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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8599BE it is the complementary color #7A6641. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8599BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8599BE shade: #8A99B9, #9BABCC, #ACBDDF, #BDCFF2 and #CEE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8599BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8599BE shade: #8599BE, #7487AB, #637598, #526385 and #415172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8599BE shade: #8498BD, #8489BD, #8F84BD, #9E84BD and #AE84BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8599BE shade: #8498BD, #8489BD and #8484BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8599BE shade matches the following richer shades: #8498BD, #7594CC, #668FDB, #578BEB and #4786FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8599BE shade: #8498BD, #949DAE, #A3A19E, #B2A68F and #C1AA80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8599BE shade: #84B7BD, #84A8BD, #8499BD, #848ABD and #8E84BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8599BE shade: #546D9B, #6A82AF, #8498BD, #9FAFCB and #BAC5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8599BE shade: #8599BE, #B484BD and #B0BD84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8599BE shade: #8599BE, #BD8499 and #99BD84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8599BE shade: #8599BE, #B484BD, #BDA884 and #8EBD84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8599BE shade: #8599BE, #BD84B5, #BDA884 and #84BD8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 19 / 0 / 25

HEX #8599BE

RGB 133 153 190

HSL 218.95, 0.3%, 0.63%

LAB 62.92, 1.63, -21.45

 

Complementary color

CMYK 0 / 16 / 47 / 52

HEX #7A6641

RGB 122 102 65

HSL 38.95, 0.3%, 0.37%

LAB 44.26, 2.6, 23.85

 

CMYK 25 / 17 / 0 / 27

HEX #8A99B9

RGB 138 153 185

HSL 220.85, 0.25%, 0.63%

LAB 63.08, 1.91, -18.36

 

CMYK 24 / 16 / 0 / 20

HEX #9BABCC

RGB 155 171 204

HSL 220.41, 0.32%, 0.7%

LAB 69.79, 1.69, -18.64

 

CMYK 23 / 15 / 0 / 13

HEX #ACBDDF

RGB 172 189 223

HSL 220, 0.44%, 0.77%

LAB 76.37, 1.48, -18.93

 

CMYK 22 / 14 / 0 / 5

HEX #BDCFF2

RGB 189 207 242

HSL 219.62, 0.67%, 0.85%

LAB 82.84, 1.29, -19.23

 

CMYK 19 / 12 / 0 / 0

HEX #CEE1FF

RGB 206 225 255

HSL 216.73, 1%, 0.9%

LAB 89.01, -0.19, -16.67

 

CMYK 30 / 19 / 0 / 25

HEX #8599BE

RGB 133 153 190

HSL 218.95, 0.3%, 0.63%

LAB 62.92, 1.63, -21.45

 

CMYK 32 / 21 / 0 / 33

HEX #7487AB

RGB 116 135 171

HSL 219.27, 0.25%, 0.56%

LAB 56.07, 1.91, -21.25

 

CMYK 35 / 23 / 0 / 40

HEX #637598

RGB 99 117 152

HSL 219.62, 0.21%, 0.49%

LAB 49.06, 2.25, -21.09

 

CMYK 38 / 26 / 0 / 48

HEX #526385

RGB 82 99 133

HSL 220, 0.24%, 0.42%

LAB 41.86, 2.64, -20.96

 

CMYK 43 / 29 / 0 / 55

HEX #415172

RGB 65 81 114

HSL 220.41, 0.27%, 0.35%

LAB 34.44, 3.14, -20.88

 

CMYK 30 / 20 / 0 / 26

HEX #8498BD

RGB 132 152 189

HSL 218.95, 0.3%, 0.63%

LAB 62.54, 1.64, -21.48

 

CMYK 30 / 28 / 0 / 26

HEX #8489BD

RGB 132 137 189

HSL 234.74, 0.3%, 0.63%

LAB 58.48, 10.25, -27.71

 

CMYK 24 / 30 / 0 / 26

HEX #8F84BD

RGB 143 132 189

HSL 251.58, 0.3%, 0.63%

LAB 58.05, 16.5, -28.3

 

