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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #859ABE it is the complementary color #7A6541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #859ABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #859ABE: #8A9AB9, #9BACCC, #ACBEDF, #BDD0F2 and #CEE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #859ABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #859ABE: #859ABE, #7488AB, #637698, #526485 and #415272

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 19 / 0 / 25

HEX #859ABE

RGB 133 154 190

HSL 217.89, 0.3%, 0.63%

LAB 63.19, 1.06, -21.04

 

Complementary color

CMYK 0 / 17 / 47 / 52

HEX #7A6541

RGB 122 101 65

HSL 37.89, 0.3%, 0.37%

LAB 43.98, 3.19, 23.49

 

CMYK 25 / 17 / 0 / 27

HEX #8A9AB9

RGB 138 154 185

HSL 219.57, 0.25%, 0.63%

LAB 63.36, 1.35, -17.95

 

CMYK 24 / 16 / 0 / 20

HEX #9BACCC

RGB 155 172 204

HSL 219.18, 0.32%, 0.7%

LAB 70.06, 1.14, -18.23

 

CMYK 23 / 15 / 0 / 13

HEX #ACBEDF

RGB 172 190 223

HSL 218.82, 0.44%, 0.77%

LAB 76.63, 0.94, -18.53

 

CMYK 22 / 14 / 0 / 5

HEX #BDD0F2

RGB 189 208 242

HSL 218.49, 0.67%, 0.85%

LAB 83.09, 0.76, -18.84

 

CMYK 19 / 11 / 0 / 0

HEX #CEE2FF

RGB 206 226 255

HSL 215.51, 1%, 0.9%

LAB 89.27, -0.71, -16.29

 

CMYK 30 / 19 / 0 / 25

HEX #859ABE

RGB 133 154 190

HSL 217.89, 0.3%, 0.63%

LAB 63.19, 1.06, -21.04

 

CMYK 32 / 20 / 0 / 33

HEX #7488AB

RGB 116 136 171

HSL 218.18, 0.25%, 0.56%

LAB 56.35, 1.33, -20.83

 

CMYK 35 / 22 / 0 / 40

HEX #637698

RGB 99 118 152

HSL 218.49, 0.21%, 0.49%

LAB 49.35, 1.65, -20.64

 

CMYK 38 / 25 / 0 / 48

HEX #526485

RGB 82 100 133

HSL 218.82, 0.24%, 0.42%

LAB 42.16, 2.03, -20.5

 

CMYK 43 / 28 / 0 / 55

HEX #415272

RGB 65 82 114

HSL 219.18, 0.27%, 0.35%

LAB 34.75, 2.5, -20.41

 

CMYK 30 / 19 / 0 / 25

HEX #859ABE

RGB 133 154 190

HSL 217.89, 0.3%, 0.63%

LAB 63.19, 1.06, -21.04

 

CMYK 30 / 23 / 0 / 26

HEX #8490BC

RGB 132 144 188

HSL 227.14, 0.29%, 0.63%

LAB 60.32, 5.94, -24.31

 

CMYK 30 / 28 / 0 / 26

HEX #8487BC

RGB 132 135 188

HSL 236.79, 0.29%, 0.63%

LAB 57.91, 11.15, -28.03

 

CMYK 27 / 30 / 0 / 26

HEX #8A84BC

RGB 138 132 188

HSL 246.43, 0.29%, 0.63%

LAB 57.59, 14.72, -28.48

 

CMYK 21 / 30 / 0 / 26

HEX #9484BC

RGB 148 132 188

HSL 257.14, 0.29%, 0.63%

LAB 58.44, 17.82, -27.1

 

CMYK 30 / 19 / 0 / 25

HEX #859ABE

RGB 133 154 190

HSL 217.89, 0.3%, 0.63%

LAB 63.19, 1.06, -21.04

 

CMYK 30 / 19 / 0 / 5

HEX #A9C3F1

RGB 169 195 241

HSL 218.33, 0.72%, 0.8%

LAB 78.35, 1.59, -25.63

 

CMYK 30 / 19 / 0 / 85

HEX #1A1E25

RGB 26 30 37

HSL 218.18, 0.17%, 0.12%

LAB 11.15, 0.19, -5.37

 

CMYK 30 / 19 / 0 / 65

HEX #3E4758

RGB 62 71 88

HSL 219.23, 0.17%, 0.29%

LAB 30, 0.83, -11.29

 

CMYK 30 / 19 / 0 / 45

HEX #61718B

RGB 97 113 139

HSL 217.14, 0.18%, 0.46%

LAB 47.26, 0.49, -16.18

 

CMYK 30 / 19 / 0 / 25

HEX #859ABE

RGB 133 154 190

HSL 217.89, 0.3%, 0.63%

LAB 63.19, 1.06, -21.04

 

CMYK 5 / 30 / 0 / 26

HEX #B284BC

RGB 178 132 188

HSL 289.29, 0.29%, 0.63%

LAB 61.31, 27.5, -22.45

 

CMYK 6 / 0 / 30 / 26

HEX #B0BC84

RGB 176 188 132

HSL 72.86, 0.29%, 0.63%

LAB 74.1, -13.51, 27.02

 

CMYK 30 / 19 / 0 / 25

HEX #859ABE

RGB 133 154 190

HSL 217.89, 0.3%, 0.63%

LAB 63.19, 1.06, -21.04

 

CMYK 0 / 30 / 18 / 26

HEX #BC849A

RGB 188 132 154

HSL 336.43, 0.29%, 0.63%

LAB 61.24, 24.83, -3.08

 

CMYK 18 / 0 / 30 / 26

HEX #9ABC84

RGB 154 188 132

HSL 96.43, 0.29%, 0.63%

LAB 72.56, -21.74, 24.68

 

CMYK 30 / 19 / 0 / 25

HEX #859ABE

RGB 133 154 190

HSL 217.89, 0.3%, 0.63%

LAB 63.19, 1.06, -21.04

 

CMYK 5 / 30 / 0 / 26

HEX #B284BC

RGB 178 132 188

HSL 289.29, 0.29%, 0.63%

LAB 61.31, 27.5, -22.45

 

CMYK 0 / 11 / 30 / 26

HEX #BCA784

RGB 188 167 132

HSL 37.5, 0.29%, 0.63%

LAB 69.47, 2.28, 20.92

 

CMYK 24 / 0 / 30 / 26

HEX #8EBC84

RGB 142 188 132

HSL 109.29, 0.29%, 0.63%

LAB 71.81, -26.01, 23.55

 

CMYK 30 / 19 / 0 / 25

HEX #859ABE

RGB 133 154 190

HSL 217.89, 0.3%, 0.63%

LAB 63.19, 1.06, -21.04

 

CMYK 0 / 30 / 3 / 26

HEX #BC84B6

RGB 188 132 182

HSL 306.43, 0.29%, 0.63%

LAB 62.14, 29.68, -17.68

 

CMYK 0 / 11 / 30 / 26

HEX #BCA784

RGB 188 167 132

HSL 37.5, 0.29%, 0.63%

LAB 69.47, 2.28, 20.92

 

CMYK 30 / 0 / 27 / 26

HEX #84BC8A

RGB 132 188 138

HSL 126.43, 0.29%, 0.63%

LAB 71.36, -28.38, 19.61

 

Description

Color code: HEX #859ABE | qconv.com Color code: HEX #859ABE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 154 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 154 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 19 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 19% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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