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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #878CB4 it is the complementary color #78734B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #878CB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #878CB4 shade: #8C8CAF, #9D9EC2, #AEB0D5, #BFC2E8 and #D0D4FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #878CB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #878CB4 shade: #878CB4, #767AA1, #65688E, #54567B and #434468

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #878CB4 shade: #888DB4, #8F88B4, #9B88B4, #A788B4 and #B388B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #878CB4 shade: #888DB4 and #8888B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #878CB4 shade matches the following richer shades: #888DB4, #7881C4, #6874D4, #5968E3 and #495CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #878CB4 shade: #888DB4, #9799A5, #A7A595, #B7B185 and #C7BE76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #878CB4 shade: #88A5B4, #8899B4, #888DB4, #8E88B4 and #9A88B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #878CB4 shade: #5A6090, #6E74A5, #888DB4, #A1A5C4 and #BBBDD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #878CB4 shade: #878CB4, #B488B1 and #9FB488

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #878CB4 shade: #878CB4, #B4888D and #8DB488

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #878CB4 shade: #878CB4, #B488B1, #B4AF88 and #88B48C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #878CB4 shade: #878CB4, #B488A3, #B4AF88 and #88B499

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 22 / 0 / 29

HEX #878CB4

RGB 135 140 180

HSL 233.33, 0.23%, 0.62%

LAB 59.16, 7.16, -21.54

Complementary color

CMYK 0 / 4 / 38 / 53

HEX #78734B

RGB 120 115 75

HSL 53.33, 0.23%, 0.38%

LAB 47.96, -4.61, 22.85

 

CMYK 20 / 20 / 0 / 31

HEX #8C8CAF

RGB 140 140 175

HSL 240, 0.18%, 0.62%

LAB 59.37, 7.56, -18.34

 

CMYK 19 / 19 / 0 / 24

HEX #9D9EC2

RGB 157 158 194

HSL 238.38, 0.23%, 0.69%

LAB 66.15, 7.23, -18.61

 

CMYK 18 / 17 / 0 / 16

HEX #AEB0D5

RGB 174 176 213

HSL 236.92, 0.32%, 0.76%

LAB 72.8, 6.93, -18.89

 

CMYK 18 / 16 / 0 / 9

HEX #BFC2E8

RGB 191 194 232

HSL 235.61, 0.47%, 0.83%

LAB 79.32, 6.66, -19.18

 

CMYK 17 / 16 / 0 / 2

HEX #D0D4FB

RGB 208 212 251

HSL 234.42, 0.84%, 0.9%

LAB 85.74, 6.4, -19.49

 

CMYK 25 / 22 / 0 / 29

HEX #878CB4

RGB 135 140 180

HSL 233.33, 0.23%, 0.62%

LAB 59.16, 7.16, -21.54

HEX #878CB4

CMYK 27 / 24 / 0 / 37

HEX #767AA1

RGB 118 122 161

HSL 234.42, 0.19%, 0.55%

LAB 52.22, 7.55, -21.36

HEX #767AA1

CMYK 29 / 27 / 0 / 44

HEX #65688E

RGB 101 104 142

HSL 235.61, 0.17%, 0.48%

LAB 45.11, 7.99, -21.23

HEX #65688E

CMYK 32 / 30 / 0 / 52

HEX #54567B

RGB 84 86 123

HSL 236.92, 0.19%, 0.41%

LAB 37.79, 8.51, -21.15

HEX #54567B

CMYK 36 / 35 / 0 / 59

HEX #434468

RGB 67 68 104

HSL 238.38, 0.22%, 0.34%

LAB 30.22, 9.15, -21.14

HEX #434468

CMYK 24 / 22 / 0 / 29

HEX #888DB4

RGB 136 141 180

HSL 233.18, 0.23%, 0.62%

LAB 59.51, 6.9, -21

 

CMYK 21 / 24 / 0 / 29

HEX #8F88B4

RGB 143 136 180

HSL 249.55, 0.23%, 0.62%

LAB 58.74, 12.01, -22.13

 

