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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86B076 it is the complementary color #794F89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86B076. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #86B076: #8BB071, #9CC284, #ADD497, #BEE6AA and #CFF8BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86B076. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #86B076: #86B076, #759E63, #648C50, #537A3D and #42682A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 33 / 31

HEX #86B076

RGB 134 176 118

HSL 103.45, 0.27%, 0.58%

LAB 67.6, -25.17, 25.27

 

Complementary color

CMYK 12 / 42 / 0 / 46

HEX #794F89

RGB 121 79 137

HSL 283.45, 0.27%, 0.42%

LAB 40.35, 28.49, -25.44

 

CMYK 21 / 0 / 36 / 31

HEX #8BB071

RGB 139 176 113

HSL 95.24, 0.29%, 0.57%

LAB 67.82, -24.1, 28.29

 

CMYK 20 / 0 / 32 / 24

HEX #9CC284

RGB 156 194 132

HSL 96.77, 0.34%, 0.64%

LAB 74.39, -23.99, 27.16

 

CMYK 18 / 0 / 29 / 17

HEX #ADD497

RGB 173 212 151

HSL 98.36, 0.41%, 0.71%

LAB 80.85, -23.88, 26.09

 

CMYK 17 / 0 / 26 / 10

HEX #BEE6AA

RGB 190 230 170

HSL 100, 0.55%, 0.78%

LAB 87.21, -23.76, 25.07

 

CMYK 17 / 0 / 24 / 3

HEX #CFF8BD

RGB 207 248 189

HSL 101.69, 0.81%, 0.86%

LAB 93.48, -23.66, 24.1

 

CMYK 24 / 0 / 33 / 31

HEX #86B076

RGB 134 176 118

HSL 103.45, 0.27%, 0.58%

LAB 67.6, -25.17, 25.27

 

CMYK 26 / 0 / 37 / 38

HEX #759E63

RGB 117 158 99

HSL 101.69, 0.23%, 0.5%

LAB 60.9, -25.34, 26.44

 

CMYK 29 / 0 / 43 / 45

HEX #648C50

RGB 100 140 80

HSL 100, 0.27%, 0.43%

LAB 54.07, -25.5, 27.68

 

CMYK 32 / 0 / 50 / 52

HEX #537A3D

RGB 83 122 61

HSL 98.36, 0.33%, 0.36%

LAB 47.1, -25.62, 28.97

 

CMYK 37 / 0 / 60 / 59

HEX #42682A

RGB 66 104 42

HSL 96.77, 0.42%, 0.29%

LAB 39.96, -25.65, 30.24

 

CMYK 24 / 0 / 33 / 31

HEX #86B076

RGB 134 176 118

HSL 103.45, 0.27%, 0.58%

LAB 67.6, -25.17, 25.27

 

CMYK 29 / 0 / 33 / 31

HEX #7DB076

RGB 125 176 118

HSL 112.76, 0.27%, 0.58%

LAB 67.07, -28.33, 24.47

 

CMYK 33 / 0 / 31 / 31

HEX #76B079

RGB 118 176 121

HSL 123.1, 0.27%, 0.58%

LAB 66.74, -30.19, 22.34

 

CMYK 33 / 0 / 26 / 31

HEX #76B083

RGB 118 176 131

HSL 133.45, 0.27%, 0.58%

LAB 66.93, -28.4, 17.18

 

CMYK 33 / 0 / 20 / 31

HEX #76B08D

RGB 118 176 141

HSL 143.79, 0.27%, 0.58%

LAB 67.15, -26.47, 12.01

 

CMYK 24 / 0 / 33 / 31

HEX #86B076

RGB 134 176 118

HSL 103.45, 0.27%, 0.58%

LAB 67.6, -25.17, 25.27

 

CMYK 24 / 0 / 33 / 11

HEX #ADE398

RGB 173 227 152

HSL 103.2, 0.57%, 0.74%

LAB 85.04, -30.9, 31.2

 

CMYK 22 / 0 / 35 / 91

HEX #12170F

RGB 18 23 15

HSL 97.5, 0.21%, 0.07%

LAB 7.01, -3.91, 3.96

 

CMYK 24 / 0 / 32 / 71

HEX #384A32

RGB 56 74 50

HSL 105, 0.19%, 0.24%

LAB 29.33, -12.46, 12.1

 

CMYK 24 / 0 / 33 / 51

HEX #5F7D54

RGB 95 125 84

HSL 103.9, 0.2%, 0.41%

LAB 49.18, -19.09, 18.97

 

CMYK 24 / 0 / 33 / 31

HEX #86B076

RGB 134 176 118

HSL 103.45, 0.27%, 0.58%

LAB 67.6, -25.17, 25.27

 

CMYK 33 / 0 / 3 / 31

HEX #76B0AB

RGB 118 176 171

HSL 174.83, 0.27%, 0.58%

LAB 67.9, -19.92, -3.46

 

CMYK 0 / 33 / 10 / 31

HEX #B0769E

RGB 176 118 158

HSL 318.62, 0.27%, 0.58%

LAB 56.74, 28.99, -12.24

 

CMYK 24 / 0 / 33 / 31

HEX #86B076

RGB 134 176 118

HSL 103.45, 0.27%, 0.58%

LAB 67.6, -25.17, 25.27

 

CMYK 33 / 23 / 0 / 31

HEX #7687B0

RGB 118 135 176

HSL 222.41, 0.27%, 0.58%

LAB 56.4, 3.83, -23.6

 

CMYK 0 / 33 / 23 / 31

HEX #B07687

RGB 176 118 135

HSL 342.41, 0.27%, 0.58%

LAB 56.02, 25.21, 0.06

 

CMYK 24 / 0 / 33 / 31

HEX #86B076

RGB 134 176 118

HSL 103.45, 0.27%, 0.58%

LAB 67.6, -25.17, 25.27

 

CMYK 33 / 0 / 3 / 31

HEX #76B0AB

RGB 118 176 171

HSL 174.83, 0.27%, 0.58%

LAB 67.9, -19.92, -3.46

 

CMYK 9 / 33 / 0 / 31

HEX #A076B0

RGB 160 118 176

HSL 283.45, 0.27%, 0.58%

LAB 55.65, 27.04, -24.45

 

CMYK 0 / 33 / 30 / 31

HEX #B0767B

RGB 176 118 123

HSL 354.83, 0.27%, 0.58%

LAB 55.7, 23.46, 6.58

 

CMYK 24 / 0 / 33 / 31

HEX #86B076

RGB 134 176 118

HSL 103.45, 0.27%, 0.58%

LAB 67.6, -25.17, 25.27

 

CMYK 33 / 7 / 0 / 31

HEX #76A4B0

RGB 118 164 176

HSL 192.41, 0.27%, 0.58%

LAB 64.59, -12.4, -11.16

 

CMYK 9 / 33 / 0 / 31

HEX #A076B0

RGB 160 118 176

HSL 283.45, 0.27%, 0.58%

LAB 55.65, 27.04, -24.45

 

CMYK 0 / 26 / 33 / 31

HEX #B08376

RGB 176 131 118

HSL 13.45, 0.27%, 0.58%

LAB 58.76, 15.48, 13.78

 

Description

Color code: HEX #86B076 | qconv.com Color code: HEX #86B076 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 176 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 176 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 33 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 33% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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