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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86A67C it is the complementary color #795983. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86A67C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #86A67C: #8BA677, #9CB88A, #ADCA9D, #BEDCB0 and #CFEEC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86A67C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #86A67C: #86A67C, #759469, #648256, #537043 and #425E30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 25 / 35

HEX #86A67C

RGB 134 166 124

HSL 105.71, 0.19%, 0.57%

LAB 64.8, -19.16, 18.22

 

Complementary color

CMYK 8 / 32 / 0 / 49

HEX #795983

RGB 121 89 131

HSL 285.71, 0.19%, 0.43%

LAB 42.53, 21.19, -18.42

 

CMYK 16 / 0 / 28 / 35

HEX #8BA677

RGB 139 166 119

HSL 94.47, 0.21%, 0.56%

LAB 65.04, -18.14, 21.34

 

CMYK 15 / 0 / 25 / 28

HEX #9CB88A

RGB 156 184 138

HSL 96.52, 0.24%, 0.63%

LAB 71.68, -18.06, 20.29

 

CMYK 14 / 0 / 22 / 21

HEX #ADCA9D

RGB 173 202 157

HSL 98.67, 0.3%, 0.7%

LAB 78.2, -17.98, 19.31

 

CMYK 14 / 0 / 20 / 14

HEX #BEDCB0

RGB 190 220 176

HSL 100.91, 0.39%, 0.78%

LAB 84.62, -17.91, 18.38

 

CMYK 13 / 0 / 18 / 7

HEX #CFEEC3

RGB 207 238 195

HSL 103.26, 0.56%, 0.85%

LAB 90.94, -17.84, 17.49

 

CMYK 19 / 0 / 25 / 35

HEX #86A67C

RGB 134 166 124

HSL 105.71, 0.19%, 0.57%

LAB 64.8, -19.16, 18.22

 

CMYK 21 / 0 / 29 / 42

HEX #759469

RGB 117 148 105

HSL 103.26, 0.17%, 0.5%

LAB 58.02, -19.31, 19.3

 

CMYK 23 / 0 / 34 / 49

HEX #648256

RGB 100 130 86

HSL 100.91, 0.2%, 0.42%

LAB 51.09, -19.47, 20.45

 

CMYK 26 / 0 / 40 / 56

HEX #537043

RGB 83 112 67

HSL 98.67, 0.25%, 0.35%

LAB 43.99, -19.63, 21.69

 

CMYK 30 / 0 / 49 / 63

HEX #425E30

RGB 66 94 48

HSL 96.52, 0.32%, 0.28%

LAB 36.7, -19.76, 23.03

 

CMYK 19 / 0 / 25 / 35

HEX #86A67C

RGB 134 166 124

HSL 105.71, 0.19%, 0.57%

LAB 64.8, -19.16, 18.22

 

CMYK 23 / 0 / 25 / 35

HEX #7FA67C

RGB 127 166 124

HSL 115.71, 0.19%, 0.57%

LAB 64.35, -21.67, 17.54

 

CMYK 25 / 0 / 23 / 35

HEX #7CA67F

RGB 124 166 127

HSL 124.29, 0.19%, 0.57%

LAB 64.23, -22.18, 15.69

 

CMYK 25 / 0 / 19 / 35

HEX #7CA686

RGB 124 166 134

HSL 134.29, 0.19%, 0.57%

LAB 64.39, -20.87, 12.03

 

CMYK 25 / 0 / 15 / 35

HEX #7CA68D

RGB 124 166 141

HSL 144.29, 0.19%, 0.57%

LAB 64.55, -19.5, 8.37

 

CMYK 19 / 0 / 25 / 35

HEX #86A67C

RGB 134 166 124

HSL 105.71, 0.19%, 0.57%

LAB 64.8, -19.16, 18.22

 

CMYK 19 / 0 / 25 / 15

HEX #AFD9A2

RGB 175 217 162

HSL 105.82, 0.42%, 0.74%

LAB 82.57, -23.9, 22.71

 

CMYK 23 / 0 / 23 / 95

HEX #0A0D0A

RGB 10 13 10

HSL 120, 0.13%, 0.05%

LAB 3.38, -1.31, 0.93

 

CMYK 19 / 0 / 25 / 75

HEX #344030

RGB 52 64 48

HSL 105, 0.14%, 0.22%

LAB 25.59, -8.57, 8.2

 

CMYK 19 / 0 / 25 / 55

HEX #5D7356

RGB 93 115 86

HSL 105.52, 0.14%, 0.39%

LAB 45.99, -14.12, 13.45

 

CMYK 19 / 0 / 25 / 35

HEX #86A67C

RGB 134 166 124

HSL 105.71, 0.19%, 0.57%

LAB 64.8, -19.16, 18.22

 

CMYK 25 / 0 / 1 / 35

HEX #7CA6A4

RGB 124 166 164

HSL 177.14, 0.19%, 0.57%

LAB 65.15, -14.54, -3.59

 

CMYK 0 / 25 / 9 / 35

HEX #A67C97

RGB 166 124 151

HSL 321.43, 0.19%, 0.57%

LAB 56.84, 20.78, -8.15

 

CMYK 19 / 0 / 25 / 35

HEX #86A67C

RGB 134 166 124

HSL 105.71, 0.19%, 0.57%

LAB 64.8, -19.16, 18.22

 

CMYK 25 / 19 / 0 / 35

HEX #7C86A6

RGB 124 134 166

HSL 225.71, 0.19%, 0.57%

LAB 56.18, 3.69, -18.17

 

CMYK 0 / 25 / 19 / 35

HEX #A67C86

RGB 166 124 134

HSL 345.71, 0.19%, 0.57%

LAB 56.33, 17.87, 0.95

 

CMYK 19 / 0 / 25 / 35

HEX #86A67C

RGB 134 166 124

HSL 105.71, 0.19%, 0.57%

LAB 64.8, -19.16, 18.22

 

CMYK 25 / 0 / 1 / 35

HEX #7CA6A4

RGB 124 166 164

HSL 177.14, 0.19%, 0.57%

LAB 65.15, -14.54, -3.59

 

CMYK 7 / 25 / 0 / 35

HEX #9B7CA6

RGB 155 124 166

HSL 284.29, 0.19%, 0.57%

LAB 56.22, 19.82, -17.85

 

CMYK 0 / 25 / 24 / 35

HEX #A67C7E

RGB 166 124 126

HSL 357.14, 0.19%, 0.57%

LAB 56.12, 16.61, 5.28

 

CMYK 19 / 0 / 25 / 35

HEX #86A67C

RGB 134 166 124

HSL 105.71, 0.19%, 0.57%

LAB 64.8, -19.16, 18.22

 

CMYK 25 / 7 / 0 / 35

HEX #7C9BA6

RGB 124 155 166

HSL 195.71, 0.19%, 0.57%

LAB 62.07, -8.15, -9.28

 

CMYK 7 / 25 / 0 / 35

HEX #9B7CA6

RGB 155 124 166

HSL 284.29, 0.19%, 0.57%

LAB 56.22, 19.82, -17.85

 

CMYK 0 / 19 / 25 / 35

HEX #A6867C

RGB 166 134 124

HSL 14.29, 0.19%, 0.57%

LAB 58.61, 10.64, 9.99

 

Description

Color code: HEX #86A67C | qconv.com Color code: HEX #86A67C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 166 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 166 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 25 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 25% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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