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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85A667 it is the complementary color #7A5998. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85A667. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #85A667: #8AA662, #9BB875, #ACCA88, #BDDC9B and #CEEEAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85A667. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #85A667: #85A667, #749454, #638241, #52702E and #415E1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 38 / 35

HEX #85A667

RGB 133 166 103

HSL 91.43, 0.26%, 0.53%

LAB 64.35, -22.79, 29

 

Complementary color

CMYK 20 / 41 / 0 / 40

HEX #7A5998

RGB 122 89 152

HSL 271.43, 0.26%, 0.47%

LAB 43.58, 26.37, -29.43

 

CMYK 17 / 0 / 41 / 35

HEX #8AA662

RGB 138 166 98

HSL 84.71, 0.28%, 0.52%

LAB 64.61, -21.55, 32.04

 

CMYK 16 / 0 / 36 / 28

HEX #9BB875

RGB 155 184 117

HSL 85.97, 0.32%, 0.59%

LAB 71.24, -21.54, 30.86

 

CMYK 15 / 0 / 33 / 21

HEX #ACCA88

RGB 172 202 136

HSL 87.27, 0.38%, 0.66%

LAB 77.75, -21.52, 29.73

 

CMYK 14 / 0 / 30 / 14

HEX #BDDC9B

RGB 189 220 155

HSL 88.62, 0.48%, 0.74%

LAB 84.16, -21.49, 28.65

 

CMYK 13 / 0 / 27 / 7

HEX #CEEEAE

RGB 206 238 174

HSL 90, 0.65%, 0.81%

LAB 90.47, -21.44, 27.63

 

CMYK 20 / 0 / 38 / 35

HEX #85A667

RGB 133 166 103

HSL 91.43, 0.26%, 0.53%

LAB 64.35, -22.79, 29

 

CMYK 22 / 0 / 43 / 42

HEX #749454

RGB 116 148 84

HSL 90, 0.28%, 0.45%

LAB 57.59, -22.85, 30.22

 

CMYK 24 / 0 / 50 / 49

HEX #638241

RGB 99 130 65

HSL 88.62, 0.33%, 0.38%

LAB 50.69, -22.87, 31.47

 

CMYK 27 / 0 / 59 / 56

HEX #52702E

RGB 82 112 46

HSL 87.27, 0.42%, 0.31%

LAB 43.62, -22.8, 32.69

 

CMYK 31 / 0 / 71 / 63

HEX #415E1B

RGB 65 94 27

HSL 85.97, 0.55%, 0.24%

LAB 36.38, -22.58, 33.64

 

CMYK 20 / 0 / 38 / 35

HEX #85A667

RGB 133 166 103

HSL 91.43, 0.26%, 0.53%

LAB 64.35, -22.79, 29

 

CMYK 26 / 0 / 38 / 35

HEX #7BA667

RGB 123 166 103

HSL 100.95, 0.26%, 0.53%

LAB 63.72, -26.5, 28.06

 

CMYK 32 / 0 / 38 / 35

HEX #71A667

RGB 113 166 103

HSL 110.48, 0.26%, 0.53%

LAB 63.15, -30.05, 27.19

 

CMYK 38 / 0 / 37 / 35

HEX #67A669

RGB 103 166 105

HSL 121.9, 0.26%, 0.53%

LAB 62.66, -33.07, 25.37

 

CMYK 38 / 0 / 31 / 35

HEX #67A673

RGB 103 166 115

HSL 131.43, 0.26%, 0.53%

LAB 62.84, -31.33, 20.19

 

CMYK 20 / 0 / 38 / 35

HEX #85A667

RGB 133 166 103

HSL 91.43, 0.26%, 0.53%

LAB 64.35, -22.79, 29

 

CMYK 20 / 0 / 38 / 15

HEX #AED987

RGB 174 217 135

HSL 91.46, 0.52%, 0.69%

LAB 82.04, -28.21, 35.9

 

CMYK 23 / 0 / 38 / 95

HEX #0A0D08

RGB 10 13 8

HSL 96, 0.24%, 0.04%

LAB 3.34, -1.58, 1.69

 

CMYK 20 / 0 / 38 / 75

HEX #334028

RGB 51 64 40

HSL 92.5, 0.23%, 0.2%

LAB 25.33, -10.53, 13

 

CMYK 20 / 0 / 38 / 55

HEX #5C7347

RGB 92 115 71

HSL 91.36, 0.24%, 0.36%

LAB 45.62, -17.02, 21.65

 

CMYK 20 / 0 / 38 / 35

HEX #85A667

RGB 133 166 103

HSL 91.43, 0.26%, 0.53%

LAB 64.35, -22.79, 29

 

CMYK 38 / 0 / 11 / 35

HEX #67A694

RGB 103 166 148

HSL 162.86, 0.26%, 0.53%

LAB 63.59, -24.51, 2.93

 

CMYK 0 / 38 / 4 / 35

HEX #A6679F

RGB 166 103 159

HSL 306.67, 0.26%, 0.53%

LAB 52.19, 34.1, -19.84

 

CMYK 20 / 0 / 38 / 35

HEX #85A667

RGB 133 166 103

HSL 91.43, 0.26%, 0.53%

LAB 64.35, -22.79, 29

 

CMYK 38 / 19 / 0 / 35

HEX #6786A6

RGB 103 134 166

HSL 210.48, 0.26%, 0.53%

LAB 54.75, -2.67, -20.48

 

CMYK 0 / 38 / 19 / 35

HEX #A66786

RGB 166 103 134

HSL 330.48, 0.26%, 0.53%

LAB 51.3, 29.76, -6.45

 

CMYK 20 / 0 / 38 / 35

HEX #85A667

RGB 133 166 103

HSL 91.43, 0.26%, 0.53%

LAB 64.35, -22.79, 29

 

CMYK 38 / 0 / 11 / 35

HEX #67A694

RGB 103 166 148

HSL 162.86, 0.26%, 0.53%

LAB 63.59, -24.51, 2.93

 

CMYK 18 / 38 / 0 / 35

HEX #8867A6

RGB 136 103 166

HSL 271.43, 0.26%, 0.53%

LAB 49.12, 25.8, -28.96

 

CMYK 0 / 38 / 27 / 35

HEX #A66779

RGB 166 103 121

HSL 342.86, 0.26%, 0.53%

LAB 50.91, 27.76, 0.68

 

CMYK 20 / 0 / 38 / 35

HEX #85A667

RGB 133 166 103

HSL 91.43, 0.26%, 0.53%

LAB 64.35, -22.79, 29

 

CMYK 38 / 1 / 0 / 35

HEX #67A5A6

RGB 103 165 166

HSL 180.95, 0.26%, 0.53%

LAB 63.79, -19.64, -6.84

 

CMYK 18 / 38 / 0 / 35

HEX #8867A6

RGB 136 103 166

HSL 271.43, 0.26%, 0.53%

LAB 49.12, 25.8, -28.96

 

CMYK 0 / 37 / 38 / 35

HEX #A66967

RGB 166 105 103

HSL 1.9, 0.26%, 0.53%

LAB 50.91, 24.2, 11.35

 

Description

Color code: HEX #85A667 | qconv.com Color code: HEX #85A667 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 166 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 166 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 38 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 38% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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