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Color name
HEX #4CB120

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CB120 it is the complementary color #B34EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CB120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CB120 shade: #51B11B, #62C32E, #73D541, #84E754 and #95F967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CB120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CB120 shade: #4CB120, #3B9F0D, #2A8D00, #197B00 and #086900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CB120 shade: #4CB120, #73B120, #9AB120, #B1A020 and #B17A20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CB120 shade: #4CB120, #25B120, #20B142, #20B169 and #20B190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CB120 shade matches the following richer shades: #4CB120 and #46C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CB120 shade: #4CB120, #53A031, #598F42, #607E53 and #676D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CB120 shade: #9BB120, #75B120, #4EB120, #28B120 and #20B140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CB120 shade: #2E6B14, #3D8E1A, #4CB120, #5BD427 and #74DD46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CB120 shade: #4CB120, #20B1A0 and #B12088

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CB120 shade: #4CB120, #204EB1 and #B1204E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CB120 shade: #4CB120, #20B1A0, #8320B1 and #B12031

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CB120 shade: #4CB120, #2096B1, #8320B1 and #B13B20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

Complementary color

CMYK 20 / 65 / 0 / 13

HEX #B34EDF

RGB 179 78 223

HSL 281.79, 0.69%, 0.59%

LAB 52.24, 62.98, -56.52

 

CMYK 54 / 0 / 85 / 31

HEX #51B11B

RGB 81 177 27

HSL 98.4, 0.74%, 0.4%

LAB 64.38, -52.52, 60.66

 

CMYK 50 / 0 / 76 / 24

HEX #62C32E

RGB 98 195 46

HSL 99.06, 0.62%, 0.47%

LAB 70.75, -53.37, 61.37

 

CMYK 46 / 0 / 69 / 16

HEX #73D541

RGB 115 213 65

HSL 99.73, 0.64%, 0.55%

LAB 77.05, -53.9, 61.23

 

CMYK 43 / 0 / 64 / 9

HEX #84E754

RGB 132 231 84

HSL 100.41, 0.75%, 0.62%

LAB 83.28, -54.21, 60.61

 

CMYK 40 / 0 / 59 / 2

HEX #95F967

RGB 149 249 103

HSL 101.1, 0.92%, 0.69%

LAB 89.45, -54.37, 59.73

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 63 / 0 / 92 / 38

HEX #3B9F0D

RGB 59 159 13

HSL 101.1, 0.85%, 0.34%

LAB 57.8, -52.35, 57.59

 

CMYK 70 / 0 / 100 / 45

HEX #2A8D00

RGB 42 141 0

HSL 102.13, 1%, 0.28%

LAB 51.32, -50.39, 54.21

 

CMYK 80 / 0 / 100 / 52

HEX #197B00

RGB 25 123 0

HSL 107.8, 1%, 0.24%

LAB 44.76, -47.6, 48.84

 

CMYK 92 / 0 / 100 / 59

HEX #086900

RGB 8 105 0

HSL 115.43, 1%, 0.21%

LAB 38.12, -44.05, 43.43

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 35 / 0 / 82 / 31

HEX #73B120

RGB 115 177 32

HSL 85.66, 0.69%, 0.41%

LAB 65.9, -41.2, 61.3

 

CMYK 13 / 0 / 82 / 31

HEX #9AB120

RGB 154 177 32

HSL 69.52, 0.69%, 0.41%

LAB 68.33, -25.68, 64.38

 

CMYK 0 / 10 / 82 / 31

HEX #B1A020

RGB 177 160 32

HSL 52.97, 0.69%, 0.41%

LAB 65.43, -6.96, 62.59

 

CMYK 0 / 31 / 82 / 31

HEX #B17A20

RGB 177 122 32

HSL 37.24, 0.69%, 0.41%

LAB 55.45, 13.87, 53.83

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 79 / 0 / 82 / 31

HEX #25B120

RGB 37 177 32

HSL 117.93, 0.69%, 0.41%

LAB 63.29, -61.49, 57.96

 

CMYK 82 / 0 / 63 / 31

HEX #20B142

RGB 32 177 66

HSL 134.07, 0.69%, 0.41%

LAB 63.46, -59.14, 45.44

 

CMYK 82 / 0 / 41 / 31

HEX #20B169

RGB 32 177 105

HSL 150.21, 0.69%, 0.41%

LAB 63.98, -53.05, 26.73

 

