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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87F08F it is the complementary color #780F70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87F08F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #87F08F: #8CF08A, #9DFF9D, #AEFFB0, #BFFFC3 and #D0FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87F08F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #87F08F: #87F08F, #76DE7C, #65CC69, #54BA56 and #43A843

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 40 / 6

HEX #87F08F

RGB 135 240 143

HSL 124.57, 0.78%, 0.74%

LAB 86.73, -49.92, 37.6

 

Complementary color

CMYK 0 / 88 / 7 / 53

HEX #780F70

RGB 120 15 112

HSL 304.57, 0.78%, 0.26%

LAB 28.13, 52.28, -29.06

 

CMYK 42 / 0 / 43 / 6

HEX #8CF08A

RGB 140 240 138

HSL 118.82, 0.77%, 0.74%

LAB 86.86, -49.22, 40.28

 

CMYK 38 / 0 / 38 / 0

HEX #9DFF9D

RGB 157 255 157

HSL 120, 1%, 0.81%

LAB 92.19, -47.78, 37.98

 

CMYK 32 / 0 / 31 / 0

HEX #AEFFB0

RGB 174 255 176

HSL 121.48, 1%, 0.84%

LAB 93.3, -39.71, 30.13

 

CMYK 25 / 0 / 24 / 0

HEX #BFFFC3

RGB 191 255 195

HSL 123.75, 1%, 0.87%

LAB 94.54, -31.27, 22.36

 

CMYK 18 / 0 / 16 / 0

HEX #D0FFD6

RGB 208 255 214

HSL 127.66, 1%, 0.91%

LAB 95.91, -22.57, 14.72

 

CMYK 44 / 0 / 40 / 6

HEX #87F08F

RGB 135 240 143

HSL 124.57, 0.78%, 0.74%

LAB 86.73, -49.92, 37.6

 

CMYK 47 / 0 / 44 / 13

HEX #76DE7C

RGB 118 222 124

HSL 123.46, 0.61%, 0.67%

LAB 80.49, -50.06, 38.85

 

CMYK 50 / 0 / 49 / 20

HEX #65CC69

RGB 101 204 105

HSL 122.33, 0.5%, 0.6%

LAB 74.17, -50.11, 40.14

 

CMYK 55 / 0 / 54 / 27

HEX #54BA56

RGB 84 186 86

HSL 121.18, 0.43%, 0.53%

LAB 67.78, -50.02, 41.46

 

CMYK 60 / 0 / 60 / 34

HEX #43A843

RGB 67 168 67

HSL 120, 0.43%, 0.46%

LAB 61.31, -49.71, 42.73

 

CMYK 44 / 0 / 40 / 6

HEX #87F08F

RGB 135 240 143

HSL 124.57, 0.78%, 0.74%

LAB 86.73, -49.92, 37.6

 

CMYK 43 / 0 / 33 / 6

HEX #88F0A1

RGB 136 240 161

HSL 134.42, 0.78%, 0.74%

LAB 87.06, -46.75, 29

 

CMYK 43 / 0 / 26 / 6

HEX #88F0B2

RGB 136 240 178

HSL 144.23, 0.78%, 0.74%

LAB 87.37, -43.7, 20.73

 

CMYK 43 / 0 / 19 / 6

HEX #88F0C3

RGB 136 240 195

HSL 154.04, 0.78%, 0.74%

LAB 87.72, -40.35, 12.41

 

CMYK 43 / 0 / 12 / 6

HEX #88F0D4

RGB 136 240 212

HSL 163.85, 0.78%, 0.74%

LAB 88.12, -36.73, 4.11

 

CMYK 44 / 0 / 40 / 6

HEX #87F08F

RGB 135 240 143

HSL 124.57, 0.78%, 0.74%

LAB 86.73, -49.92, 37.6

 

CMYK 44 / 0 / 42 / 86

HEX #142415

RGB 20 36 21

HSL 123.75, 0.29%, 0.11%

LAB 12.38, -10.81, 7.95

 

CMYK 44 / 0 / 40 / 66

HEX #315734

RGB 49 87 52

HSL 124.74, 0.28%, 0.27%

LAB 33.39, -21.92, 16.21

 

CMYK 43 / 0 / 41 / 46

HEX #4E8A52

RGB 78 138 82

HSL 124, 0.28%, 0.42%

LAB 52.29, -31.87, 24.05

 

CMYK 44 / 0 / 40 / 26

HEX #6ABD71

RGB 106 189 113

HSL 125.06, 0.39%, 0.58%

LAB 69.93, -41.21, 30.73

 

CMYK 44 / 0 / 40 / 6

HEX #87F08F

RGB 135 240 143

HSL 124.57, 0.78%, 0.74%

LAB 86.73, -49.92, 37.6

 

CMYK 43 / 12 / 0 / 6

HEX #88D4F0

RGB 136 212 240

HSL 196.15, 0.78%, 0.74%

LAB 81.08, -16.37, -21.11

 

CMYK 0 / 43 / 29 / 6

HEX #F088AB

RGB 240 136 171

HSL 339.81, 0.78%, 0.74%

LAB 68.8, 43.64, -0.89

 

CMYK 44 / 0 / 40 / 6

HEX #87F08F

RGB 135 240 143

HSL 124.57, 0.78%, 0.74%

LAB 86.73, -49.92, 37.6

 

CMYK 40 / 43 / 0 / 6

HEX #8F88F0

RGB 143 136 240

HSL 244.04, 0.78%, 0.74%

LAB 61.43, 27.55, -51.58

 

CMYK 0 / 40 / 43 / 6

HEX #F08F88

RGB 240 143 136

HSL 4.04, 0.78%, 0.74%

LAB 69.43, 35.93, 19.58

 

CMYK 44 / 0 / 40 / 6

HEX #87F08F

RGB 135 240 143

HSL 124.57, 0.78%, 0.74%

LAB 86.73, -49.92, 37.6

 

CMYK 43 / 12 / 0 / 6

HEX #88D4F0

RGB 136 212 240

HSL 196.15, 0.78%, 0.74%

LAB 81.08, -16.37, -21.11

 

CMYK 0 / 43 / 3 / 6

HEX #F088E9

RGB 240 136 233

HSL 304.04, 0.78%, 0.74%

LAB 70.88, 53.1, -32.21

 

CMYK 0 / 32 / 43 / 6

HEX #F0A488

RGB 240 164 136

HSL 16.15, 0.78%, 0.74%

LAB 74.1, 24.89, 25.91

 

CMYK 44 / 0 / 40 / 6

HEX #87F08F

RGB 135 240 143

HSL 124.57, 0.78%, 0.74%

LAB 86.73, -49.92, 37.6

 

CMYK 43 / 25 / 0 / 6

HEX #88B5F0

RGB 136 181 240

HSL 214.04, 0.78%, 0.74%

LAB 72.61, 0.12, -34.09

 

CMYK 0 / 43 / 3 / 6

HEX #F088E9

RGB 240 136 233

HSL 304.04, 0.78%, 0.74%

LAB 70.88, 53.1, -32.21

 

CMYK 0 / 19 / 43 / 6

HEX #F0C388

RGB 240 195 136

HSL 34.04, 0.78%, 0.74%

LAB 81.47, 8.52, 35.66

 

Description

Color code: HEX #87F08F | qconv.com Color code: HEX #87F08F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 240 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 240 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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