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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86AC9A it is the complementary color #795365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86AC9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #86AC9A: #8BAC95, #9CBEA8, #ADD0BB, #BEE2CE and #CFF4E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86AC9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #86AC9A: #86AC9A, #759A87, #648874, #537661 and #42644E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 10 / 33

HEX #86AC9A

RGB 134 172 154

HSL 151.58, 0.19%, 0.6%

LAB 67.21, -16.65, 5.05

 

Complementary color

CMYK 0 / 31 / 17 / 53

HEX #795365

RGB 121 83 101

HSL 331.58, 0.19%, 0.4%

LAB 39.9, 18.81, -4.01

 

CMYK 19 / 0 / 13 / 33

HEX #8BAC95

RGB 139 172 149

HSL 138.18, 0.17%, 0.61%

LAB 67.4, -15.96, 8.13

 

CMYK 18 / 0 / 12 / 25

HEX #9CBEA8

RGB 156 190 168

HSL 141.18, 0.21%, 0.68%

LAB 74.01, -15.83, 7.33

 

CMYK 17 / 0 / 10 / 18

HEX #ADD0BB

RGB 173 208 187

HSL 144, 0.27%, 0.75%

LAB 80.51, -15.72, 6.57

 

CMYK 16 / 0 / 9 / 11

HEX #BEE2CE

RGB 190 226 206

HSL 146.67, 0.38%, 0.82%

LAB 86.9, -15.62, 5.85

 

CMYK 15 / 0 / 8 / 4

HEX #CFF4E1

RGB 207 244 225

HSL 149.19, 0.63%, 0.88%

LAB 93.19, -15.55, 5.15

 

CMYK 22 / 0 / 10 / 33

HEX #86AC9A

RGB 134 172 154

HSL 151.58, 0.19%, 0.6%

LAB 67.21, -16.65, 5.05

 

CMYK 24 / 0 / 12 / 40

HEX #759A87

RGB 117 154 135

HSL 149.19, 0.15%, 0.53%

LAB 60.46, -16.82, 5.84

 

CMYK 26 / 0 / 15 / 47

HEX #648874

RGB 100 136 116

HSL 146.67, 0.15%, 0.46%

LAB 53.58, -17.02, 6.69

 

CMYK 30 / 0 / 18 / 54

HEX #537661

RGB 83 118 97

HSL 144, 0.17%, 0.39%

LAB 46.52, -17.26, 7.61

 

CMYK 34 / 0 / 22 / 61

HEX #42644E

RGB 66 100 78

HSL 141.18, 0.2%, 0.33%

LAB 39.28, -17.53, 8.63

 

CMYK 22 / 0 / 10 / 33

HEX #86AC9A

RGB 134 172 154

HSL 151.58, 0.19%, 0.6%

LAB 67.21, -16.65, 5.05

 

CMYK 23 / 0 / 7 / 33

HEX #85ACA0

RGB 133 172 160

HSL 161.54, 0.19%, 0.6%

LAB 67.3, -15.73, 1.85

 

CMYK 23 / 0 / 3 / 33

HEX #85ACA6

RGB 133 172 166

HSL 170.77, 0.19%, 0.6%

LAB 67.46, -14.43, -1.25

 

CMYK 23 / 1 / 0 / 33

HEX #85ABAC

RGB 133 171 172

HSL 181.54, 0.19%, 0.6%

LAB 67.35, -12.57, -4.74

 

CMYK 23 / 4 / 0 / 33

HEX #85A5AC

RGB 133 165 172

HSL 190.77, 0.19%, 0.6%

LAB 65.65, -9.35, -7.25

 

CMYK 22 / 0 / 10 / 33

HEX #86AC9A

RGB 134 172 154

HSL 151.58, 0.19%, 0.6%

LAB 67.21, -16.65, 5.05

 

CMYK 22 / 0 / 10 / 13

HEX #AEDFC8

RGB 174 223 200

HSL 151.84, 0.43%, 0.78%

LAB 84.97, -20.41, 6.1

 

CMYK 21 / 0 / 11 / 93

HEX #0F1311

RGB 15 19 17

HSL 150, 0.12%, 0.07%

LAB 5.49, -1.91, 0.6

 

CMYK 21 / 0 / 10 / 73

HEX #37463F

RGB 55 70 63

HSL 152, 0.12%, 0.25%

LAB 28.25, -7.7, 2.24

 

CMYK 22 / 0 / 11 / 53

HEX #5E796C

RGB 94 121 108

HSL 151.11, 0.13%, 0.42%

LAB 48.43, -12.66, 3.93

 

CMYK 22 / 0 / 10 / 33

HEX #86AC9A

RGB 134 172 154

HSL 151.58, 0.19%, 0.6%

LAB 67.21, -16.65, 5.05

 

CMYK 23 / 16 / 0 / 33

HEX #8590AC

RGB 133 144 172

HSL 223.08, 0.19%, 0.6%

LAB 59.81, 2.3, -16.02

 

CMYK 0 / 20 / 23 / 33

HEX #AC8A85

RGB 172 138 133

HSL 7.69, 0.19%, 0.6%

LAB 60.46, 12.11, 7.56

 

CMYK 22 / 0 / 10 / 33

HEX #86AC9A

RGB 134 172 154

HSL 151.58, 0.19%, 0.6%

LAB 67.21, -16.65, 5.05

 

CMYK 11 / 23 / 0 / 33

HEX #9985AC

RGB 153 133 172

HSL 270.77, 0.19%, 0.6%

LAB 58.53, 15.23, -17.8

 

CMYK 0 / 11 / 23 / 33

HEX #AC9985

RGB 172 153 133

HSL 30.77, 0.19%, 0.6%

LAB 64.36, 3.75, 13.08

 

CMYK 22 / 0 / 10 / 33

HEX #86AC9A

RGB 134 172 154

HSL 151.58, 0.19%, 0.6%

LAB 67.21, -16.65, 5.05

 

CMYK 23 / 16 / 0 / 33

HEX #8590AC

RGB 133 144 172

HSL 223.08, 0.19%, 0.6%

LAB 59.81, 2.3, -16.02

 

CMYK 0 / 23 / 12 / 33

HEX #AC8598

RGB 172 133 152

HSL 330.77, 0.19%, 0.6%

LAB 59.72, 18.05, -4.38

 

CMYK 0 / 6 / 23 / 33

HEX #ACA185

RGB 172 161 133

HSL 43.08, 0.19%, 0.6%

LAB 66.48, -0.63, 16.04

 

CMYK 22 / 0 / 10 / 33

HEX #86AC9A

RGB 134 172 154

HSL 151.58, 0.19%, 0.6%

LAB 67.21, -16.65, 5.05

 

CMYK 22 / 23 / 0 / 33

HEX #8685AC

RGB 134 133 172

HSL 241.54, 0.19%, 0.6%

LAB 56.9, 8.95, -20.43

 

CMYK 0 / 23 / 12 / 33

HEX #AC8598

RGB 172 133 152

HSL 330.77, 0.19%, 0.6%

LAB 59.72, 18.05, -4.38

 

CMYK 1 / 0 / 23 / 33

HEX #ABAC85

RGB 171 172 133

HSL 61.54, 0.19%, 0.6%

LAB 69.37, -6.93, 20.01

 

Description

Color code: HEX #86AC9A | qconv.com Color code: HEX #86AC9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 172 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 172 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 10 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 10% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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