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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #866B5B it is the complementary color #7994A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #866B5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #866B5B: #8B6B56, #9C7D69, #AD8F7C, #BEA18F and #CFB3A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #866B5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #866B5B: #866B5B, #755948, #644735, #533522 and #42230F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 32 / 47

HEX #866B5B

RGB 134 107 91

HSL 22.33, 0.19%, 0.44%

LAB 47.42, 8.24, 13.03

 

Complementary color

CMYK 26 / 10 / 0 / 36

HEX #7994A4

RGB 121 148 164

HSL 202.33, 0.19%, 0.56%

LAB 59.82, -5.71, -11.53

 

CMYK 0 / 23 / 38 / 45

HEX #8B6B56

RGB 139 107 86

HSL 23.77, 0.24%, 0.44%

LAB 47.85, 9.69, 16.67

 

CMYK 0 / 20 / 33 / 39

HEX #9C7D69

RGB 156 125 105

HSL 23.53, 0.2%, 0.51%

LAB 54.82, 8.98, 15.45

 

CMYK 0 / 17 / 28 / 32

HEX #AD8F7C

RGB 173 143 124

HSL 23.27, 0.23%, 0.58%

LAB 61.64, 8.38, 14.34

 

CMYK 0 / 15 / 25 / 25

HEX #BEA18F

RGB 190 161 143

HSL 22.98, 0.27%, 0.65%

LAB 68.33, 7.86, 13.33

 

CMYK 0 / 14 / 22 / 19

HEX #CFB3A2

RGB 207 179 162

HSL 22.67, 0.32%, 0.72%

LAB 74.9, 7.41, 12.39

 

CMYK 0 / 20 / 32 / 47

HEX #866B5B

RGB 134 107 91

HSL 22.33, 0.19%, 0.44%

LAB 47.42, 8.24, 13.03

 

CMYK 0 / 24 / 38 / 54

HEX #755948

RGB 117 89 72

HSL 22.67, 0.24%, 0.37%

LAB 40.24, 8.97, 14.28

 

CMYK 0 / 29 / 47 / 61

HEX #644735

RGB 100 71 53

HSL 22.98, 0.31%, 0.3%

LAB 32.86, 9.89, 15.71

 

CMYK 0 / 36 / 59 / 67

HEX #533522

RGB 83 53 34

HSL 23.27, 0.42%, 0.23%

LAB 25.26, 11.09, 17.41

 

CMYK 0 / 47 / 77 / 74

HEX #42230F

RGB 66 35 15

HSL 23.53, 0.63%, 0.16%

LAB 17.44, 12.73, 19.2

 

CMYK 0 / 20 / 32 / 47

HEX #866B5B

RGB 134 107 91

HSL 22.33, 0.19%, 0.44%

LAB 47.42, 8.24, 13.03

 

CMYK 0 / 15 / 32 / 48

HEX #85715A

RGB 133 113 90

HSL 32.09, 0.19%, 0.44%

LAB 48.93, 4.17, 15.68

 

CMYK 0 / 10 / 32 / 48

HEX #85785A

RGB 133 120 90

HSL 41.86, 0.19%, 0.44%

LAB 50.87, 0.14, 18.33

 

CMYK 0 / 5 / 32 / 48

HEX #857F5A

RGB 133 127 90

HSL 51.63, 0.19%, 0.44%

LAB 52.84, -3.84, 20.98

 

CMYK 1 / 0 / 32 / 48

HEX #84855A

RGB 132 133 90

HSL 61.4, 0.19%, 0.44%

LAB 54.47, -7.6, 23.12

 

CMYK 0 / 20 / 32 / 47

HEX #866B5B

RGB 134 107 91

HSL 22.33, 0.19%, 0.44%

LAB 47.42, 8.24, 13.03

 

CMYK 0 / 20 / 32 / 27

HEX #B9947E

RGB 185 148 126

HSL 22.37, 0.3%, 0.61%

LAB 64.16, 10.67, 16.9

 

CMYK 0 / 20 / 32 / 7

HEX #ECBCA0

RGB 236 188 160

HSL 22.11, 0.67%, 0.78%

LAB 79.81, 13.38, 20.73

 

CMYK 0 / 19 / 31 / 87

HEX #201A16

RGB 32 26 22

HSL 24, 0.19%, 0.11%

LAB 9.83, 2.11, 3.88

 

CMYK 0 / 20 / 33 / 67

HEX #534238

RGB 83 66 56

HSL 22.22, 0.19%, 0.27%

LAB 29.47, 5.62, 8.86

 

CMYK 0 / 20 / 32 / 47

HEX #866B5B

RGB 134 107 91

HSL 22.33, 0.19%, 0.44%

LAB 47.42, 8.24, 13.03

 

CMYK 18 / 0 / 32 / 48

HEX #6D855A

RGB 109 133 90

HSL 93.49, 0.19%, 0.44%

LAB 52.69, -16.93, 20.43

 

CMYK 32 / 31 / 0 / 48

HEX #5A5C85

RGB 90 92 133

HSL 237.21, 0.19%, 0.44%

LAB 40.45, 9.45, -23.1

 

CMYK 0 / 20 / 32 / 47

HEX #866B5B

RGB 134 107 91

HSL 22.33, 0.19%, 0.44%

LAB 47.42, 8.24, 13.03

 

CMYK 32 / 0 / 20 / 48

HEX #5A856A

RGB 90 133 106

HSL 142.33, 0.19%, 0.44%

LAB 51.83, -20.92, 9.9

 

CMYK 20 / 32 / 0 / 48

HEX #6A5A85

RGB 106 90 133

HSL 262.33, 0.19%, 0.44%

LAB 41.33, 15.91, -21.62

 

CMYK 0 / 20 / 32 / 47

HEX #866B5B

RGB 134 107 91

HSL 22.33, 0.19%, 0.44%

LAB 47.42, 8.24, 13.03

 

CMYK 18 / 0 / 32 / 48

HEX #6D855A

RGB 109 133 90

HSL 93.49, 0.19%, 0.44%

LAB 52.69, -16.93, 20.43

 

CMYK 32 / 12 / 0 / 48

HEX #5A7585

RGB 90 117 133

HSL 202.33, 0.19%, 0.44%

LAB 47.74, -5.67, -11.94

 

CMYK 14 / 32 / 0 / 48

HEX #735A85

RGB 115 90 133

HSL 274.88, 0.19%, 0.44%

LAB 42.23, 18.96, -20.15

 

CMYK 0 / 20 / 32 / 47

HEX #866B5B

RGB 134 107 91

HSL 22.33, 0.19%, 0.44%

LAB 47.42, 8.24, 13.03

 

CMYK 28 / 0 / 32 / 48

HEX #60855A

RGB 96 133 90

HSL 111.63, 0.19%, 0.44%

LAB 51.84, -21.86, 19.14

 

CMYK 32 / 12 / 0 / 48

HEX #5A7585

RGB 90 117 133

HSL 202.33, 0.19%, 0.44%

LAB 47.74, -5.67, -11.94

 

CMYK 5 / 32 / 0 / 48

HEX #7F5A85

RGB 127 90 133

HSL 291.63, 0.19%, 0.44%

LAB 43.53, 23.11, -18.04

 

Description

Color code: HEX #866B5B | qconv.com Color code: HEX #866B5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 107 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 107 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 32 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 32% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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