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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85AACA it is the complementary color #7A5535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85AACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #85AACA: #8AAAC5, #9BBCD8, #ACCEEB, #BDE0FE and #CEF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85AACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #85AACA: #85AACA, #7498B7, #6386A4, #527491 and #41627E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 16 / 0 / 21

HEX #85AACA

RGB 133 170 202

HSL 207.83, 0.39%, 0.66%

LAB 68.02, -4.77, -20.35

 

Complementary color

CMYK 0 / 30 / 57 / 52

HEX #7A5535

RGB 122 85 53

HSL 27.83, 0.39%, 0.34%

LAB 39.4, 11.47, 24.65

 

CMYK 30 / 14 / 0 / 23

HEX #8AAAC5

RGB 138 170 197

HSL 207.46, 0.34%, 0.66%

LAB 68.16, -4.58, -17.36

 

CMYK 28 / 13 / 0 / 15

HEX #9BBCD8

RGB 155 188 216

HSL 207.54, 0.44%, 0.73%

LAB 74.76, -4.71, -17.68

 

CMYK 27 / 12 / 0 / 8

HEX #ACCEEB

RGB 172 206 235

HSL 207.62, 0.61%, 0.8%

LAB 81.24, -4.83, -18.01

 

CMYK 26 / 12 / 0 / 0

HEX #BDE0FE

RGB 189 224 254

HSL 207.69, 0.97%, 0.87%

LAB 87.62, -4.94, -18.35

 

CMYK 19 / 5 / 0 / 0

HEX #CEF2FF

RGB 206 242 255

HSL 195.92, 1%, 0.9%

LAB 93.38, -8.92, -10.14

 

CMYK 34 / 16 / 0 / 21

HEX #85AACA

RGB 133 170 202

HSL 207.83, 0.39%, 0.66%

LAB 68.02, -4.77, -20.35

 

CMYK 37 / 17 / 0 / 28

HEX #7498B7

RGB 116 152 183

HSL 207.76, 0.32%, 0.59%

LAB 61.3, -4.58, -20.09

 

CMYK 40 / 18 / 0 / 36

HEX #6386A4

RGB 99 134 164

HSL 207.69, 0.26%, 0.52%

LAB 54.43, -4.36, -19.83

 

CMYK 43 / 20 / 0 / 43

HEX #527491

RGB 82 116 145

HSL 207.62, 0.28%, 0.45%

LAB 47.4, -4.08, -19.6

 

CMYK 48 / 22 / 0 / 51

HEX #41627E

RGB 65 98 126

HSL 207.54, 0.32%, 0.37%

LAB 40.19, -3.71, -19.38

 

CMYK 34 / 16 / 0 / 21

HEX #85AACA

RGB 133 170 202

HSL 207.83, 0.39%, 0.66%

LAB 68.02, -4.77, -20.35

 

CMYK 34 / 21 / 0 / 21

HEX #86A0CA

RGB 134 160 202

HSL 217.06, 0.39%, 0.66%

LAB 65.34, 1.05, -24.45

 

CMYK 34 / 26 / 0 / 21

HEX #8695CA

RGB 134 149 202

HSL 226.76, 0.39%, 0.66%

LAB 62.36, 7.29, -29.03

 

CMYK 34 / 32 / 0 / 21

HEX #8689CA

RGB 134 137 202

HSL 237.35, 0.39%, 0.66%

LAB 59.18, 14.24, -33.96

 

CMYK 30 / 34 / 0 / 21

HEX #8E86CA

RGB 142 134 202

HSL 247.06, 0.39%, 0.66%

LAB 59.03, 18.29, -34.14

 

CMYK 34 / 16 / 0 / 21

HEX #85AACA

RGB 133 170 202

HSL 207.83, 0.39%, 0.66%

LAB 68.02, -4.77, -20.35

 

CMYK 34 / 16 / 0 / 1

HEX #A7D5FD

RGB 167 213 253

HSL 207.91, 0.96%, 0.82%

LAB 83.39, -5.62, -24.36

 

CMYK 35 / 16 / 0 / 81

HEX #202931

RGB 32 41 49

HSL 208.24, 0.21%, 0.16%

LAB 16.08, -1.55, -6.49

 

CMYK 34 / 16 / 0 / 61

HEX #425464

RGB 66 84 100

HSL 208.24, 0.2%, 0.33%

LAB 34.84, -2.63, -11.52

 

CMYK 34 / 16 / 0 / 41

HEX #637F97

RGB 99 127 151

HSL 207.69, 0.21%, 0.49%

LAB 51.91, -3.89, -16.14

 

CMYK 34 / 16 / 0 / 21

HEX #85AACA

RGB 133 170 202

HSL 207.83, 0.39%, 0.66%

LAB 68.02, -4.77, -20.35

 

CMYK 12 / 34 / 0 / 21

HEX #B286CA

RGB 178 134 202

HSL 278.82, 0.39%, 0.66%

LAB 62.32, 29.28, -28.79

 

CMYK 2 / 0 / 34 / 21

HEX #C6CA86

RGB 198 202 134

HSL 63.53, 0.39%, 0.66%

LAB 79.6, -11.92, 33.55

 

CMYK 34 / 16 / 0 / 21

HEX #85AACA

RGB 133 170 202

HSL 207.83, 0.39%, 0.66%

LAB 68.02, -4.77, -20.35

 

CMYK 0 / 34 / 15 / 21

HEX #CA86AB

RGB 202 134 171

HSL 327.35, 0.39%, 0.66%

LAB 63.79, 31.49, -8.81

 

CMYK 15 / 0 / 34 / 21

HEX #ABCA86

RGB 171 202 134

HSL 87.35, 0.39%, 0.66%

LAB 77.65, -22.17, 30.63

 

CMYK 34 / 16 / 0 / 21

HEX #85AACA

RGB 133 170 202

HSL 207.83, 0.39%, 0.66%

LAB 68.02, -4.77, -20.35

 

CMYK 12 / 34 / 0 / 21

HEX #B286CA

RGB 178 134 202

HSL 278.82, 0.39%, 0.66%

LAB 62.32, 29.28, -28.79

 

CMYK 0 / 19 / 34 / 21

HEX #CAA486

RGB 202 164 134

HSL 26.47, 0.39%, 0.66%

LAB 70.06, 9.71, 20.85

 

CMYK 22 / 0 / 34 / 21

HEX #9ECA86

RGB 158 202 134

HSL 98.82, 0.39%, 0.66%

LAB 76.82, -26.88, 29.37

 

CMYK 34 / 16 / 0 / 21

HEX #85AACA

RGB 133 170 202

HSL 207.83, 0.39%, 0.66%

LAB 68.02, -4.77, -20.35

 

CMYK 2 / 34 / 0 / 21

HEX #C686CA

RGB 198 134 202

HSL 296.47, 0.39%, 0.66%

LAB 64.42, 35.63, -25.38

 

CMYK 0 / 19 / 34 / 21

HEX #CAA486

RGB 202 164 134

HSL 26.47, 0.39%, 0.66%

LAB 70.06, 9.71, 20.85

 

CMYK 32 / 0 / 34 / 21

HEX #89CA86

RGB 137 202 134

HSL 117.35, 0.39%, 0.66%

LAB 75.63, -34.05, 27.57

 

Description

Color code: HEX #85AACA | qconv.com Color code: HEX #85AACA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 170 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 170 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 16 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 16% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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