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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #866ADE it is the complementary color #799521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #866ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #866ADE shade: #8B6AD9, #9C7CEC, #AD8EFF, #BEA0FF and #CFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #866ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #866ADE shade: #866ADE, #7558CB, #6446B8, #5334A5 and #422292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #866ADE shade: #8568DE, #A468DE, #C468DE, #DE68D8 and #DE68B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #866ADE shade: #8568DE and #6868DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #866ADE shade matches the following richer shades: #8568DE, #7D5AED and #754BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #866ADE shade: #8568DE, #8C77CF, #9486C0, #9C95B1 and #A4A4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #866ADE shade: #688CDE, #686CDE, #8468DE, #A368DE and #C368DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #866ADE shade: #522CC8, #6947D7, #8568DE, #A08AE5 and #BCACED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #866ADE shade: #866ADE, #DE68AB and #7CDE68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #866ADE shade: #866ADE, #DE8468 and #68DE84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #866ADE shade: #866ADE, #DE68AB, #C3DE68 and #68DE9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #866ADE shade: #866ADE, #DE6888, #C3DE68 and #68DEBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 52 / 0 / 13

HEX #866ADE

RGB 134 106 222

HSL 254.48, 0.64%, 0.64%

LAB 52.56, 37.83, -55.71

 

Complementary color

CMYK 19 / 0 / 78 / 42

HEX #799521

RGB 121 149 33

HSL 74.48, 0.64%, 0.36%

LAB 57.72, -25.89, 53.64

 

CMYK 36 / 51 / 0 / 15

HEX #8B6AD9

RGB 139 106 217

HSL 257.84, 0.59%, 0.63%

LAB 52.74, 37.7, -52.58

 

CMYK 34 / 47 / 0 / 7

HEX #9C7CEC

RGB 156 124 236

HSL 257.14, 0.75%, 0.71%

LAB 59.47, 36.66, -52.41

 

CMYK 32 / 44 / 0 / 0

HEX #AD8EFF

RGB 173 142 255

HSL 256.46, 1%, 0.78%

LAB 66.1, 35.7, -52.26

 

CMYK 25 / 37 / 0 / 0

HEX #BEA0FF

RGB 190 160 255

HSL 258.95, 1%, 0.81%

LAB 71.76, 30.27, -43.24

 

CMYK 19 / 30 / 0 / 0

HEX #CFB2FF

RGB 207 178 255

HSL 262.6, 1%, 0.85%

LAB 77.48, 25.3, -34.25

 

CMYK 40 / 52 / 0 / 13

HEX #866ADE

RGB 134 106 222

HSL 254.48, 0.64%, 0.64%

LAB 52.56, 37.83, -55.71

 

CMYK 42 / 57 / 0 / 20

HEX #7558CB

RGB 117 88 203

HSL 255.13, 0.53%, 0.57%

LAB 45.73, 39.05, -55.94

 

CMYK 46 / 62 / 0 / 28

HEX #6446B8

RGB 100 70 184

HSL 255.79, 0.45%, 0.5%

LAB 38.81, 40.38, -56.15

 

CMYK 50 / 68 / 0 / 35

HEX #5334A5

RGB 83 52 165

HSL 256.46, 0.52%, 0.43%

LAB 31.83, 41.74, -56.26

 

CMYK 55 / 77 / 0 / 43

HEX #422292

RGB 66 34 146

HSL 257.14, 0.62%, 0.35%

LAB 24.88, 42.97, -56.11

 

CMYK 40 / 53 / 0 / 13

HEX #8568DE

RGB 133 104 222

HSL 254.75, 0.64%, 0.64%

LAB 52.02, 38.75, -56.59

 

CMYK 26 / 53 / 0 / 13

HEX #A468DE

RGB 164 104 222

HSL 270.51, 0.64%, 0.64%

LAB 55.14, 46.35, -51.42

 

CMYK 12 / 53 / 0 / 13

HEX #C468DE

RGB 196 104 222

HSL 286.78, 0.64%, 0.64%

LAB 58.89, 54.68, -45.24

 

CMYK 0 / 53 / 3 / 13

HEX #DE68D8

RGB 222 104 216

HSL 303.05, 0.64%, 0.64%

LAB 61.99, 60.55, -36.77

 

CMYK 0 / 53 / 17 / 13

HEX #DE68B8

RGB 222 104 184

HSL 319.32, 0.64%, 0.64%

LAB 60.69, 55.45, -20.65

 

CMYK 40 / 53 / 0 / 13

HEX #8568DE

RGB 133 104 222

HSL 254.75, 0.64%, 0.64%

LAB 52.02, 38.75, -56.59

 

CMYK 53 / 53 / 0 / 13

HEX #6868DE

RGB 104 104 222

HSL 240, 0.64%, 0.64%

LAB 49.64, 32.42, -60.54

 

CMYK 40 / 53 / 0 / 13

HEX #8568DE

RGB 133 104 222

HSL 254.75, 0.64%, 0.64%

LAB 52.02, 38.75, -56.59

 

CMYK 47 / 62 / 0 / 7

HEX #7D5AED

RGB 125 90 237

HSL 254.29, 0.8%, 0.64%

LAB 49.24, 49.11, -69.57

 

CMYK 54 / 70 / 0 / 1

HEX #754BFC

RGB 117 75 252

HSL 254.24, 0.97%, 0.64%

LAB 46.77, 59.84, -82.02

 

CMYK 40 / 53 / 0 / 13

HEX #8568DE

RGB 133 104 222

HSL 254.75, 0.64%, 0.64%

LAB 52.02, 38.75, -56.59

 

