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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #868ABC it is the complementary color #797543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #868ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #868ABC: #8B8AB7, #9C9CCA, #ADAEDD, #BEC0F0 and #CFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #868ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #868ABC: #868ABC, #7578A9, #646696, #535483 and #424270

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 27 / 0 / 26

HEX #868ABC

RGB 134 138 188

HSL 235.56, 0.29%, 0.63%

LAB 58.86, 10.01, -26.55

 

Complementary color

CMYK 0 / 3 / 45 / 53

HEX #797543

RGB 121 117 67

HSL 55.56, 0.29%, 0.37%

LAB 48.5, -6.27, 28.06

 

CMYK 24 / 25 / 0 / 28

HEX #8B8AB7

RGB 139 138 183

HSL 241.33, 0.24%, 0.63%

LAB 59.05, 10.31, -23.38

 

CMYK 23 / 23 / 0 / 21

HEX #9C9CCA

RGB 156 156 202

HSL 240, 0.3%, 0.7%

LAB 65.83, 9.9, -23.55

 

CMYK 22 / 21 / 0 / 13

HEX #ADAEDD

RGB 173 174 221

HSL 238.75, 0.41%, 0.77%

LAB 72.48, 9.53, -23.75

 

CMYK 21 / 20 / 0 / 6

HEX #BEC0F0

RGB 190 192 240

HSL 237.6, 0.63%, 0.84%

LAB 79.01, 9.19, -23.96

 

CMYK 19 / 18 / 0 / 0

HEX #CFD2FF

RGB 207 210 255

HSL 236.25, 1%, 0.91%

LAB 85.29, 8.01, -22.29

 

CMYK 29 / 27 / 0 / 26

HEX #868ABC

RGB 134 138 188

HSL 235.56, 0.29%, 0.63%

LAB 58.86, 10.01, -26.55

 

CMYK 31 / 29 / 0 / 34

HEX #7578A9

RGB 117 120 169

HSL 236.54, 0.23%, 0.56%

LAB 51.93, 10.51, -26.47

 

CMYK 33 / 32 / 0 / 41

HEX #646696

RGB 100 102 150

HSL 237.6, 0.2%, 0.49%

LAB 44.82, 11.08, -26.45

 

CMYK 37 / 36 / 0 / 49

HEX #535483

RGB 83 84 131

HSL 238.75, 0.22%, 0.42%

LAB 37.51, 11.77, -26.49

 

CMYK 41 / 41 / 0 / 56

HEX #424270

RGB 66 66 112

HSL 240, 0.26%, 0.35%

LAB 29.97, 12.61, -26.62

 

CMYK 29 / 27 / 0 / 26

HEX #868ABC

RGB 134 138 188

HSL 235.56, 0.29%, 0.63%

LAB 58.86, 10.01, -26.55

 

CMYK 27 / 29 / 0 / 26

HEX #8985BC

RGB 137 133 188

HSL 244.36, 0.29%, 0.63%

LAB 57.77, 13.83, -28.2

 

CMYK 22 / 29 / 0 / 26

HEX #9285BC

RGB 146 133 188

HSL 254.18, 0.29%, 0.63%

LAB 58.52, 16.61, -26.98

 

CMYK 17 / 29 / 0 / 26

HEX #9C85BC

RGB 156 133 188

HSL 265.09, 0.29%, 0.63%

LAB 59.41, 19.78, -25.54

 

CMYK 12 / 29 / 0 / 26

HEX #A585BC

RGB 165 133 188

HSL 274.91, 0.29%, 0.63%

LAB 60.25, 22.68, -24.18

 

CMYK 29 / 27 / 0 / 26

HEX #868ABC

RGB 134 138 188

HSL 235.56, 0.29%, 0.63%

LAB 58.86, 10.01, -26.55

 

CMYK 29 / 27 / 0 / 6

HEX #AAAFEF

RGB 170 175 239

HSL 235.65, 0.68%, 0.8%

LAB 73.18, 12.36, -32.49

 

CMYK 29 / 26 / 0 / 86

HEX #191A23

RGB 25 26 35

HSL 234, 0.17%, 0.12%

LAB 9.54, 2.12, -6.34

 

CMYK 29 / 27 / 0 / 66

HEX #3D3F56

RGB 61 63 86

HSL 235.2, 0.17%, 0.29%

LAB 27.35, 5.15, -14.05

 

CMYK 28 / 26 / 0 / 46

HEX #626589

RGB 98 101 137

HSL 235.38, 0.17%, 0.46%

LAB 43.81, 7.53, -20.25

 

CMYK 29 / 27 / 0 / 26

HEX #868ABC

RGB 134 138 188

HSL 235.56, 0.29%, 0.63%

LAB 58.86, 10.01, -26.55

 

CMYK 0 / 29 / 4 / 26

HEX #BC85B5

RGB 188 133 181

HSL 307.64, 0.29%, 0.63%

LAB 62.34, 28.94, -16.81

 

CMYK 15 / 0 / 29 / 26

HEX #9FBC85

RGB 159 188 133

HSL 91.64, 0.29%, 0.63%

LAB 72.91, -19.76, 24.68

 

CMYK 29 / 27 / 0 / 26

HEX #868ABC

RGB 134 138 188

HSL 235.56, 0.29%, 0.63%

LAB 58.86, 10.01, -26.55

 

CMYK 0 / 29 / 27 / 26

HEX #BC8589

RGB 188 133 137

HSL 355.64, 0.29%, 0.63%

LAB 61.02, 21.7, 6.31

 

CMYK 27 / 0 / 29 / 26

HEX #89BC85

RGB 137 188 133

HSL 115.64, 0.29%, 0.63%

LAB 71.54, -27.57, 22.59

 

CMYK 29 / 27 / 0 / 26

HEX #868ABC

RGB 134 138 188

HSL 235.56, 0.29%, 0.63%

LAB 58.86, 10.01, -26.55

 

CMYK 0 / 29 / 4 / 26

HEX #BC85B5

RGB 188 133 181

HSL 307.64, 0.29%, 0.63%

LAB 62.34, 28.94, -16.81

 

CMYK 0 / 3 / 29 / 26

HEX #BCB785

RGB 188 183 133

HSL 54.55, 0.29%, 0.63%

LAB 73.71, -6.12, 26.13

 

CMYK 29 / 0 / 26 / 26

HEX #85BC8B

RGB 133 188 139

HSL 126.55, 0.29%, 0.63%

LAB 71.43, -27.88, 19.19

 

CMYK 29 / 27 / 0 / 26

HEX #868ABC

RGB 134 138 188

HSL 235.56, 0.29%, 0.63%

LAB 58.86, 10.01, -26.55

 

CMYK 0 / 29 / 12 / 26

HEX #BC85A5

RGB 188 133 165

HSL 325.09, 0.29%, 0.63%

LAB 61.81, 26.09, -8.52

 

CMYK 0 / 3 / 29 / 26

HEX #BCB785

RGB 188 183 133

HSL 54.55, 0.29%, 0.63%

LAB 73.71, -6.12, 26.13

 

CMYK 29 / 0 / 17 / 26

HEX #85BC9C

RGB 133 188 156

HSL 145.09, 0.29%, 0.63%

LAB 71.79, -24.68, 10.5

 

Description

Color code: HEX #868ABC | qconv.com Color code: HEX #868ABC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 138 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 138 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 27 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 27% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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