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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86A88B it is the complementary color #795774. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86A88B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #86A88B: #8BA886, #9CBA99, #ADCCAC, #BEDEBF and #CFF0D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86A88B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #86A88B: #86A88B, #759678, #648465, #537252 and #42603F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 17 / 34

HEX #86A88B

RGB 134 168 139

HSL 128.82, 0.16%, 0.59%

LAB 65.7, -17.52, 11.2

 

Complementary color

CMYK 0 / 28 / 4 / 53

HEX #795774

RGB 121 87 116

HSL 308.82, 0.16%, 0.41%

LAB 41.44, 19.24, -10.94

 

CMYK 17 / 0 / 20 / 34

HEX #8BA886

RGB 139 168 134

HSL 111.18, 0.16%, 0.59%

LAB 65.92, -16.66, 14.32

 

CMYK 16 / 0 / 18 / 27

HEX #9CBA99

RGB 156 186 153

HSL 114.55, 0.19%, 0.66%

LAB 72.55, -16.54, 13.4

 

CMYK 15 / 0 / 16 / 20

HEX #ADCCAC

RGB 173 204 172

HSL 118.13, 0.24%, 0.74%

LAB 79.07, -16.44, 12.53

 

CMYK 14 / 0 / 14 / 13

HEX #BEDEBF

RGB 190 222 191

HSL 121.88, 0.33%, 0.81%

LAB 85.48, -16.36, 11.71

 

CMYK 14 / 0 / 13 / 6

HEX #CFF0D2

RGB 207 240 210

HSL 125.45, 0.52%, 0.88%

LAB 91.79, -16.28, 10.92

 

CMYK 20 / 0 / 17 / 34

HEX #86A88B

RGB 134 168 139

HSL 128.82, 0.16%, 0.59%

LAB 65.7, -17.52, 11.2

 

CMYK 22 / 0 / 20 / 41

HEX #759678

RGB 117 150 120

HSL 125.45, 0.14%, 0.52%

LAB 58.93, -17.69, 12.13

 

CMYK 24 / 0 / 23 / 48

HEX #648465

RGB 100 132 101

HSL 121.88, 0.14%, 0.45%

LAB 52.01, -17.89, 13.13

 

CMYK 27 / 0 / 28 / 55

HEX #537252

RGB 83 114 82

HSL 118.13, 0.16%, 0.38%

LAB 44.92, -18.12, 14.22

 

CMYK 31 / 0 / 34 / 62

HEX #42603F

RGB 66 96 63

HSL 114.55, 0.21%, 0.31%

LAB 37.63, -18.37, 15.42

 

CMYK 20 / 0 / 17 / 34

HEX #86A88B

RGB 134 168 139

HSL 128.82, 0.16%, 0.59%

LAB 65.7, -17.52, 11.2

 

CMYK 20 / 0 / 14 / 35

HEX #85A78F

RGB 133 167 143

HSL 137.65, 0.16%, 0.59%

LAB 65.44, -16.58, 8.61

 

CMYK 20 / 0 / 11 / 35

HEX #85A795

RGB 133 167 149

HSL 148.24, 0.16%, 0.59%

LAB 65.59, -15.39, 5.48

 

CMYK 20 / 0 / 8 / 35

HEX #85A79A

RGB 133 167 154

HSL 157.06, 0.16%, 0.59%

LAB 65.72, -14.36, 2.88

 

CMYK 20 / 0 / 4 / 35

HEX #85A7A0

RGB 133 167 160

HSL 167.65, 0.16%, 0.59%

LAB 65.87, -13.09, -0.23

 

CMYK 20 / 0 / 17 / 34

HEX #86A88B

RGB 134 168 139

HSL 128.82, 0.16%, 0.59%

LAB 65.7, -17.52, 11.2

 

CMYK 20 / 0 / 17 / 14

HEX #AFDBB5

RGB 175 219 181

HSL 128.18, 0.38%, 0.77%

LAB 83.5, -21.66, 14.04

 

CMYK 20 / 0 / 20 / 94

HEX #0C0F0C

RGB 12 15 12

HSL 120, 0.11%, 0.05%

LAB 4.03, -1.45, 1.04

 

CMYK 20 / 0 / 17 / 74

HEX #354237

RGB 53 66 55

HSL 129.23, 0.11%, 0.23%

LAB 26.53, -7.89, 4.96

 

CMYK 21 / 0 / 17 / 54

HEX #5D7561

RGB 93 117 97

HSL 130, 0.11%, 0.41%

LAB 46.86, -13.11, 8.18

 

CMYK 20 / 0 / 17 / 34

HEX #86A88B

RGB 134 168 139

HSL 128.82, 0.16%, 0.59%

LAB 65.7, -17.52, 11.2

 

CMYK 20 / 7 / 0 / 35

HEX #859CA7

RGB 133 156 167

HSL 199.41, 0.16%, 0.59%

LAB 62.97, -5.59, -8.44

 

CMYK 0 / 20 / 15 / 35

HEX #A7858E

RGB 167 133 142

HSL 344.12, 0.16%, 0.59%

LAB 58.92, 14.46, 0.12

 

CMYK 20 / 0 / 17 / 34

HEX #86A88B

RGB 134 168 139

HSL 128.82, 0.16%, 0.59%

LAB 65.7, -17.52, 11.2

 

CMYK 17 / 20 / 0 / 35

HEX #8A85A7

RGB 138 133 167

HSL 248.82, 0.16%, 0.59%

LAB 57.04, 9.08, -17.32

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 20 / 0 / 17 / 34

HEX #86A88B

RGB 134 168 139

HSL 128.82, 0.16%, 0.59%

LAB 65.7, -17.52, 11.2

 

CMYK 20 / 7 / 0 / 35

HEX #859CA7

RGB 133 156 167

HSL 199.41, 0.16%, 0.59%

LAB 62.97, -5.59, -8.44

 

CMYK 0 / 20 / 3 / 35

HEX #A785A2

RGB 167 133 162

HSL 308.82, 0.16%, 0.59%

LAB 59.52, 18.06, -10.45

 

CMYK 0 / 14 / 20 / 35

HEX #A79085

RGB 167 144 133

HSL 19.41, 0.16%, 0.59%

LAB 61.53, 6.8, 9.01

 

CMYK 20 / 0 / 17 / 34

HEX #86A88B

RGB 134 168 139

HSL 128.82, 0.16%, 0.59%

LAB 65.7, -17.52, 11.2

 

CMYK 20 / 13 / 0 / 35

HEX #8591A7

RGB 133 145 167

HSL 218.82, 0.16%, 0.59%

LAB 59.91, 0.55, -13.02

 

CMYK 0 / 20 / 3 / 35

HEX #A785A2

RGB 167 133 162

HSL 308.82, 0.16%, 0.59%

LAB 59.52, 18.06, -10.45

 

CMYK 0 / 8 / 20 / 35

HEX #A79A85

RGB 167 154 133

HSL 37.06, 0.16%, 0.59%

LAB 64.18, 1.25, 12.75

 

Description

Color code: HEX #86A88B | qconv.com Color code: HEX #86A88B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 168 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 168 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 17 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 17% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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