CMYK 16 / 30 / 0 / 26

HEX #9E84BD

RGB 158 132 189

HSL 267.37, 0.3%, 0.63%

LAB 59.38, 21.22, -26.14

 

CMYK 8 / 30 / 0 / 26

HEX #AE84BD

RGB 174 132 189

HSL 284.21, 0.3%, 0.63%

LAB 60.94, 26.39, -23.62

 

CMYK 30 / 20 / 0 / 26

HEX #8498BD

RGB 132 152 189

HSL 218.95, 0.3%, 0.63%

LAB 62.54, 1.64, -21.48

 

CMYK 30 / 28 / 0 / 26

HEX #8489BD

RGB 132 137 189

HSL 234.74, 0.3%, 0.63%

LAB 58.48, 10.25, -27.71

 

CMYK 30 / 30 / 0 / 26

HEX #8484BD

RGB 132 132 189

HSL 240, 0.3%, 0.63%

LAB 57.16, 13.17, -29.76

 

CMYK 30 / 20 / 0 / 26

HEX #8498BD

RGB 132 152 189

HSL 218.95, 0.3%, 0.63%

LAB 62.54, 1.64, -21.48

 

CMYK 43 / 27 / 0 / 20

HEX #7594CC

RGB 117 148 204

HSL 218.62, 0.46%, 0.63%

LAB 61.06, 3.76, -32.25

 

CMYK 53 / 35 / 0 / 14

HEX #668FDB

RGB 102 143 219

HSL 218.97, 0.62%, 0.63%

LAB 59.51, 7.56, -43.13

 

CMYK 63 / 41 / 0 / 8

HEX #578BEB

RGB 87 139 235

HSL 218.92, 0.79%, 0.63%

LAB 58.5, 12.2, -53.68

 

CMYK 72 / 46 / 0 / 2

HEX #4786FA

RGB 71 134 250

HSL 218.88, 0.95%, 0.63%

LAB 57.36, 17.99, -63.84

 

CMYK 30 / 20 / 0 / 26

HEX #8498BD

RGB 132 152 189

HSL 218.95, 0.3%, 0.63%

LAB 62.54, 1.64, -21.48

 

CMYK 15 / 10 / 0 / 32

HEX #949DAE

RGB 148 157 174

HSL 219.23, 0.14%, 0.63%

LAB 64.54, 0.37, -9.92

 

CMYK 0 / 1 / 3 / 36

HEX #A3A19E

RGB 163 161 158

HSL 36, 0.03%, 0.63%

LAB 66.32, 0.16, 1.8

 

CMYK 0 / 7 / 20 / 30

HEX #B2A68F

RGB 178 166 143

HSL 39.43, 0.19%, 0.63%

LAB 68.55, 0.5, 13.48

 

CMYK 0 / 12 / 34 / 24

HEX #C1AA80

RGB 193 170 128

HSL 38.77, 0.34%, 0.63%

LAB 70.63, 2.13, 24.74

 

CMYK 30 / 3 / 0 / 26

HEX #84B7BD

RGB 132 183 189

HSL 186.32, 0.3%, 0.63%

LAB 71.18, -15.23, -8.45

 

CMYK 30 / 11 / 0 / 26

HEX #84A8BD

RGB 132 168 189

HSL 202.11, 0.3%, 0.63%

LAB 66.96, -7.24, -14.76

 

CMYK 30 / 19 / 0 / 26

HEX #8499BD

RGB 132 153 189

HSL 217.89, 0.3%, 0.63%

LAB 62.81, 1.07, -21.06

 

CMYK 30 / 27 / 0 / 26

HEX #848ABD

RGB 132 138 189

HSL 233.68, 0.3%, 0.63%

LAB 58.75, 9.67, -27.3

 

CMYK 25 / 30 / 0 / 26

HEX #8E84BD

RGB 142 132 189

HSL 250.53, 0.3%, 0.63%

LAB 57.97, 16.19, -28.44

 

