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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8721B1 it is the complementary color #78DE4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8721B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8721B1 shade: #8C21AC, #9D33BF, #AE45D2, #BF57E5 and #D069F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8721B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8721B1 shade: #8721B1, #760F9E, #65008B, #540078 and #430065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8721B1 shade: #8720B1, #AE20B1, #B1208D, #B12066 and #B1203F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8721B1 shade: #8720B1, #6020B1, #3920B1 and #2020B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8721B1 shade matches the following richer shades: #8720B1 and #8E0FC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8721B1 shade: #8720B1, #8031A0, #79428F, #71537E and #6A646D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8721B1 shade: #3820B1, #5F20B1, #8520B1, #AC20B1 and #B1208F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8721B1 shade: #51146B, #6C1A8E, #8720B1, #A127D4 and #B146DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8721B1 shade: #8721B1, #B1202F and #20B14C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8721B1 shade: #8721B1, #B18520 and #20B185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8721B1 shade: #8721B1, #B1202F, #4CB120 and #20B1A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8721B1 shade: #8721B1, #B13D20, #4CB120 and #2094B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 81 / 0 / 31

HEX #8721B1

RGB 135 33 177

HSL 282.5, 0.69%, 0.41%

LAB 36.77, 62.17, -55.11

 

Complementary color

CMYK 46 / 0 / 65 / 13

HEX #78DE4E

RGB 120 222 78

HSL 102.5, 0.69%, 0.59%

LAB 80.06, -54.84, 59.4

 

CMYK 19 / 81 / 0 / 33

HEX #8C21AC

RGB 140 33 172

HSL 286.19, 0.68%, 0.4%

LAB 37.19, 62.08, -51.41

 

CMYK 18 / 73 / 0 / 25

HEX #9D33BF

RGB 157 51 191

HSL 285.43, 0.58%, 0.47%

LAB 43.21, 62.97, -52.8

 

CMYK 17 / 67 / 0 / 18

HEX #AE45D2

RGB 174 69 210

HSL 284.68, 0.61%, 0.55%

LAB 49.38, 63.14, -53.73

 

CMYK 17 / 62 / 0 / 10

HEX #BF57E5

RGB 191 87 229

HSL 283.94, 0.73%, 0.62%

LAB 55.63, 62.89, -54.38

 

CMYK 16 / 58 / 0 / 3

HEX #D069F8

RGB 208 105 248

HSL 283.22, 0.91%, 0.69%

LAB 61.9, 62.4, -54.84

 

CMYK 24 / 81 / 0 / 31

HEX #8721B1

RGB 135 33 177

HSL 282.5, 0.69%, 0.41%

LAB 36.77, 62.17, -55.11

 

CMYK 25 / 91 / 0 / 38

HEX #760F9E

RGB 118 15 158

HSL 283.22, 0.83%, 0.34%

LAB 31.02, 60.19, -53.14

 

CMYK 27 / 100 / 0 / 45

HEX #65008B

RGB 101 0 139

HSL 283.6, 1%, 0.27%

LAB 25.66, 56.7, -50.31

 

CMYK 30 / 100 / 0 / 53

HEX #540078

RGB 84 0 120

HSL 282, 1%, 0.24%

LAB 20.98, 50.63, -46.05

 

CMYK 34 / 100 / 0 / 60

HEX #430065

RGB 67 0 101

HSL 279.8, 1%, 0.2%

LAB 16.17, 44.39, -41.68

 

CMYK 24 / 82 / 0 / 31

HEX #8720B1

RGB 135 32 177

HSL 282.62, 0.69%, 0.41%

LAB 36.67, 62.47, -55.28

 

CMYK 2 / 82 / 0 / 31

HEX #AE20B1

RGB 174 32 177

HSL 298.76, 0.69%, 0.41%

LAB 43.07, 69.57, -44.63

 

CMYK 0 / 82 / 20 / 31

HEX #B1208D

RGB 177 32 141

HSL 314.9, 0.69%, 0.41%

LAB 41.69, 64.94, -25.14

 

CMYK 0 / 82 / 42 / 31

HEX #B12066

RGB 177 32 102

HSL 331.03, 0.69%, 0.41%

LAB 40.15, 60.48, -3.29

 

CMYK 0 / 82 / 64 / 31

HEX #B1203F

RGB 177 32 63

HSL 347.17, 0.69%, 0.41%

LAB 39.14, 57.46, 20.05

 

CMYK 24 / 82 / 0 / 31

HEX #8720B1

RGB 135 32 177

HSL 282.62, 0.69%, 0.41%

LAB 36.67, 62.47, -55.28

 

CMYK 46 / 82 / 0 / 31

HEX #6020B1

RGB 96 32 177

HSL 266.48, 0.69%, 0.41%

LAB 31.1, 56.41, -64.6

 

CMYK 68 / 82 / 0 / 31

HEX #3920B1

RGB 57 32 177

HSL 250.34, 0.69%, 0.41%

LAB 26.95, 51.99, -71.58

 

CMYK 82 / 82 / 0 / 31

HEX #2020B1

RGB 32 32 177

HSL 240, 0.69%, 0.41%

LAB 25.3, 50.27, -74.36

 

CMYK 24 / 82 / 0 / 31

HEX #8720B1

RGB 135 32 177

HSL 282.62, 0.69%, 0.41%

LAB 36.67, 62.47, -55.28

 

CMYK 27 / 92 / 0 / 24

HEX #8E0FC2

RGB 142 15 194

HSL 282.57, 0.86%, 0.41%

LAB 37.82, 70.59, -63.39

 