CMYK 32 / 43 / 0 / 19

HEX #8C77CF

RGB 140 119 207

HSL 254.32, 0.48%, 0.64%

LAB 55.35, 27.78, -42.76

 

CMYK 23 / 30 / 0 / 25

HEX #9486C0

RGB 148 134 192

HSL 254.48, 0.32%, 0.64%

LAB 59.11, 17.61, -28.33

 

CMYK 12 / 16 / 0 / 31

HEX #9C95B1

RGB 156 149 177

HSL 255, 0.15%, 0.64%

LAB 63.13, 8.2, -13.66

 

CMYK 0 / 0 / 1 / 36

HEX #A4A4A3

RGB 164 164 163

HSL 60, 0.01%, 0.64%

LAB 67.34, -0.19, 0.51

 

CMYK 53 / 37 / 0 / 13

HEX #688CDE

RGB 104 140 222

HSL 221.69, 0.64%, 0.64%

LAB 58.95, 10.71, -45.68

 

CMYK 53 / 51 / 0 / 13

HEX #686CDE

RGB 104 108 222

HSL 237.97, 0.64%, 0.64%

LAB 50.62, 30, -58.97

 

CMYK 41 / 53 / 0 / 13

HEX #8468DE

RGB 132 104 222

HSL 254.24, 0.64%, 0.64%

LAB 51.93, 38.51, -56.74

 

CMYK 27 / 53 / 0 / 13

HEX #A368DE

RGB 163 104 222

HSL 270, 0.64%, 0.64%

LAB 55.03, 46.1, -51.6

 

CMYK 12 / 53 / 0 / 13

HEX #C368DE

RGB 195 104 222

HSL 286.27, 0.64%, 0.64%

LAB 58.77, 54.41, -45.44

 

CMYK 59 / 78 / 0 / 22

HEX #522CC8

RGB 82 44 200

HSL 254.62, 0.64%, 0.48%

LAB 33.49, 55.71, -74.3

 

CMYK 51 / 67 / 0 / 16

HEX #6947D7

RGB 105 71 215

HSL 254.17, 0.64%, 0.56%

LAB 41.87, 49.65, -69.16

 

CMYK 40 / 53 / 0 / 13

HEX #8568DE

RGB 133 104 222

HSL 254.75, 0.64%, 0.64%

LAB 52.02, 38.75, -56.59

 

CMYK 30 / 40 / 0 / 10

HEX #A08AE5

RGB 160 138 229

HSL 254.51, 0.64%, 0.72%

LAB 62.77, 27.95, -43.29

 

CMYK 21 / 27 / 0 / 7

HEX #BCACED

RGB 188 172 237

HSL 254.77, 0.64%, 0.8%

LAB 73.75, 18.87, -30.41

 

CMYK 40 / 52 / 0 / 13

HEX #866ADE

RGB 134 106 222

HSL 254.48, 0.64%, 0.64%

LAB 52.56, 37.83, -55.71

 

CMYK 0 / 53 / 23 / 13

HEX #DE68AB

RGB 222 104 171

HSL 325.93, 0.64%, 0.64%

LAB 60.22, 53.58, -13.9

 

CMYK 44 / 0 / 53 / 13

HEX #7CDE68

RGB 124 222 104

HSL 109.83, 0.64%, 0.64%

LAB 80.48, -50.98, 48.53

 

CMYK 40 / 52 / 0 / 13

HEX #866ADE

RGB 134 106 222

HSL 254.48, 0.64%, 0.64%

LAB 52.56, 37.83, -55.71

 

CMYK 0 / 41 / 53 / 13

HEX #DE8468

RGB 222 132 104

HSL 14.24, 0.64%, 0.64%

LAB 64.19, 31.77, 29.89

 

CMYK 53 / 0 / 41 / 13

HEX #68DE84

RGB 104 222 132

HSL 134.24, 0.64%, 0.64%

LAB 80.1, -52.46, 34.24

 

CMYK 40 / 52 / 0 / 13

HEX #866ADE

RGB 134 106 222

HSL 254.48, 0.64%, 0.64%

LAB 52.56, 37.83, -55.71

 

CMYK 0 / 53 / 23 / 13

HEX #DE68AB

RGB 222 104 171

HSL 325.93, 0.64%, 0.64%

LAB 60.22, 53.58, -13.9

 

CMYK 12 / 0 / 53 / 13

HEX #C3DE68

RGB 195 222 104

HSL 73.73, 0.64%, 0.64%

LAB 84.4, -26.14, 54.14

 

CMYK 53 / 0 / 30 / 13

HEX #68DE9B

RGB 104 222 155

HSL 145.93, 0.64%, 0.64%

LAB 80.49, -48.38, 22.97

 

CMYK 40 / 52 / 0 / 13

HEX #866ADE

RGB 134 106 222

HSL 254.48, 0.64%, 0.64%

LAB 52.56, 37.83, -55.71

 

CMYK 0 / 53 / 39 / 13

HEX #DE6888

RGB 222 104 136

HSL 343.73, 0.64%, 0.64%

LAB 59.17, 49.19, 4.79

 

CMYK 12 / 0 / 53 / 13

HEX #C3DE68

RGB 195 222 104

HSL 73.73, 0.64%, 0.64%

LAB 84.4, -26.14, 54.14

 

CMYK 53 / 0 / 14 / 13

HEX #68DEBF

RGB 104 222 191

HSL 164.24, 0.64%, 0.64%

LAB 81.26, -40.73, 5.11

 

Description

Color code: HEX #866ADE | qconv.com Color code: HEX #866ADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 106 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 106 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 52 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 52% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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