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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86F23F it is the complementary color #790DC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86F23F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86F23F shade: #8BF23A, #9CFF4D, #ADFF60, #BEFF73 and #CFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86F23F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86F23F shade: #86F23F, #75E02C, #64CE19, #53BC06 and #42AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86F23F shade: #87F240, #B7F240, #E6F240, #F2CD40 and #F29D40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86F23F shade: #87F240, #57F240, #40F25A, #40F289 and #40F2B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86F23F shade matches the following richer shades: #87F240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86F23F shade: #87F240, #8AE151, #8DD161, #91C072 and #94B082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86F23F shade: #E6F240, #B7F240, #87F240, #58F240 and #40F258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86F23F shade: #5CD10F, #6EEF1A, #87F240, #9FF467 and #B7F78D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86F23F shade: #86F23F, #40F2CE and #F240CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86F23F shade: #86F23F, #4087F2 and #F24087

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86F23F shade: #86F23F, #40F2CE, #AB40F2 and #F24064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86F23F shade: #86F23F, #40E0F2, #AB40F2 and #F25240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 74 / 5

HEX #86F23F

RGB 134 242 63

HSL 96.2, 0.87%, 0.6%

LAB 86.47, -59.4, 71.64

 

Complementary color

CMYK 37 / 93 / 0 / 25

HEX #790DC0

RGB 121 13 192

HSL 276.2, 0.87%, 0.4%

LAB 34.31, 67.83, -68.09

 

CMYK 43 / 0 / 76 / 5

HEX #8BF23A

RGB 139 242 58

HSL 93.59, 0.88%, 0.59%

LAB 86.65, -58.14, 73.45

 

CMYK 39 / 0 / 70 / 0

HEX #9CFF4D

RGB 156 255 77

HSL 93.37, 1%, 0.65%

LAB 91.29, -56.66, 72.03

 

CMYK 32 / 0 / 62 / 0

HEX #ADFF60

RGB 173 255 96

HSL 90.94, 1%, 0.69%

LAB 92.24, -49.64, 66.07

 

CMYK 25 / 0 / 55 / 0

HEX #BEFF73

RGB 190 255 115

HSL 87.86, 1%, 0.73%

LAB 93.32, -42.08, 59.5

 

CMYK 19 / 0 / 47 / 0

HEX #CFFF86

RGB 207 255 134

HSL 83.8, 1%, 0.76%

LAB 94.53, -34.11, 52.55

 

CMYK 45 / 0 / 74 / 5

HEX #86F23F

RGB 134 242 63

HSL 96.2, 0.87%, 0.6%

LAB 86.47, -59.4, 71.64

 

CMYK 48 / 0 / 80 / 12

HEX #75E02C

RGB 117 224 44

HSL 95.67, 0.74%, 0.53%

LAB 80.33, -58.75, 71.22

 

CMYK 51 / 0 / 88 / 19

HEX #64CE19

RGB 100 206 25

HSL 95.14, 0.78%, 0.45%

LAB 74.14, -57.82, 69.85

 

CMYK 56 / 0 / 97 / 26

HEX #53BC06

RGB 83 188 6

HSL 94.62, 0.94%, 0.38%

LAB 67.89, -56.54, 67.14

 

CMYK 61 / 0 / 100 / 33

HEX #42AA00

RGB 66 170 0

HSL 96.71, 1%, 0.33%

LAB 61.57, -54.77, 62.63

 

CMYK 44 / 0 / 74 / 5

HEX #87F240

RGB 135 242 64

HSL 96.07, 0.87%, 0.6%

LAB 86.52, -59.03, 71.38

 

CMYK 24 / 0 / 74 / 5

HEX #B7F240

RGB 183 242 64

HSL 79.89, 0.87%, 0.6%

LAB 88.89, -42.66, 74.5

 

CMYK 5 / 0 / 74 / 5

HEX #E6F240

RGB 230 242 64

HSL 64.04, 0.87%, 0.6%

LAB 92, -24.29, 78.54

 

CMYK 0 / 15 / 74 / 5

HEX #F2CD40

RGB 242 205 64

HSL 47.53, 0.87%, 0.6%

LAB 83.4, -1, 70.75

 

CMYK 0 / 35 / 74 / 5

HEX #F29D40

RGB 242 157 64

HSL 31.35, 0.87%, 0.6%

LAB 71.8, 24.1, 59.36

 

CMYK 44 / 0 / 74 / 5

HEX #87F240

RGB 135 242 64

HSL 96.07, 0.87%, 0.6%

LAB 86.52, -59.03, 71.38

 

CMYK 64 / 0 / 74 / 5

HEX #57F240

RGB 87 242 64

HSL 112.25, 0.87%, 0.6%

LAB 84.95, -71.32, 69.3

 

CMYK 74 / 0 / 63 / 5

HEX #40F25A

RGB 64 242 90

HSL 128.76, 0.87%, 0.6%

LAB 84.65, -73.06, 59.1

 

CMYK 74 / 0 / 43 / 5

HEX #40F289

RGB 64 242 137

HSL 144.61, 0.87%, 0.6%

LAB 85.2, -66.64, 38.19

 

CMYK 74 / 0 / 24 / 5

HEX #40F2B9

RGB 64 242 185

HSL 160.79, 0.87%, 0.6%

LAB 86.05, -57.18, 14.96

 

CMYK 44 / 0 / 74 / 5

HEX #87F240

RGB 135 242 64

HSL 96.07, 0.87%, 0.6%

LAB 86.52, -59.03, 71.38

 

CMYK 44 / 0 / 74 / 5

HEX #87F240

RGB 135 242 64

HSL 96.07, 0.87%, 0.6%

LAB 86.52, -59.03, 71.38

 