CMYK 24 / 82 / 0 / 31

HEX #8720B1

RGB 135 32 177

HSL 282.62, 0.69%, 0.41%

LAB 36.67, 62.47, -55.28

 

CMYK 20 / 69 / 0 / 37

HEX #8031A0

RGB 128 49 160

HSL 282.7, 0.53%, 0.41%

LAB 36.6, 51.32, -45.26

 

CMYK 15 / 54 / 0 / 44

HEX #79428F

RGB 121 66 143

HSL 282.86, 0.37%, 0.41%

LAB 37.74, 37.29, -33.19

 

CMYK 10 / 34 / 0 / 51

HEX #71537E

RGB 113 83 126

HSL 281.86, 0.21%, 0.41%

LAB 39.92, 20.92, -19.47

 

CMYK 3 / 8 / 0 / 57

HEX #6A646D

RGB 106 100 109

HSL 280, 0.04%, 0.41%

LAB 43.19, 4.22, -4.22

 

CMYK 68 / 82 / 0 / 31

HEX #3820B1

RGB 56 32 177

HSL 249.93, 0.69%, 0.41%

LAB 26.87, 51.91, -71.72

 

CMYK 46 / 82 / 0 / 31

HEX #5F20B1

RGB 95 32 177

HSL 266.07, 0.69%, 0.41%

LAB 30.97, 56.27, -64.81

 

CMYK 25 / 82 / 0 / 31

HEX #8520B1

RGB 133 32 177

HSL 281.79, 0.69%, 0.41%

LAB 36.35, 62.13, -55.8

 

CMYK 3 / 82 / 0 / 31

HEX #AC20B1

RGB 172 32 177

HSL 297.93, 0.69%, 0.41%

LAB 42.73, 69.19, -45.2

 

CMYK 0 / 82 / 19 / 31

HEX #B1208F

RGB 177 32 143

HSL 314.07, 0.69%, 0.41%

LAB 41.79, 65.2, -26.22

 

CMYK 24 / 81 / 0 / 58

HEX #51146B

RGB 81 20 107

HSL 282.07, 0.69%, 0.25%

LAB 21.25, 41.76, -37.24

 

CMYK 24 / 82 / 0 / 44

HEX #6C1A8E

RGB 108 26 142

HSL 282.41, 0.69%, 0.33%

LAB 29.11, 52.41, -46.5

 

CMYK 24 / 82 / 0 / 31

HEX #8720B1

RGB 135 32 177

HSL 282.62, 0.69%, 0.41%

LAB 36.67, 62.47, -55.28

 

CMYK 24 / 82 / 0 / 17

HEX #A127D4

RGB 161 39 212

HSL 282.31, 0.69%, 0.49%

LAB 43.92, 71.66, -63.8

 

CMYK 20 / 68 / 0 / 13

HEX #B146DD

RGB 177 70 221

HSL 282.52, 0.69%, 0.57%

LAB 50.63, 65.56, -57.99

 

CMYK 24 / 81 / 0 / 31

HEX #8721B1

RGB 135 33 177

HSL 282.5, 0.69%, 0.41%

LAB 36.77, 62.17, -55.11

 

CMYK 0 / 82 / 73 / 31

HEX #B1202F

RGB 177 32 47

HSL 353.79, 0.69%, 0.41%

LAB 38.87, 56.66, 29.7

 

CMYK 82 / 0 / 57 / 31

HEX #20B14C

RGB 32 177 76

HSL 138.21, 0.69%, 0.41%

LAB 63.57, -57.86, 40.93

 

CMYK 24 / 81 / 0 / 31

HEX #8721B1

RGB 135 33 177

HSL 282.5, 0.69%, 0.41%

LAB 36.77, 62.17, -55.11

 

CMYK 0 / 25 / 82 / 31

HEX #B18520

RGB 177 133 32

HSL 41.79, 0.69%, 0.41%

LAB 58.25, 7.74, 56.32

 

CMYK 82 / 0 / 25 / 31

HEX #20B185

RGB 32 177 133

HSL 161.79, 0.69%, 0.41%

LAB 64.52, -46.96, 12.31

 

CMYK 24 / 81 / 0 / 31

HEX #8721B1

RGB 135 33 177

HSL 282.5, 0.69%, 0.41%

LAB 36.77, 62.17, -55.11

 

CMYK 0 / 82 / 73 / 31

HEX #B1202F

RGB 177 32 47

HSL 353.79, 0.69%, 0.41%

LAB 38.87, 56.66, 29.7

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 82 / 0 / 8 / 31

HEX #20B1A2

RGB 32 177 162

HSL 173.79, 0.69%, 0.41%

LAB 65.25, -39.35, -2.69

 

CMYK 24 / 81 / 0 / 31

HEX #8721B1

RGB 135 33 177

HSL 282.5, 0.69%, 0.41%

LAB 36.77, 62.17, -55.11

 

CMYK 0 / 66 / 82 / 31

HEX #B13D20

RGB 177 61 32

HSL 12, 0.69%, 0.41%

LAB 42.44, 45.79, 41.89

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 82 / 16 / 0 / 31

HEX #2094B1

RGB 32 148 177

HSL 192, 0.69%, 0.41%

LAB 56.74, -20.58, -23.94

 

Description

Color code: HEX #8721B1 | qconv.com Color code: HEX #8721B1 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 33 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 33 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 81 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 81% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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