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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 0 / 37 / 13 it is the complementary color CMYK 0 / 73 / 6 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 0 / 37 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 0 / 37 / 13: CMYK 38 / 0 / 39 / 13, CMYK 35 / 0 / 36 / 6, CMYK 33 / 0 / 32 / 0, CMYK 26 / 0 / 25 / 0 and CMYK 19 / 0 / 17 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 0 / 37 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 0 / 37 / 13: CMYK 40 / 0 / 37 / 13, CMYK 43 / 0 / 41 / 20, CMYK 47 / 0 / 45 / 27, CMYK 51 / 0 / 51 / 34 and CMYK 57 / 0 / 57 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 37 / 13

HEX #85DE8C

RGB 133 222 140

HSL 124.72, 0.57%, 0.7%

LAB 81.36, -43.32, 32.06

 

Complementary color

CMYK 0 / 73 / 6 / 52

HEX #7A2173

RGB 122 33 115

HSL 304.72, 0.57%, 0.3%

LAB 30.55, 47.82, -27.12

 

CMYK 38 / 0 / 39 / 13

HEX #8ADE87

RGB 138 222 135

HSL 117.93, 0.57%, 0.7%

LAB 81.51, -42.58, 34.83

 

CMYK 35 / 0 / 36 / 6

HEX #9BF09A

RGB 155 240 154

HSL 119.3, 0.74%, 0.77%

LAB 87.79, -42.36, 33.66

 

CMYK 33 / 0 / 32 / 0

HEX #ACFFAD

RGB 172 255 173

HSL 120.72, 1%, 0.84%

LAB 93.15, -40.8, 31.42

 

CMYK 26 / 0 / 25 / 0

HEX #BDFFC0

RGB 189 255 192

HSL 122.73, 1%, 0.87%

LAB 94.37, -32.4, 23.64

 

CMYK 19 / 0 / 17 / 0

HEX #CEFFD3

RGB 206 255 211

HSL 126.12, 1%, 0.9%

LAB 95.72, -23.74, 15.98

 

CMYK 40 / 0 / 37 / 13

HEX #85DE8C

RGB 133 222 140

HSL 124.72, 0.57%, 0.7%

LAB 81.36, -43.32, 32.06

 

CMYK 43 / 0 / 41 / 20

HEX #74CC79

RGB 116 204 121

HSL 123.41, 0.46%, 0.63%

LAB 75, -43.52, 33.28

 

CMYK 47 / 0 / 45 / 27

HEX #63BA66

RGB 99 186 102

HSL 122.07, 0.39%, 0.56%

LAB 68.56, -43.66, 34.57

 

CMYK 51 / 0 / 51 / 34

HEX #52A853

RGB 82 168 83

HSL 120.7, 0.34%, 0.49%

LAB 62.02, -43.71, 35.9

 

CMYK 57 / 0 / 57 / 41

HEX #419640

RGB 65 150 64

HSL 119.3, 0.4%, 0.42%

LAB 55.39, -43.57, 37.23

 

CMYK 40 / 0 / 37 / 13

HEX #85DE8C

RGB 133 222 140

HSL 124.72, 0.57%, 0.7%

LAB 81.36, -43.32, 32.06

 

CMYK 40 / 0 / 30 / 13

HEX #86DE9B

RGB 134 222 155

HSL 134.32, 0.57%, 0.7%

LAB 81.66, -40.52, 24.76

 

CMYK 40 / 0 / 24 / 13

HEX #86DEA9

RGB 134 222 169

HSL 143.86, 0.57%, 0.7%

LAB 81.93, -37.95, 17.83

 

CMYK 40 / 0 / 17 / 13

HEX #86DEB8

RGB 134 222 184

HSL 154.09, 0.57%, 0.7%

LAB 82.26, -34.96, 10.39

 

CMYK 40 / 0 / 11 / 13

HEX #86DEC6

RGB 134 222 198

HSL 163.64, 0.57%, 0.7%

LAB 82.59, -31.97, 3.46

 