CMYK 39 / 0 / 64 / 12

HEX #8AE151

RGB 138 225 81

HSL 96.25, 0.71%, 0.6%

LAB 81.76, -50.16, 60.25

 

CMYK 33 / 0 / 54 / 18

HEX #8DD161

RGB 141 209 97

HSL 96.43, 0.55%, 0.6%

LAB 77.36, -40.83, 48.27

 

CMYK 24 / 0 / 41 / 25

HEX #91C072

RGB 145 192 114

HSL 96.15, 0.38%, 0.6%

LAB 72.85, -29.55, 34.38

 

CMYK 16 / 0 / 26 / 31

HEX #94B082

RGB 148 176 130

HSL 96.52, 0.23%, 0.6%

LAB 68.72, -18.19, 20.48

 

CMYK 5 / 0 / 74 / 5

HEX #E6F240

RGB 230 242 64

HSL 64.04, 0.87%, 0.6%

LAB 92, -24.29, 78.54

 

CMYK 24 / 0 / 74 / 5

HEX #B7F240

RGB 183 242 64

HSL 79.89, 0.87%, 0.6%

LAB 88.89, -42.66, 74.5

 

CMYK 44 / 0 / 74 / 5

HEX #87F240

RGB 135 242 64

HSL 96.07, 0.87%, 0.6%

LAB 86.52, -59.03, 71.38

 

CMYK 64 / 0 / 74 / 5

HEX #58F240

RGB 88 242 64

HSL 111.91, 0.87%, 0.6%

LAB 84.97, -71.12, 69.33

 

CMYK 74 / 0 / 64 / 5

HEX #40F258

RGB 64 242 88

HSL 128.09, 0.87%, 0.6%

LAB 84.64, -73.27, 59.9

 

CMYK 56 / 0 / 93 / 18

HEX #5CD10F

RGB 92 209 15

HSL 96.19, 0.87%, 0.44%

LAB 74.77, -61.35, 71.83

 

CMYK 54 / 0 / 89 / 6

HEX #6EEF1A

RGB 110 239 26

HSL 96.34, 0.87%, 0.52%

LAB 84.55, -66.73, 78.62

 

CMYK 44 / 0 / 74 / 5

HEX #87F240

RGB 135 242 64

HSL 96.07, 0.87%, 0.6%

LAB 86.52, -59.03, 71.38

 

CMYK 35 / 0 / 58 / 4

HEX #9FF467

RGB 159 244 103

HSL 96.17, 0.87%, 0.68%

LAB 88.47, -49.13, 58.74

 

CMYK 26 / 0 / 43 / 3

HEX #B7F78D

RGB 183 247 141

HSL 96.23, 0.87%, 0.76%

LAB 91.01, -38.15, 44.54

 

CMYK 45 / 0 / 74 / 5

HEX #86F23F

RGB 134 242 63

HSL 96.2, 0.87%, 0.6%

LAB 86.47, -59.4, 71.64

 

CMYK 74 / 0 / 15 / 5

HEX #40F2CE

RGB 64 242 206

HSL 167.87, 0.87%, 0.6%

LAB 86.53, -52.22, 4.7

 

CMYK 0 / 74 / 15 / 5

HEX #F240CE

RGB 242 64 206

HSL 312.13, 0.87%, 0.6%

LAB 58.97, 79.36, -35.6

 

CMYK 45 / 0 / 74 / 5

HEX #86F23F

RGB 134 242 63

HSL 96.2, 0.87%, 0.6%

LAB 86.47, -59.4, 71.64

 

CMYK 74 / 44 / 0 / 5

HEX #4087F2

RGB 64 135 242

HSL 216.07, 0.87%, 0.6%

LAB 56.91, 13.63, -60.16

 

CMYK 0 / 74 / 44 / 5

HEX #F24087

RGB 242 64 135

HSL 336.07, 0.87%, 0.6%

LAB 56.38, 71.33, 1.75

 

CMYK 45 / 0 / 74 / 5

HEX #86F23F

RGB 134 242 63

HSL 96.2, 0.87%, 0.6%

LAB 86.47, -59.4, 71.64

 

CMYK 74 / 0 / 15 / 5

HEX #40F2CE

RGB 64 242 206

HSL 167.87, 0.87%, 0.6%

LAB 86.53, -52.22, 4.7

 

CMYK 29 / 74 / 0 / 5

HEX #AB40F2

RGB 171 64 242

HSL 276.07, 0.87%, 0.6%

LAB 50.38, 71.1, -70.28

 

CMYK 0 / 74 / 59 / 5

HEX #F24064

RGB 242 64 100

HSL 347.87, 0.87%, 0.6%

LAB 55.55, 68.63, 21.37

 

CMYK 45 / 0 / 74 / 5

HEX #86F23F

RGB 134 242 63

HSL 96.2, 0.87%, 0.6%

LAB 86.47, -59.4, 71.64

 

CMYK 74 / 7 / 0 / 5

HEX #40E0F2

RGB 64 224 242

HSL 186.07, 0.87%, 0.6%

LAB 82.28, -34.5, -20.57

 

CMYK 29 / 74 / 0 / 5

HEX #AB40F2

RGB 171 64 242

HSL 276.07, 0.87%, 0.6%

LAB 50.38, 71.1, -70.28

 

CMYK 0 / 66 / 74 / 5

HEX #F25240

RGB 242 82 64

HSL 6.07, 0.87%, 0.6%

LAB 57.35, 60.28, 44.14

 

Description

Color code: HEX #86F23F | qconv.com Color code: HEX #86F23F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 242 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 242 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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