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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 0 / 64 / 12 it is the complementary color CMYK 32 / 82 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 0 / 64 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 0 / 64 / 12: CMYK 37 / 0 / 66 / 12, CMYK 34 / 0 / 61 / 5, CMYK 31 / 0 / 55 / 0, CMYK 24 / 0 / 48 / 0 and CMYK 18 / 0 / 40 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 0 / 64 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 0 / 64 / 12: CMYK 39 / 0 / 64 / 12, CMYK 42 / 0 / 70 / 19, CMYK 45 / 0 / 77 / 26, CMYK 49 / 0 / 86 / 33 and CMYK 55 / 0 / 97 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 64 / 12

HEX #89E051

RGB 137 224 81

HSL 96.5, 0.7%, 0.6%

LAB 81.41, -50.08, 59.86

 

Complementary color

CMYK 32 / 82 / 0 / 32

HEX #761FAE

RGB 118 31 174

HSL 276.5, 0.7%, 0.4%

LAB 33.75, 59.34, -58.35

 

CMYK 37 / 0 / 66 / 12

HEX #8EE04C

RGB 142 224 76

HSL 93.24, 0.7%, 0.59%

LAB 81.61, -48.83, 62.15

 

CMYK 34 / 0 / 61 / 5

HEX #9FF25F

RGB 159 242 95

HSL 93.88, 0.85%, 0.66%

LAB 87.82, -49.03, 61.42

 

CMYK 31 / 0 / 55 / 0

HEX #B0FF72

RGB 176 255 114

HSL 93.62, 1%, 0.72%

LAB 92.56, -47.02, 58.86

 

CMYK 24 / 0 / 48 / 0

HEX #C1FF85

RGB 193 255 133

HSL 90.49, 1%, 0.76%

LAB 93.69, -39.2, 51.8

 

CMYK 18 / 0 / 40 / 0

HEX #D2FF98

RGB 210 255 152

HSL 86.21, 1%, 0.8%

LAB 94.95, -31.01, 44.54

 

CMYK 39 / 0 / 64 / 12

HEX #89E051

RGB 137 224 81

HSL 96.5, 0.7%, 0.6%

LAB 81.41, -50.08, 59.86

 

CMYK 42 / 0 / 70 / 19

HEX #78CE3E

RGB 120 206 62

HSL 95.83, 0.6%, 0.53%

LAB 75.13, -49.79, 60.44

 

CMYK 45 / 0 / 77 / 26

HEX #67BC2B

RGB 103 188 43

HSL 95.17, 0.63%, 0.45%

LAB 68.77, -49.3, 60.5

 

CMYK 49 / 0 / 86 / 33

HEX #56AA18

RGB 86 170 24

HSL 94.52, 0.75%, 0.38%

LAB 62.33, -48.52, 59.64

 

CMYK 55 / 0 / 97 / 40

HEX #459805

RGB 69 152 5

HSL 93.88, 0.94%, 0.31%

LAB 55.82, -47.34, 57.33

 

CMYK 39 / 0 / 64 / 12

HEX #89E051

RGB 137 224 81

HSL 96.5, 0.7%, 0.6%

LAB 81.41, -50.08, 59.86

 

CMYK 49 / 0 / 64 / 12

HEX #72E051

RGB 114 224 81

HSL 106.15, 0.7%, 0.6%

LAB 80.45, -57.08, 58.53

 

CMYK 59 / 0 / 64 / 12

HEX #5BE051

RGB 91 224 81

HSL 115.8, 0.7%, 0.6%

LAB 79.69, -62.97, 57.48

 

CMYK 64 / 0 / 58 / 12

HEX #51E05F

RGB 81 224 95

HSL 125.87, 0.7%, 0.6%

LAB 79.55, -63.6, 51.2

 

CMYK 64 / 0 / 47 / 12

HEX #51E077

RGB 81 224 119

HSL 135.94, 0.7%, 0.6%

LAB 79.84, -60.33, 40.24

 

