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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #868B8A it is the complementary color #797475. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #868B8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #868B8A: #8B8B85, #9C9D98, #ADAFAB, #BEC1BE and #CFD3D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #868B8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #868B8A: #868B8A, #757977, #646764, #535551 and #42433E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 1 / 45

HEX #868B8A

RGB 134 139 138

HSL 168, 0.02%, 0.54%

LAB 57.43, -2.03, -0.11

 

Complementary color

CMYK 0 / 4 / 3 / 53

HEX #797475

RGB 121 116 117

HSL 348, 0.02%, 0.46%

LAB 49.3, 2.11, 0.13

 

CMYK 0 / 0 / 4 / 45

HEX #8B8B85

RGB 139 139 133

HSL 60, 0.03%, 0.53%

LAB 57.7, -1.15, 3.2

 

CMYK 1 / 0 / 3 / 38

HEX #9C9D98

RGB 156 157 152

HSL 72, 0.02%, 0.61%

LAB 64.52, -1.31, 2.48

 

CMYK 1 / 0 / 2 / 31

HEX #ADAFAB

RGB 173 175 171

HSL 90, 0.02%, 0.68%

LAB 71.2, -1.45, 1.79

 

CMYK 2 / 0 / 2 / 24

HEX #BEC1BE

RGB 190 193 190

HSL 120, 0.02%, 0.75%

LAB 77.76, -1.59, 1.13

 

CMYK 2 / 0 / 1 / 17

HEX #CFD3D1

RGB 207 211 209

HSL 150, 0.04%, 0.82%

LAB 84.2, -1.72, 0.5

 

CMYK 4 / 0 / 1 / 45

HEX #868B8A

RGB 134 139 138

HSL 168, 0.02%, 0.54%

LAB 57.43, -2.03, -0.11

 

CMYK 3 / 0 / 2 / 53

HEX #757977

RGB 117 121 119

HSL 150, 0.02%, 0.47%

LAB 50.44, -1.91, 0.56

 

CMYK 3 / 0 / 3 / 60

HEX #646764

RGB 100 103 100

HSL 120, 0.01%, 0.4%

LAB 43.26, -1.78, 1.28

 

CMYK 2 / 0 / 5 / 67

HEX #535551

RGB 83 85 81

HSL 90, 0.02%, 0.33%

LAB 35.85, -1.65, 2.05

 

CMYK 1 / 0 / 7 / 74

HEX #42433E

RGB 66 67 62

HSL 72, 0.04%, 0.25%

LAB 28.17, -1.51, 2.89

 

CMYK 4 / 0 / 1 / 45

HEX #868B8A

RGB 134 139 138

HSL 168, 0.02%, 0.54%

LAB 57.43, -2.03, -0.11

 

CMYK 4 / 0 / 1 / 45

HEX #878C8B

RGB 135 140 139

HSL 168, 0.02%, 0.54%

LAB 57.82, -2.03, -0.11

 

CMYK 4 / 1 / 0 / 45

HEX #878B8C

RGB 135 139 140

HSL 192, 0.02%, 0.54%

LAB 57.57, -1.26, -1.05

 

CMYK 4 / 1 / 0 / 45

HEX #878A8C

RGB 135 138 140

HSL 204, 0.02%, 0.54%

LAB 57.29, -0.7, -1.46

 

CMYK 4 / 2 / 0 / 45

HEX #87898C

RGB 135 137 140

HSL 216, 0.02%, 0.54%

LAB 57.01, -0.13, -1.87

 

CMYK 4 / 0 / 1 / 45

HEX #868B8A

RGB 134 139 138

HSL 168, 0.02%, 0.54%

LAB 57.43, -2.03, -0.11

 

CMYK 4 / 0 / 1 / 25

HEX #B7BEBD

RGB 183 190 189

HSL 171.43, 0.05%, 0.73%

LAB 76.42, -2.6, -0.35

 

CMYK 4 / 0 / 1 / 5

HEX #E8F1EF

RGB 232 241 239

HSL 166.67, 0.24%, 0.93%

LAB 94.44, -3.33, -0.08

 

CMYK 3 / 0 / 0 / 85

HEX #242525

RGB 36 37 37

HSL 180, 0.01%, 0.14%

LAB 14.58, -0.46, -0.16

 

CMYK 3 / 0 / 1 / 65

HEX #555857

RGB 85 88 87

HSL 160, 0.02%, 0.34%

LAB 37.11, -1.41, 0.16

 

CMYK 4 / 0 / 1 / 45

HEX #868B8A

RGB 134 139 138

HSL 168, 0.02%, 0.54%

LAB 57.43, -2.03, -0.11

 

CMYK 4 / 4 / 0 / 45

HEX #87878C

RGB 135 135 140

HSL 240, 0.02%, 0.54%

LAB 56.46, 1, -2.68

 

CMYK 0 / 2 / 4 / 45

HEX #8C8987

RGB 140 137 135

HSL 24, 0.02%, 0.54%

LAB 57.29, 0.73, 1.46

 

CMYK 4 / 0 / 1 / 45

HEX #868B8A

RGB 134 139 138

HSL 168, 0.02%, 0.54%

LAB 57.43, -2.03, -0.11

 

CMYK 1 / 4 / 0 / 45

HEX #8B878C

RGB 139 135 140

HSL 288, 0.02%, 0.54%

LAB 56.79, 2.47, -2.15

 

CMYK 0 / 1 / 4 / 45

HEX #8C8B87

RGB 140 139 135

HSL 48, 0.02%, 0.54%

LAB 57.84, -0.4, 2.26

 

CMYK 4 / 0 / 1 / 45

HEX #868B8A

RGB 134 139 138

HSL 168, 0.02%, 0.54%

LAB 57.43, -2.03, -0.11

 

CMYK 4 / 4 / 0 / 45

HEX #87878C

RGB 135 135 140

HSL 240, 0.02%, 0.54%

LAB 56.46, 1, -2.68

 

CMYK 0 / 4 / 3 / 45

HEX #8C8788

RGB 140 135 136

HSL 348, 0.02%, 0.54%

LAB 56.76, 2.06, 0.12

 

CMYK 0 / 0 / 4 / 45

HEX #8C8C87

RGB 140 140 135

HSL 60, 0.02%, 0.54%

LAB 58.11, -0.96, 2.66

 

CMYK 4 / 0 / 1 / 45

HEX #868B8A

RGB 134 139 138

HSL 168, 0.02%, 0.54%

LAB 57.43, -2.03, -0.11

 

CMYK 3 / 4 / 0 / 45

HEX #88878C

RGB 136 135 140

HSL 252, 0.02%, 0.54%

LAB 56.54, 1.37, -2.55

 

CMYK 0 / 4 / 3 / 45

HEX #8C8788

RGB 140 135 136

HSL 348, 0.02%, 0.54%

LAB 56.76, 2.06, 0.12

 

CMYK 1 / 0 / 4 / 45

HEX #8A8C87

RGB 138 140 135

HSL 84, 0.02%, 0.54%

LAB 57.95, -1.7, 2.4

 

Description

Color code: HEX #868B8A | qconv.com Color code: HEX #868B8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 139 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 139 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 1 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 1% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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