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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86AAB2 it is the complementary color #79554D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86AAB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #86AAB2: #8BAAAD, #9CBCC0, #ADCED3, #BEE0E6 and #CFF2F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86AAB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #86AAB2: #86AAB2, #75989F, #64868C, #537479 and #426266

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 4 / 0 / 30

HEX #86AAB2

RGB 134 170 178

HSL 190.91, 0.22%, 0.61%

LAB 67.3, -10.35, -8.13

 

Complementary color

CMYK 0 / 30 / 36 / 53

HEX #79554D

RGB 121 85 77

HSL 10.91, 0.22%, 0.39%

LAB 39.74, 13.81, 10.61

 

CMYK 20 / 2 / 0 / 32

HEX #8BAAAD

RGB 139 170 173

HSL 185.29, 0.17%, 0.61%

LAB 67.47, -9.91, -5.08

 

CMYK 19 / 2 / 0 / 25

HEX #9CBCC0

RGB 156 188 192

HSL 186.67, 0.22%, 0.68%

LAB 74.09, -9.88, -5.62

 

CMYK 18 / 2 / 0 / 17

HEX #ADCED3

RGB 173 206 211

HSL 187.89, 0.3%, 0.75%

LAB 80.59, -9.86, -6.15

 

CMYK 17 / 3 / 0 / 10

HEX #BEE0E6

RGB 190 224 230

HSL 189, 0.44%, 0.82%

LAB 86.98, -9.86, -6.66

 

CMYK 17 / 3 / 0 / 2

HEX #CFF2F9

RGB 207 242 249

HSL 190, 0.78%, 0.89%

LAB 93.28, -9.86, -7.17

 

CMYK 25 / 4 / 0 / 30

HEX #86AAB2

RGB 134 170 178

HSL 190.91, 0.22%, 0.61%

LAB 67.3, -10.35, -8.13

 

CMYK 26 / 4 / 0 / 38

HEX #75989F

RGB 117 152 159

HSL 190, 0.18%, 0.54%

LAB 60.55, -10.37, -7.63

 

CMYK 29 / 4 / 0 / 45

HEX #64868C

RGB 100 134 140

HSL 189, 0.17%, 0.47%

LAB 53.66, -10.4, -7.11

 

CMYK 31 / 4 / 0 / 53

HEX #537479

RGB 83 116 121

HSL 187.89, 0.19%, 0.4%

LAB 46.59, -10.45, -6.57

 

CMYK 35 / 4 / 0 / 60

HEX #426266

RGB 66 98 102

HSL 186.67, 0.21%, 0.33%

LAB 39.33, -10.49, -6

 

CMYK 25 / 4 / 0 / 30

HEX #86AAB2

RGB 134 170 178

HSL 190.91, 0.22%, 0.61%

LAB 67.3, -10.35, -8.13

 

CMYK 25 / 8 / 0 / 31

HEX #85A2B1

RGB 133 162 177

HSL 200.45, 0.22%, 0.61%

LAB 64.96, -6.56, -11.07

 

CMYK 25 / 12 / 0 / 31

HEX #859BB1

RGB 133 155 177

HSL 210, 0.22%, 0.61%

LAB 63.01, -2.7, -14

 

CMYK 25 / 16 / 0 / 31

HEX #8594B1

RGB 133 148 177

HSL 219.55, 0.22%, 0.61%

LAB 61.08, 1.23, -16.92

 

CMYK 25 / 21 / 0 / 31

HEX #858CB1

RGB 133 140 177

HSL 230.45, 0.22%, 0.61%

LAB 58.9, 5.8, -20.25

 

CMYK 25 / 4 / 0 / 30

HEX #86AAB2

RGB 134 170 178

HSL 190.91, 0.22%, 0.61%

LAB 67.3, -10.35, -8.13

 

CMYK 25 / 4 / 0 / 10

HEX #ACDBE5

RGB 172 219 229

HSL 190.53, 0.52%, 0.79%

LAB 84.53, -12.94, -9.89

 

CMYK 24 / 4 / 0 / 90

HEX #131819

RGB 19 24 25

HSL 190, 0.14%, 0.09%

LAB 7.79, -1.99, -1.5

 

CMYK 25 / 4 / 0 / 70

HEX #39494C

RGB 57 73 76

HSL 189.47, 0.14%, 0.26%

LAB 29.8, -5.52, -3.89

 

CMYK 24 / 5 / 0 / 50

HEX #60797F

RGB 96 121 127

HSL 191.61, 0.14%, 0.44%

LAB 49.12, -7.58, -6.27

 

CMYK 25 / 4 / 0 / 30

HEX #86AAB2

RGB 134 170 178

HSL 190.91, 0.22%, 0.61%

LAB 67.3, -10.35, -8.13

 

CMYK 16 / 25 / 0 / 31

HEX #9585B1

RGB 149 133 177

HSL 261.82, 0.22%, 0.61%

LAB 58.36, 15.01, -20.96

 

CMYK 0 / 6 / 25 / 31

HEX #B1A785

RGB 177 167 133

HSL 46.36, 0.22%, 0.61%

LAB 68.52, -1.92, 18.92

 

CMYK 25 / 4 / 0 / 30

HEX #86AAB2

RGB 134 170 178

HSL 190.91, 0.22%, 0.61%

LAB 67.3, -10.35, -8.13

 

CMYK 0 / 25 / 4 / 31

HEX #B185AA

RGB 177 133 170

HSL 309.55, 0.22%, 0.61%

LAB 60.8, 23.1, -13

 

CMYK 4 / 0 / 25 / 31

HEX #AAB185

RGB 170 177 133

HSL 69.55, 0.22%, 0.61%

LAB 70.65, -9.96, 21.75

 

CMYK 25 / 4 / 0 / 30

HEX #86AAB2

RGB 134 170 178

HSL 190.91, 0.22%, 0.61%

LAB 67.3, -10.35, -8.13

 

CMYK 16 / 25 / 0 / 31

HEX #9585B1

RGB 149 133 177

HSL 261.82, 0.22%, 0.61%

LAB 58.36, 15.01, -20.96

 

CMYK 0 / 21 / 25 / 31

HEX #B18C85

RGB 177 140 133

HSL 9.55, 0.22%, 0.61%

LAB 61.48, 12.94, 9.08

 

CMYK 9 / 0 / 25 / 31

HEX #A1B185

RGB 161 177 133

HSL 81.82, 0.22%, 0.61%

LAB 69.98, -13.39, 20.71

 

CMYK 25 / 4 / 0 / 30

HEX #86AAB2

RGB 134 170 178

HSL 190.91, 0.22%, 0.61%

LAB 67.3, -10.35, -8.13

 

CMYK 8 / 25 / 0 / 31

HEX #A285B1

RGB 162 133 177

HSL 279.55, 0.22%, 0.61%

LAB 59.55, 19.34, -19.02

 

CMYK 0 / 21 / 25 / 31

HEX #B18C85

RGB 177 140 133

HSL 9.55, 0.22%, 0.61%

LAB 61.48, 12.94, 9.08

 

CMYK 16 / 0 / 25 / 31

HEX #94B185

RGB 148 177 133

HSL 99.55, 0.22%, 0.61%

LAB 69.06, -18.21, 19.32

 

Description

Color code: HEX #86AAB2 | qconv.com Color code: HEX #86AAB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 170 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 170 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 4 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 4% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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