CMYK 82 / 0 / 19 / 31

HEX #20B190

RGB 32 177 144

HSL 166.34, 0.69%, 0.41%

LAB 64.78, -44.22, 6.61

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 64 / 0 / 92 / 24

HEX #46C20F

RGB 70 194 15

HSL 101.56, 0.86%, 0.41%

LAB 69.41, -61.61, 67.13

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 48 / 0 / 69 / 37

HEX #53A031

RGB 83 160 49

HSL 101.62, 0.53%, 0.41%

LAB 59.16, -43.97, 48.43

 

CMYK 38 / 0 / 54 / 44

HEX #598F42

RGB 89 143 66

HSL 102.08, 0.37%, 0.41%

LAB 54.2, -32.83, 35.07

 

CMYK 24 / 0 / 34 / 51

HEX #607E53

RGB 96 126 83

HSL 101.86, 0.21%, 0.41%

LAB 49.54, -19.4, 20.03

 

CMYK 6 / 0 / 8 / 57

HEX #676D64

RGB 103 109 100

HSL 100, 0.04%, 0.41%

LAB 45.28, -4.14, 4.23

 

CMYK 12 / 0 / 82 / 31

HEX #9BB120

RGB 155 177 32

HSL 69.1, 0.69%, 0.41%

LAB 68.4, -25.26, 64.47

 

CMYK 34 / 0 / 82 / 31

HEX #75B120

RGB 117 177 32

HSL 84.83, 0.69%, 0.41%

LAB 66.01, -40.46, 61.43

 

CMYK 56 / 0 / 82 / 31

HEX #4EB120

RGB 78 177 32

HSL 100.97, 0.69%, 0.41%

LAB 64.3, -53.12, 59.25

 

CMYK 77 / 0 / 82 / 31

HEX #28B120

RGB 40 177 32

HSL 116.69, 0.69%, 0.41%

LAB 63.34, -61.07, 58.02

 

CMYK 82 / 0 / 64 / 31

HEX #20B140

RGB 32 177 64

HSL 133.24, 0.69%, 0.41%

LAB 63.44, -59.38, 46.31

 

CMYK 57 / 0 / 81 / 58

HEX #2E6B14

RGB 46 107 20

HSL 102.07, 0.69%, 0.25%

LAB 39.83, -36.05, 39.63

 

CMYK 57 / 0 / 82 / 44

HEX #3D8E1A

RGB 61 142 26

HSL 101.9, 0.69%, 0.33%

LAB 52.3, -45.08, 49.67

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 57 / 0 / 82 / 17

HEX #5BD427

RGB 91 212 39

HSL 101.97, 0.69%, 0.49%

LAB 75.74, -61.83, 67.99

 

CMYK 48 / 0 / 68 / 13

HEX #74DD46

RGB 116 221 70

HSL 101.72, 0.69%, 0.57%

LAB 79.54, -56.3, 61.94

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 82 / 0 / 10 / 31

HEX #20B1A0

RGB 32 177 160

HSL 172.97, 0.69%, 0.41%

LAB 65.19, -39.92, -1.66

 

CMYK 0 / 82 / 23 / 31

HEX #B12088

RGB 177 32 136

HSL 316.97, 0.69%, 0.41%

LAB 41.47, 64.3, -22.44

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 82 / 56 / 0 / 31

HEX #204EB1

RGB 32 78 177

HSL 220.97, 0.69%, 0.41%

LAB 35.85, 22.05, -57.03

 

CMYK 0 / 82 / 56 / 31

HEX #B1204E

RGB 177 32 78

HSL 340.97, 0.69%, 0.41%

LAB 39.46, 58.45, 10.95

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 82 / 0 / 10 / 31

HEX #20B1A0

RGB 32 177 160

HSL 172.97, 0.69%, 0.41%

LAB 65.19, -39.92, -1.66

 

CMYK 26 / 82 / 0 / 31

HEX #8320B1

RGB 131 32 177

HSL 280.97, 0.69%, 0.41%

LAB 36.05, 61.79, -56.31

 

CMYK 0 / 82 / 72 / 31

HEX #B12031

RGB 177 32 49

HSL 352.97, 0.69%, 0.41%

LAB 38.9, 56.74, 28.51

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 82 / 15 / 0 / 31

HEX #2096B1

RGB 32 150 177

HSL 191.17, 0.69%, 0.41%

LAB 57.36, -21.63, -22.99

 

CMYK 26 / 82 / 0 / 31

HEX #8320B1

RGB 131 32 177

HSL 280.97, 0.69%, 0.41%

LAB 36.05, 61.79, -56.31

 

CMYK 0 / 67 / 82 / 31

HEX #B13B20

RGB 177 59 32

HSL 11.17, 0.69%, 0.41%

LAB 42.12, 46.65, 41.58

 

Description

Color code: HEX #4CB120 | qconv.com Color code: HEX #4CB120 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 177 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 177 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 82 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 82% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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