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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85ACDF it is the complementary color #7A5320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85ACDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #85ACDF: #8AACDA, #9BBEED, #ACD0FF, #BDE2FF and #CEF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85ACDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #85ACDF: #85ACDF, #749ACC, #6388B9, #5276A6 and #416493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 23 / 0 / 13

HEX #85ACDF

RGB 133 172 223

HSL 214, 0.58%, 0.7%

LAB 69.34, -0.33, -29.89

 

Complementary color

CMYK 0 / 32 / 74 / 52

HEX #7A5320

RGB 122 83 32

HSL 34, 0.58%, 0.3%

LAB 38.6, 11.09, 35.25

 

CMYK 37 / 21 / 0 / 15

HEX #8AACDA

RGB 138 172 218

HSL 214.5, 0.52%, 0.7%

LAB 69.45, -0.33, -26.96

 

CMYK 35 / 20 / 0 / 7

HEX #9BBEED

RGB 155 190 237

HSL 214.39, 0.69%, 0.77%

LAB 76.01, -0.62, -27.13

 

CMYK 33 / 18 / 0 / 0

HEX #ACD0FF

RGB 172 208 255

HSL 213.98, 1%, 0.84%

LAB 82.43, -1.12, -26.85

 

CMYK 26 / 11 / 0 / 0

HEX #BDE2FF

RGB 189 226 255

HSL 206.36, 1%, 0.87%

LAB 88.18, -5.75, -18.04

 

CMYK 19 / 4 / 0 / 0

HEX #CEF4FF

RGB 206 244 255

HSL 193.47, 1%, 0.9%

LAB 93.9, -9.93, -9.37

 

CMYK 40 / 23 / 0 / 13

HEX #85ACDF

RGB 133 172 223

HSL 214, 0.58%, 0.7%

LAB 69.34, -0.33, -29.89

 

CMYK 43 / 25 / 0 / 20

HEX #749ACC

RGB 116 154 204

HSL 214.09, 0.46%, 0.63%

LAB 62.66, 0.07, -29.77

 

CMYK 46 / 26 / 0 / 27

HEX #6388B9

RGB 99 136 185

HSL 214.19, 0.38%, 0.56%

LAB 55.85, 0.55, -29.69

 

CMYK 51 / 29 / 0 / 35

HEX #5276A6

RGB 82 118 166

HSL 214.29, 0.34%, 0.49%

LAB 48.89, 1.14, -29.63

 

CMYK 56 / 32 / 0 / 42

HEX #416493

RGB 65 100 147

HSL 214.39, 0.39%, 0.42%

LAB 41.76, 1.9, -29.62

 

CMYK 40 / 23 / 0 / 13

HEX #85ACDF

RGB 133 172 223

HSL 214, 0.58%, 0.7%

LAB 69.34, -0.33, -29.89

 

CMYK 40 / 29 / 0 / 13

HEX #869DDE

RGB 134 157 222

HSL 224.32, 0.57%, 0.7%

LAB 65.32, 8.1, -35.56

 

CMYK 40 / 36 / 0 / 13

HEX #868FDE

RGB 134 143 222

HSL 233.86, 0.57%, 0.7%

LAB 61.64, 16.18, -41.31

 

CMYK 37 / 40 / 0 / 13

HEX #8C86DE

RGB 140 134 222

HSL 244.09, 0.57%, 0.7%

LAB 59.8, 23.01, -44.18

 

CMYK 31 / 40 / 0 / 13

HEX #9A86DE

RGB 154 134 222

HSL 253.64, 0.57%, 0.7%

LAB 60.95, 26.81, -42.29

 

CMYK 40 / 23 / 0 / 13

HEX #85ACDF

RGB 133 172 223

HSL 214, 0.58%, 0.7%

LAB 69.34, -0.33, -29.89

 

CMYK 42 / 21 / 0 / 93

HEX #0B0F13

RGB 11 15 19

HSL 210, 0.27%, 0.06%

LAB 4.15, -0.44, -2.6

 

CMYK 40 / 23 / 0 / 73

HEX #2A3646

RGB 42 54 70

HSL 214.29, 0.25%, 0.22%

LAB 22.21, -0.26, -11.51

 

CMYK 40 / 23 / 0 / 53

HEX #485D79

RGB 72 93 121

HSL 214.29, 0.25%, 0.38%

LAB 38.88, -0.19, -18.32

 

CMYK 40 / 23 / 0 / 33

HEX #6785AC

RGB 103 133 172

HSL 213.91, 0.29%, 0.54%

LAB 54.7, -0.42, -24.01

 

CMYK 40 / 23 / 0 / 13

HEX #85ACDF

RGB 133 172 223

HSL 214, 0.58%, 0.7%

LAB 69.34, -0.33, -29.89

 

CMYK 9 / 40 / 0 / 13

HEX #CA86DE

RGB 202 134 222

HSL 286.36, 0.57%, 0.7%

LAB 65.66, 40.79, -34.59

 

CMYK 6 / 0 / 40 / 13

HEX #D0DE86

RGB 208 222 134

HSL 69.55, 0.57%, 0.7%

LAB 85.69, -18.08, 41.56

 

CMYK 40 / 23 / 0 / 13

HEX #85ACDF

RGB 133 172 223

HSL 214, 0.58%, 0.7%

LAB 69.34, -0.33, -29.89

 

CMYK 0 / 40 / 23 / 13

HEX #DE86AC

RGB 222 134 172

HSL 334.09, 0.57%, 0.7%

LAB 66.18, 38.61, -5.57

 

CMYK 23 / 0 / 40 / 13

HEX #ACDE86

RGB 172 222 134

HSL 94.09, 0.57%, 0.7%

LAB 83.3, -31.42, 38.01

 

CMYK 40 / 23 / 0 / 13

HEX #85ACDF

RGB 133 172 223

HSL 214, 0.58%, 0.7%

LAB 69.34, -0.33, -29.89

 

CMYK 9 / 40 / 0 / 13

HEX #CA86DE

RGB 202 134 222

HSL 286.36, 0.57%, 0.7%

LAB 65.66, 40.79, -34.59

 

CMYK 0 / 17 / 40 / 13

HEX #DEB886

RGB 222 184 134

HSL 34.09, 0.57%, 0.7%

LAB 77, 6.94, 30.52

 

CMYK 31 / 0 / 40 / 13

HEX #9ADE86

RGB 154 222 134

HSL 106.36, 0.57%, 0.7%

LAB 82.29, -37.6, 36.51

 

CMYK 40 / 23 / 0 / 13

HEX #85ACDF

RGB 133 172 223

HSL 214, 0.58%, 0.7%

LAB 69.34, -0.33, -29.89

 

CMYK 0 / 40 / 3 / 13

HEX #DE86D8

RGB 222 134 216

HSL 304.09, 0.57%, 0.7%

LAB 67.68, 45.73, -27.95

 

CMYK 0 / 17 / 40 / 13

HEX #DEB886

RGB 222 184 134

HSL 34.09, 0.57%, 0.7%

LAB 77, 6.94, 30.52

 

CMYK 40 / 0 / 37 / 13

HEX #86DE8C

RGB 134 222 140

HSL 124.09, 0.57%, 0.7%

LAB 81.4, -43.02, 32.13

 

Description

Color code: HEX #85ACDF | qconv.com Color code: HEX #85ACDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 172 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 172 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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