HSL 255, 0.18%, 0.44%

LAB 41.45, 13.08, -20.86

 

CMYK 3 / 4 / 0 / 55

HEX #6F6E72

RGB 111 110 114

HSL 255, 0.02%, 0.44%

LAB 46.64, 1.21, -2.09

 

CMYK 7 / 0 / 26 / 50

HEX #77805F

RGB 119 128 95

HSL 76.36, 0.15%, 0.44%

LAB 52.05, -9.44, 16.85

 

CMYK 12 / 0 / 47 / 43

HEX #80924D

RGB 128 146 77

HSL 75.65, 0.31%, 0.44%

LAB 57.73, -17.87, 34.27

 

CMYK 51 / 37 / 0 / 41

HEX #4A5F96

RGB 74 95 150

HSL 223.42, 0.34%, 0.44%

LAB 40.96, 8.2, -32.63

 

CMYK 51 / 50 / 0 / 41

HEX #4A4B96

RGB 74 75 150

HSL 239.21, 0.34%, 0.44%

LAB 35.38, 21.05, -41.5

 

CMYK 38 / 51 / 0 / 41

HEX #5D4A96

RGB 93 74 150

HSL 255, 0.34%, 0.44%

LAB 36.79, 26.5, -39.14

 

CMYK 25 / 51 / 0 / 41

HEX #714A96

RGB 113 74 150

HSL 270.79, 0.34%, 0.44%

LAB 38.92, 32.07, -35.64

 

CMYK 11 / 51 / 0 / 41

HEX #854A96

RGB 133 74 150

HSL 286.58, 0.34%, 0.44%

LAB 41.35, 37.92, -31.63

 

CMYK 38 / 52 / 0 / 63

HEX #3B2E5F

RGB 59 46 95

HSL 255.92, 0.35%, 0.28%

LAB 22.69, 18.64, -27.25

 

CMYK 38 / 51 / 0 / 52

HEX #4C3C7A

RGB 76 60 122

HSL 255.48, 0.34%, 0.36%

LAB 29.85, 22.5, -33.06

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 35 / 48 / 0 / 32

HEX #715BAE

RGB 113 91 174

HSL 255.9, 0.34%, 0.52%

LAB 44.3, 28.22, -41.38

 

CMYK 27 / 37 / 0 / 27

HEX #8976BB

RGB 137 118 187

HSL 256.52, 0.34%, 0.6%

LAB 53.88, 22.38, -33.69

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 0 / 51 / 23 / 41

HEX #964A74

RGB 150 74 116

HSL 326.84, 0.34%, 0.44%

LAB 42.22, 37.13, -9.4

 

CMYK 43 / 0 / 51 / 41

HEX #55964A

RGB 85 150 74

HSL 111.32, 0.34%, 0.44%

LAB 56.33, -36.31, 33.51

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 0 / 38 / 51 / 41

HEX #965D4A

RGB 150 93 74

HSL 15, 0.34%, 0.44%

LAB 45.37, 21.16, 20.66

 

CMYK 51 / 0 / 38 / 41

HEX #4A965D

RGB 74 150 93

HSL 135, 0.34%, 0.44%

LAB 56.15, -36.6, 23.03

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 0 / 51 / 23 / 41

HEX #964A74

RGB 150 74 116

HSL 326.84, 0.34%, 0.44%

LAB 42.22, 37.13, -9.4

 

CMYK 13 / 0 / 51 / 41

HEX #83964A

RGB 131 150 74

HSL 75, 0.34%, 0.44%

LAB 59.1, -19.03, 37.52

 

CMYK 51 / 0 / 28 / 41

HEX #4A966C

RGB 74 150 108

HSL 146.84, 0.34%, 0.44%

LAB 56.44, -33.66, 15.08

 

CMYK 37 / 51 / 0 / 41

HEX #5E4A96

RGB 94 74 150

HSL 255.79, 0.34%, 0.44%

LAB 36.89, 26.76, -38.98

 

CMYK 0 / 51 / 38 / 41

HEX #964A5D

RGB 150 74 93

HSL 345, 0.34%, 0.44%

LAB 41.49, 33.93, 3.74

 

CMYK 13 / 0 / 51 / 41

HEX #83964A

RGB 131 150 74

HSL 75, 0.34%, 0.44%

LAB 59.1, -19.03, 37.52

 

CMYK 51 / 0 / 13 / 41

HEX #4A9683

RGB 74 150 131

HSL 165, 0.34%, 0.44%

LAB 56.98, -28.38, 2.81

 

Description

Color code: HEX #5E4A96 | qconv.com Color code: HEX #5E4A96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 74 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 74 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 51 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 51% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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