CMYK 39 / 0 / 64 / 12

HEX #89E051

RGB 137 224 81

HSL 96.5, 0.7%, 0.6%

LAB 81.41, -50.08, 59.86

 

CMYK 40 / 0 / 65 / 92

HEX #0C1407

RGB 12 20 7

HSL 96.92, 0.48%, 0.05%

LAB 5.36, -5.09, 5.07

 

CMYK 39 / 0 / 63 / 72

HEX #2B471A

RGB 43 71 26

HSL 97.33, 0.46%, 0.19%

LAB 27, -20.03, 23.39

 

CMYK 39 / 0 / 64 / 52

HEX #4B7A2C

RGB 75 122 44

HSL 96.15, 0.47%, 0.33%

LAB 46.44, -30.64, 36.76

 

CMYK 39 / 0 / 64 / 32

HEX #6AAD3F

RGB 106 173 63

HSL 96.55, 0.47%, 0.46%

LAB 64.41, -40.61, 48.45

 

CMYK 39 / 0 / 64 / 12

HEX #89E051

RGB 137 224 81

HSL 96.5, 0.7%, 0.6%

LAB 81.41, -50.08, 59.86

 

CMYK 64 / 0 / 13 / 12

HEX #51E0C3

RGB 81 224 195

HSL 167.83, 0.7%, 0.6%

LAB 81.29, -44.98, 2.95

 

CMYK 0 / 64 / 13 / 12

HEX #E051C3

RGB 224 81 195

HSL 312.17, 0.7%, 0.6%

LAB 57.72, 67.64, -31.48

 

CMYK 39 / 0 / 64 / 12

HEX #89E051

RGB 137 224 81

HSL 96.5, 0.7%, 0.6%

LAB 81.41, -50.08, 59.86

 

CMYK 64 / 38 / 0 / 12

HEX #518AE0

RGB 81 138 224

HSL 216.08, 0.7%, 0.6%

LAB 57.37, 8.04, -49.36

 

CMYK 0 / 64 / 38 / 12

HEX #E0518A

RGB 224 81 138

HSL 336.08, 0.7%, 0.6%

LAB 55.65, 60.37, -1.45

 

CMYK 39 / 0 / 64 / 12

HEX #89E051

RGB 137 224 81

HSL 96.5, 0.7%, 0.6%

LAB 81.41, -50.08, 59.86

 

CMYK 64 / 0 / 13 / 12

HEX #51E0C3

RGB 81 224 195

HSL 167.83, 0.7%, 0.6%

LAB 81.29, -44.98, 2.95

 

CMYK 25 / 64 / 0 / 12

HEX #A751E0

RGB 167 81 224

HSL 276.08, 0.7%, 0.6%

LAB 51.25, 59.18, -58.76

 

CMYK 0 / 64 / 51 / 12

HEX #E0516E

RGB 224 81 110

HSL 347.83, 0.7%, 0.6%

LAB 54.93, 57.71, 14.09

 

CMYK 39 / 0 / 64 / 12

HEX #89E051

RGB 137 224 81

HSL 96.5, 0.7%, 0.6%

LAB 81.41, -50.08, 59.86

 

CMYK 64 / 6 / 0 / 12

HEX #51D2E0

RGB 81 210 224

HSL 185.87, 0.7%, 0.6%

LAB 78.01, -30.84, -17.4

 

CMYK 25 / 64 / 0 / 12

HEX #A751E0

RGB 167 81 224

HSL 276.08, 0.7%, 0.6%

LAB 51.25, 59.18, -58.76

 

CMYK 0 / 58 / 64 / 12

HEX #E05F51

RGB 224 95 81

HSL 5.87, 0.7%, 0.6%

LAB 56.71, 49.42, 33.29

 

Description

Color code: CMYK 39 / 0 / 64 / 12 | qconv.com Color code: CMYK 39 / 0 / 64 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 224 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 224 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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