CMYK 14 / 24 / 0 / 29

HEX #9B88B4

RGB 155 136 180

HSL 265.91, 0.23%, 0.62%

LAB 59.77, 15.93, -20.45

 

CMYK 7 / 24 / 0 / 29

HEX #A788B4

RGB 167 136 180

HSL 282.27, 0.23%, 0.62%

LAB 60.89, 19.94, -18.65

 

CMYK 1 / 24 / 0 / 29

HEX #B388B4

RGB 179 136 180

HSL 298.64, 0.23%, 0.62%

LAB 62.07, 24.01, -16.74

 

CMYK 24 / 22 / 0 / 29

HEX #888DB4

RGB 136 141 180

HSL 233.18, 0.23%, 0.62%

LAB 59.51, 6.9, -21

 

CMYK 24 / 24 / 0 / 29

HEX #8888B4

RGB 136 136 180

HSL 240, 0.23%, 0.62%

LAB 58.17, 9.79, -23.05

 

CMYK 24 / 22 / 0 / 29

HEX #888DB4

RGB 136 141 180

HSL 233.18, 0.23%, 0.62%

LAB 59.51, 6.9, -21

 

CMYK 39 / 34 / 0 / 23

HEX #7881C4

RGB 120 129 196

HSL 232.89, 0.39%, 0.62%

LAB 55.77, 13.4, -35.98

 

CMYK 51 / 45 / 0 / 17

HEX #6874D4

RGB 104 116 212

HSL 233.33, 0.56%, 0.62%

LAB 52.05, 22, -51.01

 

CMYK 61 / 54 / 0 / 11

HEX #5968E3

RGB 89 104 227

HSL 233.48, 0.71%, 0.62%

LAB 48.97, 31.24, -64.5

 

CMYK 70 / 62 / 0 / 5

HEX #495CF3

RGB 73 92 243

HSL 233.29, 0.88%, 0.62%

LAB 46.37, 41.63, -77.77

 

CMYK 24 / 22 / 0 / 29

HEX #888DB4

RGB 136 141 180

HSL 233.18, 0.23%, 0.62%

LAB 59.51, 6.9, -21

 

CMYK 8 / 7 / 0 / 35

HEX #9799A5

RGB 151 153 165

HSL 231.43, 0.07%, 0.62%

LAB 63.41, 1.7, -6.52

 

CMYK 0 / 1 / 11 / 35

HEX #A7A595

RGB 167 165 149

HSL 53.33, 0.09%, 0.62%

LAB 67.5, -2.15, 8.55

 

CMYK 0 / 3 / 27 / 28

HEX #B7B185

RGB 183 177 133

HSL 52.8, 0.26%, 0.62%

LAB 71.69, -4.91, 23.34

 

CMYK 0 / 5 / 41 / 22

HEX #C7BE76

RGB 199 190 118

HSL 53.33, 0.42%, 0.62%

LAB 76.24, -7.2, 37.45

 

CMYK 24 / 8 / 0 / 29

HEX #88A5B4

RGB 136 165 180

HSL 200.45, 0.23%, 0.62%

LAB 66.09, -6.56, -11.04

 

CMYK 24 / 15 / 0 / 29

HEX #8899B4

RGB 136 153 180

HSL 216.82, 0.23%, 0.62%

LAB 62.77, 0.08, -16.04

 

CMYK 24 / 22 / 0 / 29

HEX #888DB4

RGB 136 141 180

HSL 233.18, 0.23%, 0.62%

LAB 59.51, 6.9, -21

 

CMYK 21 / 24 / 0 / 29

HEX #8E88B4

RGB 142 136 180

HSL 248.18, 0.23%, 0.62%

LAB 58.65, 11.69, -22.27

 

CMYK 14 / 24 / 0 / 29

HEX #9A88B4

RGB 154 136 180

HSL 264.55, 0.23%, 0.62%

LAB 59.68, 15.6, -20.6

 

CMYK 38 / 33 / 0 / 44

HEX #5A6090

RGB 90 96 144

HSL 233.33, 0.23%, 0.46%

LAB 42.08, 10.09, -27.19

 