CMYK 40 / 0 / 37 / 13

HEX #85DE8C

RGB 133 222 140

HSL 124.72, 0.57%, 0.7%

LAB 81.36, -43.32, 32.06

 

CMYK 39 / 0 / 39 / 93

HEX #0B120B

RGB 11 18 11

HSL 120, 0.24%, 0.06%

LAB 4.77, -3.57, 2.55

 

CMYK 41 / 0 / 36 / 73

HEX #29452C

RGB 41 69 44

HSL 126.43, 0.25%, 0.22%

LAB 26.48, -16.78, 11.86

 

CMYK 40 / 0 / 37 / 53

HEX #48784C

RGB 72 120 76

HSL 125, 0.25%, 0.38%

LAB 46.09, -26.24, 19.18

 

CMYK 40 / 0 / 37 / 33

HEX #66AB6C

RGB 102 171 108

HSL 125.22, 0.29%, 0.54%

LAB 64.19, -35.2, 25.78

 

CMYK 40 / 0 / 37 / 13

HEX #85DE8C

RGB 133 222 140

HSL 124.72, 0.57%, 0.7%

LAB 81.36, -43.32, 32.06

 

CMYK 40 / 11 / 0 / 13

HEX #86C6DE

RGB 134 198 222

HSL 196.36, 0.57%, 0.7%

LAB 76.52, -14.31, -18.38

 

CMYK 0 / 40 / 27 / 13

HEX #DE86A3

RGB 222 134 163

HSL 340.23, 0.57%, 0.7%

LAB 65.92, 37.33, -0.87

 

CMYK 40 / 0 / 37 / 13

HEX #85DE8C

RGB 133 222 140

HSL 124.72, 0.57%, 0.7%

LAB 81.36, -43.32, 32.06

 

CMYK 37 / 40 / 0 / 13

HEX #8C86DE

RGB 140 134 222

HSL 244.09, 0.57%, 0.7%

LAB 59.8, 23.01, -44.18

 

CMYK 0 / 37 / 40 / 13

HEX #DE8C86

RGB 222 140 134

HSL 4.09, 0.57%, 0.7%

LAB 66.53, 30.51, 16.33

 

CMYK 40 / 0 / 37 / 13

HEX #85DE8C

RGB 133 222 140

HSL 124.72, 0.57%, 0.7%

LAB 81.36, -43.32, 32.06

 

CMYK 40 / 11 / 0 / 13

HEX #86C6DE

RGB 134 198 222

HSL 196.36, 0.57%, 0.7%

LAB 76.52, -14.31, -18.38

 

CMYK 0 / 40 / 3 / 13

HEX #DE86D8

RGB 222 134 216

HSL 304.09, 0.57%, 0.7%

LAB 67.68, 45.73, -27.95

 

CMYK 0 / 29 / 40 / 13

HEX #DE9E86

RGB 222 158 134

HSL 16.36, 0.57%, 0.7%

LAB 70.67, 20.85, 22.02

 

CMYK 40 / 0 / 37 / 13

HEX #85DE8C

RGB 133 222 140

HSL 124.72, 0.57%, 0.7%

LAB 81.36, -43.32, 32.06

 

CMYK 40 / 23 / 0 / 13

HEX #86ACDE

RGB 134 172 222

HSL 214.09, 0.57%, 0.7%

LAB 69.36, -0.34, -29.31

 

CMYK 0 / 40 / 3 / 13

HEX #DE86D8

RGB 222 134 216

HSL 304.09, 0.57%, 0.7%

LAB 67.68, 45.73, -27.95

 

CMYK 0 / 17 / 40 / 13

HEX #DEB886

RGB 222 184 134

HSL 34.09, 0.57%, 0.7%

LAB 77, 6.94, 30.52

 

Description

Color code: CMYK 40 / 0 / 37 / 13 | qconv.com Color code: CMYK 40 / 0 / 37 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 222 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 222 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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