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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #868250 it is the complementary color #797DAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #868250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #868250: #8B824B, #9C945E, #ADA671, #BEB884 and #CFCA97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #868250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #868250: #868250, #75703D, #645E2A, #534C17 and #423A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 40 / 47

HEX #868250

RGB 134 130 80

HSL 55.56, 0.25%, 0.42%

LAB 53.61, -6.37, 27.6

 

Complementary color

CMYK 31 / 29 / 0 / 31

HEX #797DAF

RGB 121 125 175

HSL 235.56, 0.25%, 0.58%

LAB 53.84, 10.33, -26.95

 

CMYK 0 / 6 / 46 / 45

HEX #8B824B

RGB 139 130 75

HSL 51.56, 0.3%, 0.42%

LAB 53.99, -4.77, 30.89

 

CMYK 0 / 5 / 40 / 39

HEX #9C945E

RGB 156 148 94

HSL 52.26, 0.25%, 0.49%

LAB 60.83, -5.26, 29.61

 

CMYK 0 / 4 / 35 / 32

HEX #ADA671

RGB 173 166 113

HSL 53, 0.27%, 0.56%

LAB 67.54, -5.66, 28.39

 

CMYK 0 / 3 / 31 / 25

HEX #BEB884

RGB 190 184 132

HSL 53.79, 0.31%, 0.63%

LAB 74.12, -5.99, 27.24

 

CMYK 0 / 2 / 27 / 19

HEX #CFCA97

RGB 207 202 151

HSL 54.64, 0.37%, 0.7%

LAB 80.59, -6.27, 26.15

 

CMYK 0 / 3 / 40 / 47

HEX #868250

RGB 134 130 80

HSL 55.56, 0.25%, 0.42%

LAB 53.61, -6.37, 27.6

 

CMYK 0 / 4 / 48 / 54

HEX #75703D

RGB 117 112 61

HSL 54.64, 0.31%, 0.35%

LAB 46.59, -5.89, 28.91

 

CMYK 0 / 6 / 58 / 61

HEX #645E2A

RGB 100 94 42

HSL 53.79, 0.41%, 0.28%

LAB 39.38, -5.24, 30.23

 

CMYK 0 / 8 / 72 / 67

HEX #534C17

RGB 83 76 23

HSL 53, 0.57%, 0.21%

LAB 31.97, -4.33, 31.35

 

CMYK 0 / 12 / 94 / 74

HEX #423A04

RGB 66 58 4

HSL 52.26, 0.89%, 0.14%

LAB 24.3, -3.01, 31.53

 

CMYK 0 / 3 / 40 / 47

HEX #868250

RGB 134 130 80

HSL 55.56, 0.25%, 0.42%

LAB 53.61, -6.37, 27.6

 

CMYK 3 / 0 / 40 / 48

HEX #818550

RGB 129 133 80

HSL 64.53, 0.25%, 0.42%

LAB 54.05, -10.16, 28.07

 

CMYK 10 / 0 / 40 / 48

HEX #788550

RGB 120 133 80

HSL 74.72, 0.25%, 0.42%

LAB 53.33, -13.94, 27

 

CMYK 17 / 0 / 40 / 48

HEX #6F8550

RGB 111 133 80

HSL 84.91, 0.25%, 0.42%

LAB 52.66, -17.63, 26

 

CMYK 23 / 0 / 40 / 48

HEX #668550

RGB 102 133 80

HSL 95.09, 0.25%, 0.42%

LAB 52.04, -21.19, 25.08

 

CMYK 0 / 3 / 40 / 47

HEX #868250

RGB 134 130 80

HSL 55.56, 0.25%, 0.42%

LAB 53.61, -6.37, 27.6

 

CMYK 0 / 3 / 41 / 27

HEX #B9B36E

RGB 185 179 110

HSL 55.2, 0.35%, 0.58%

LAB 72.01, -8.01, 35.96

 

CMYK 0 / 3 / 40 / 7

HEX #ECE58D

RGB 236 229 141

HSL 55.58, 0.71%, 0.74%

LAB 89.76, -9.96, 43.7

 

CMYK 0 / 3 / 41 / 87

HEX #201F13

RGB 32 31 19

HSL 55.38, 0.25%, 0.1%

LAB 11.51, -2.06, 8.26

 

CMYK 0 / 2 / 40 / 67

HEX #535132

RGB 83 81 50

HSL 56.36, 0.25%, 0.26%

LAB 33.89, -4.6, 18.55

 

CMYK 0 / 3 / 40 / 47

HEX #868250

RGB 134 130 80

HSL 55.56, 0.25%, 0.42%

LAB 53.61, -6.37, 27.6

 

CMYK 40 / 0 / 35 / 48

HEX #508556

RGB 80 133 86

HSL 126.79, 0.25%, 0.42%

LAB 50.87, -28.14, 19.94

 

CMYK 20 / 40 / 0 / 48

HEX #6B5085

RGB 107 80 133

HSL 270.57, 0.25%, 0.42%

LAB 38.82, 22.4, -25.5

 

CMYK 0 / 3 / 40 / 47

HEX #868250

RGB 134 130 80

HSL 55.56, 0.25%, 0.42%

LAB 53.61, -6.37, 27.6

 

CMYK 40 / 0 / 3 / 48

HEX #508581

RGB 80 133 129

HSL 175.47, 0.25%, 0.42%

LAB 51.91, -18.62, -3.42

 

CMYK 3 / 40 / 0 / 48

HEX #815085

RGB 129 80 133

HSL 295.47, 0.25%, 0.42%

LAB 41.37, 29.68, -21.35

 

CMYK 0 / 3 / 40 / 47

HEX #868250

RGB 134 130 80

HSL 55.56, 0.25%, 0.42%

LAB 53.61, -6.37, 27.6

 

CMYK 40 / 0 / 35 / 48

HEX #508556

RGB 80 133 86

HSL 126.79, 0.25%, 0.42%

LAB 50.87, -28.14, 19.94

 

CMYK 40 / 37 / 0 / 48

HEX #505485

RGB 80 84 133

HSL 235.47, 0.25%, 0.42%

LAB 37.37, 11.47, -27.96

 

CMYK 0 / 40 / 5 / 48

HEX #85507F

RGB 133 80 127

HSL 306.79, 0.25%, 0.42%

LAB 41.62, 29.84, -17.26

 

CMYK 0 / 3 / 40 / 47

HEX #868250

RGB 134 130 80

HSL 55.56, 0.25%, 0.42%

LAB 53.61, -6.37, 27.6

 

CMYK 40 / 0 / 23 / 48

HEX #508566

RGB 80 133 102

HSL 144.91, 0.25%, 0.42%

LAB 51.2, -25, 11.25

 

CMYK 40 / 37 / 0 / 48

HEX #505485

RGB 80 84 133

HSL 235.47, 0.25%, 0.42%

LAB 37.37, 11.47, -27.96

 

CMYK 0 / 40 / 17 / 48

HEX #85506F

RGB 133 80 111

HSL 324.91, 0.25%, 0.42%

LAB 41.01, 26.91, -8.37

 

Description

Color code: HEX #868250 | qconv.com Color code: HEX #868250 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 130 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 130 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 40 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 40% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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