CMYK 33 / 30 / 0 / 35

HEX #6E74A5

RGB 110 116 165

HSL 233.45, 0.23%, 0.54%

LAB 50.12, 9.72, -26.99

 

CMYK 24 / 22 / 0 / 29

HEX #888DB4

RGB 136 141 180

HSL 233.18, 0.23%, 0.62%

LAB 59.51, 6.9, -21

 

CMYK 18 / 16 / 0 / 23

HEX #A1A5C4

RGB 161 165 196

HSL 233.14, 0.23%, 0.7%

LAB 68.37, 5.07, -16.33

 

CMYK 12 / 11 / 0 / 17

HEX #BBBDD4

RGB 187 189 212

HSL 235.2, 0.23%, 0.78%

LAB 77.11, 3.84, -11.75

 

CMYK 25 / 22 / 0 / 29

HEX #878CB4

RGB 135 140 180

HSL 233.33, 0.23%, 0.62%

LAB 59.16, 7.16, -21.54

HEX #878CB4

CMYK 0 / 24 / 2 / 29

HEX #B488B1

RGB 180 136 177

HSL 304.09, 0.23%, 0.62%

LAB 62.07, 23.78, -15.03

HEX #B488B1

CMYK 12 / 0 / 24 / 29

HEX #9FB488

RGB 159 180 136

HSL 88.64, 0.23%, 0.62%

LAB 70.73, -15.22, 20.1

HEX #9FB488

CMYK 25 / 22 / 0 / 29

HEX #878CB4

RGB 135 140 180

HSL 233.33, 0.23%, 0.62%

LAB 59.16, 7.16, -21.54

HEX #878CB4

CMYK 0 / 24 / 22 / 29

HEX #B4888D

RGB 180 136 141

HSL 353.18, 0.23%, 0.62%

LAB 60.99, 17.56, 3.86

HEX #B4888D

CMYK 22 / 0 / 24 / 29

HEX #8DB488

RGB 141 180 136

HSL 113.18, 0.23%, 0.62%

LAB 69.53, -21.73, 18.26

HEX #8DB488

CMYK 25 / 22 / 0 / 29

HEX #878CB4

RGB 135 140 180

HSL 233.33, 0.23%, 0.62%

LAB 59.16, 7.16, -21.54

HEX #878CB4

CMYK 0 / 24 / 2 / 29

HEX #B488B1

RGB 180 136 177

HSL 304.09, 0.23%, 0.62%

LAB 62.07, 23.78, -15.03

HEX #B488B1

CMYK 0 / 3 / 24 / 29

HEX #B4AF88

RGB 180 175 136

HSL 53.18, 0.23%, 0.62%

LAB 70.97, -4.6, 20.69

HEX #B4AF88

CMYK 24 / 0 / 22 / 29

HEX #88B48C

RGB 136 180 140

HSL 125.45, 0.23%, 0.62%

LAB 69.31, -22.75, 15.73

HEX #88B48C

CMYK 25 / 22 / 0 / 29

HEX #878CB4

RGB 135 140 180

HSL 233.33, 0.23%, 0.62%

LAB 59.16, 7.16, -21.54

HEX #878CB4

CMYK 0 / 24 / 9 / 29

HEX #B488A3

RGB 180 136 163

HSL 323.18, 0.23%, 0.62%

LAB 61.62, 21.21, -7.76

HEX #B488A3

CMYK 0 / 3 / 24 / 29

HEX #B4AF88

RGB 180 175 136

HSL 53.18, 0.23%, 0.62%

LAB 70.97, -4.6, 20.69

HEX #B4AF88

CMYK 24 / 0 / 15 / 29

HEX #88B499

RGB 136 180 153

HSL 143.18, 0.23%, 0.62%

LAB 69.6, -20.3, 9.03

HEX #88B499

Description

Color code: HEX #878CB4 | qconv.com Color code: HEX #878CB4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 140 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 140 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 22 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 22% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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