CMYK 46 / 30 / 0 / 39

HEX #546D9B

RGB 84 109 155

HSL 218.87, 0.3%, 0.47%

LAB 45.89, 3.67, -27.84

 

CMYK 39 / 26 / 0 / 31

HEX #6A82AF

RGB 106 130 175

HSL 219.13, 0.3%, 0.55%

LAB 54.16, 3.02, -26.55

 

CMYK 30 / 20 / 0 / 26

HEX #8498BD

RGB 132 152 189

HSL 218.95, 0.3%, 0.63%

LAB 62.54, 1.64, -21.48

 

CMYK 22 / 14 / 0 / 20

HEX #9FAFCB

RGB 159 175 203

HSL 218.18, 0.3%, 0.71%

LAB 71.11, 0.5, -16.07

 

CMYK 15 / 10 / 0 / 15

HEX #BAC5DA

RGB 186 197 218

HSL 219.38, 0.3%, 0.79%

LAB 79.29, 0.47, -11.74

 

CMYK 30 / 19 / 0 / 25

HEX #8599BE

RGB 133 153 190

HSL 218.95, 0.3%, 0.63%

LAB 62.92, 1.63, -21.45

 

CMYK 5 / 30 / 0 / 26

HEX #B484BD

RGB 180 132 189

HSL 290.53, 0.3%, 0.63%

LAB 61.55, 28.36, -22.62

 

CMYK 7 / 0 / 30 / 26

HEX #B0BD84

RGB 176 189 132

HSL 73.68, 0.3%, 0.63%

LAB 74.38, -14.02, 27.38

 

CMYK 30 / 19 / 0 / 25

HEX #8599BE

RGB 133 153 190

HSL 218.95, 0.3%, 0.63%

LAB 62.92, 1.63, -21.45

 

CMYK 0 / 30 / 19 / 26

HEX #BD8499

RGB 189 132 153

HSL 337.89, 0.3%, 0.63%

LAB 61.33, 25.04, -2.38

 

CMYK 19 / 0 / 30 / 26

HEX #99BD84

RGB 153 189 132

HSL 97.89, 0.3%, 0.63%

LAB 72.78, -22.6, 24.97

 

CMYK 30 / 19 / 0 / 25

HEX #8599BE

RGB 133 153 190

HSL 218.95, 0.3%, 0.63%

LAB 62.92, 1.63, -21.45

 

CMYK 5 / 30 / 0 / 26

HEX #B484BD

RGB 180 132 189

HSL 290.53, 0.3%, 0.63%

LAB 61.55, 28.36, -22.62

 

CMYK 0 / 11 / 30 / 26

HEX #BDA884

RGB 189 168 132

HSL 37.89, 0.3%, 0.63%

LAB 69.82, 2.13, 21.41

 

CMYK 25 / 0 / 30 / 26

HEX #8EBD84

RGB 142 189 132

HSL 109.47, 0.3%, 0.63%

LAB 72.1, -26.5, 23.94

 

CMYK 30 / 19 / 0 / 25

HEX #8599BE

RGB 133 153 190

HSL 218.95, 0.3%, 0.63%

LAB 62.92, 1.63, -21.45

 

CMYK 0 / 30 / 4 / 26

HEX #BD84B5

RGB 189 132 181

HSL 308.42, 0.3%, 0.63%

LAB 62.22, 29.83, -16.99

 

CMYK 0 / 11 / 30 / 26

HEX #BDA884

RGB 189 168 132

HSL 37.89, 0.3%, 0.63%

LAB 69.82, 2.13, 21.41

 

CMYK 30 / 0 / 26 / 26

HEX #84BD8C

RGB 132 189 140

HSL 128.42, 0.3%, 0.63%

LAB 71.69, -28.51, 18.99

 

Description

Color code: HEX #8599BE | qconv.com Color code: HEX #8599BE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 153 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 153 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 19 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 19% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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