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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86B040 it is the complementary color #794FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86B040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #86B040: #8BB03B, #9CC24E, #ADD461, #BEE674 and #CFF887

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86B040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #86B040: #86B040, #759E2D, #648C1A, #537A07 and #426800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 64 / 31

HEX #86B040

RGB 134 176 64

HSL 82.5, 0.47%, 0.47%

LAB 66.89, -31.55, 51.18

 

Complementary color

CMYK 37 / 59 / 0 / 25

HEX #794FBF

RGB 121 79 191

HSL 262.5, 0.47%, 0.53%

LAB 43.39, 41.84, -52.75

 

CMYK 21 / 0 / 66 / 31

HEX #8BB03B

RGB 139 176 59

HSL 78.97, 0.5%, 0.46%

LAB 67.17, -29.95, 53.67

 

CMYK 20 / 0 / 60 / 24

HEX #9CC24E

RGB 156 194 78

HSL 79.66, 0.49%, 0.53%

LAB 73.68, -30.29, 52.92

 

CMYK 18 / 0 / 54 / 17

HEX #ADD461

RGB 173 212 97

HSL 80.35, 0.57%, 0.61%

LAB 80.09, -30.52, 51.95

 

CMYK 17 / 0 / 50 / 10

HEX #BEE674

RGB 190 230 116

HSL 81.05, 0.7%, 0.68%

LAB 86.41, -30.68, 50.87

 

CMYK 17 / 0 / 46 / 3

HEX #CFF887

RGB 207 248 135

HSL 81.77, 0.89%, 0.75%

LAB 92.64, -30.78, 49.76

 

CMYK 24 / 0 / 64 / 31

HEX #86B040

RGB 134 176 64

HSL 82.5, 0.47%, 0.47%

LAB 66.89, -31.55, 51.18

 

CMYK 26 / 0 / 72 / 38

HEX #759E2D

RGB 117 158 45

HSL 81.77, 0.56%, 0.4%

LAB 60.27, -31.18, 51.71

 

CMYK 29 / 0 / 81 / 45

HEX #648C1A

RGB 100 140 26

HSL 81.05, 0.69%, 0.33%

LAB 53.54, -30.61, 51.5

 

CMYK 32 / 0 / 94 / 52

HEX #537A07

RGB 83 122 7

HSL 80.35, 0.89%, 0.25%

LAB 46.68, -29.75, 49.82

 

CMYK 37 / 0 / 100 / 59

HEX #426800

RGB 66 104 0

HSL 81.92, 1%, 0.2%

LAB 39.68, -28.47, 45.48

 

CMYK 24 / 0 / 64 / 31

HEX #86B040

RGB 134 176 64

HSL 82.5, 0.47%, 0.47%

LAB 66.89, -31.55, 51.18

 

CMYK 34 / 0 / 64 / 31

HEX #74B03F

RGB 116 176 63

HSL 91.86, 0.47%, 0.47%

LAB 65.84, -38.4, 50.17

 

CMYK 45 / 0 / 64 / 31

HEX #61B03F

RGB 97 176 63

HSL 101.95, 0.47%, 0.47%

LAB 64.92, -44.86, 48.9

 

CMYK 56 / 0 / 64 / 31

HEX #4EB03F

RGB 78 176 63

HSL 112.04, 0.47%, 0.47%

LAB 64.18, -50.4, 47.87

 

CMYK 64 / 0 / 62 / 31

HEX #3FB043

RGB 63 176 67

HSL 122.12, 0.47%, 0.47%

LAB 63.76, -53.59, 45.5

 

CMYK 24 / 0 / 64 / 31

HEX #86B040

RGB 134 176 64

HSL 82.5, 0.47%, 0.47%

LAB 66.89, -31.55, 51.18

 

CMYK 24 / 0 / 63 / 11

HEX #ADE353

RGB 173 227 83

HSL 82.5, 0.72%, 0.61%

LAB 84.2, -38.57, 62.61

 

CMYK 22 / 0 / 65 / 91

HEX #121708

RGB 18 23 8

HSL 80, 0.48%, 0.06%

LAB 6.86, -4.98, 6.89

 

CMYK 24 / 0 / 64 / 71

HEX #384A1B

RGB 56 74 27

HSL 82.98, 0.47%, 0.2%

LAB 28.95, -15.89, 25.31

 

CMYK 24 / 0 / 64 / 51

HEX #5F7D2D

RGB 95 125 45

HSL 82.5, 0.47%, 0.33%

LAB 48.62, -24.1, 39.04

 

CMYK 24 / 0 / 64 / 31

HEX #86B040

RGB 134 176 64

HSL 82.5, 0.47%, 0.47%

LAB 66.89, -31.55, 51.18

 

CMYK 64 / 0 / 28 / 31

HEX #3FB07F

RGB 63 176 127

HSL 153.98, 0.47%, 0.47%

LAB 64.68, -43.53, 15.91

 

CMYK 2 / 64 / 0 / 31

HEX #AC3FB0

RGB 172 63 176

HSL 297.88, 0.47%, 0.47%

LAB 46.26, 58.81, -39

 

CMYK 24 / 0 / 64 / 31

HEX #86B040

RGB 134 176 64

HSL 82.5, 0.47%, 0.47%

LAB 66.89, -31.55, 51.18

 

CMYK 64 / 24 / 0 / 31

HEX #3F86B0

RGB 63 134 176

HSL 202.3, 0.47%, 0.47%

LAB 53.21, -9.03, -28.76

 

CMYK 0 / 64 / 24 / 31

HEX #B03F86

RGB 176 63 134

HSL 322.3, 0.47%, 0.47%

LAB 44.95, 53.25, -15.88

 

CMYK 24 / 0 / 64 / 31

HEX #86B040

RGB 134 176 64

HSL 82.5, 0.47%, 0.47%

LAB 66.89, -31.55, 51.18

 

CMYK 64 / 0 / 28 / 31

HEX #3FB07F

RGB 63 176 127

HSL 153.98, 0.47%, 0.47%

LAB 64.68, -43.53, 15.91

 

CMYK 41 / 64 / 0 / 31

HEX #683FB0

RGB 104 63 176

HSL 261.77, 0.47%, 0.47%

LAB 37.17, 42.92, -54.05

 

CMYK 0 / 64 / 36 / 31

HEX #B03F70

RGB 176 63 112

HSL 333.98, 0.47%, 0.47%

LAB 44.17, 50.45, -3.6

 

CMYK 24 / 0 / 64 / 31

HEX #86B040

RGB 134 176 64

HSL 82.5, 0.47%, 0.47%

LAB 66.89, -31.55, 51.18

 

CMYK 64 / 0 / 9 / 31

HEX #3FB0A1

RGB 63 176 161

HSL 172.04, 0.47%, 0.47%

LAB 65.5, -35.22, -1.7

 

CMYK 41 / 64 / 0 / 31

HEX #683FB0

RGB 104 63 176

HSL 261.77, 0.47%, 0.47%

LAB 37.17, 42.92, -54.05

 

CMYK 0 / 64 / 56 / 31

HEX #B03F4E

RGB 176 63 78

HSL 352.04, 0.47%, 0.47%

LAB 43.26, 47.1, 16.13

 

Description

Color code: HEX #86B040 | qconv.com Color code: HEX #86B040 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 176 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 176 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 64 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 64% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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