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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8591C5 it is the complementary color #7A6E3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8591C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8591C5: #8A91C0, #9BA3D3, #ACB5E6, #BDC7F9 and #CED9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8591C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8591C5: #8591C5, #747FB2, #636D9F, #525B8C and #414979

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

Complementary color

CMYK 0 / 10 / 52 / 52

HEX #7A6E3A

RGB 122 110 58

HSL 48.75, 0.36%, 0.35%

LAB 46.44, -2.79, 30.48

 

CMYK 28 / 24 / 0 / 25

HEX #8A91C0

RGB 138 145 192

HSL 232.22, 0.3%, 0.65%

LAB 61.19, 8.19, -25.2

 

CMYK 27 / 23 / 0 / 17

HEX #9BA3D3

RGB 155 163 211

HSL 231.43, 0.39%, 0.72%

LAB 67.92, 7.81, -25.35

 

CMYK 25 / 21 / 0 / 10

HEX #ACB5E6

RGB 172 181 230

HSL 230.69, 0.54%, 0.79%

LAB 74.53, 7.46, -25.52

 

CMYK 24 / 20 / 0 / 2

HEX #BDC7F9

RGB 189 199 249

HSL 230, 0.83%, 0.86%

LAB 81.02, 7.15, -25.72

 

CMYK 19 / 15 / 0 / 0

HEX #CED9FF

RGB 206 217 255

HSL 226.53, 1%, 0.9%

LAB 86.98, 4, -19.73

 

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

CMYK 35 / 29 / 0 / 30

HEX #747FB2

RGB 116 127 178

HSL 229.35, 0.29%, 0.58%

LAB 54.14, 8.47, -28.25

 

CMYK 38 / 31 / 0 / 38

HEX #636D9F

RGB 99 109 159

HSL 230, 0.24%, 0.51%

LAB 47.1, 9.04, -28.24

 

CMYK 41 / 35 / 0 / 45

HEX #525B8C

RGB 82 91 140

HSL 230.69, 0.26%, 0.44%

LAB 39.86, 9.72, -28.3

 

CMYK 46 / 40 / 0 / 53

HEX #414979

RGB 65 73 121

HSL 231.43, 0.3%, 0.36%

LAB 32.41, 10.57, -28.43

 

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

CMYK 32 / 31 / 0 / 23

HEX #8587C5

RGB 133 135 197

HSL 238.13, 0.36%, 0.65%

LAB 58.36, 13.79, -32.42

 

CMYK 28 / 32 / 0 / 23

HEX #8E85C5

RGB 142 133 197

HSL 248.44, 0.36%, 0.65%

LAB 58.56, 17.6, -32.05

 

CMYK 23 / 32 / 0 / 23

HEX #9885C5

RGB 152 133 197

HSL 257.81, 0.36%, 0.65%

LAB 59.42, 20.63, -30.66

 

CMYK 17 / 32 / 0 / 23

HEX #A385C5

RGB 163 133 197

HSL 268.13, 0.36%, 0.65%

LAB 60.42, 24.03, -29.03

 

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

CMYK 33 / 26 / 0 / 3

HEX #A7B7F8

RGB 167 183 248

HSL 228.15, 0.85%, 0.81%

LAB 75.36, 9.31, -34

 

CMYK 32 / 27 / 0 / 83

HEX #1E202C

RGB 30 32 44

HSL 231.43, 0.19%, 0.15%

LAB 12.55, 2.54, -8.3

 

CMYK 33 / 26 / 0 / 63

HEX #40465F

RGB 64 70 95

HSL 228.39, 0.19%, 0.31%

LAB 30.15, 4.18, -15.53

 

CMYK 32 / 27 / 0 / 43

HEX #636B92

RGB 99 107 146

HSL 229.79, 0.19%, 0.48%

LAB 45.97, 6.61, -22.31

 

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

CMYK 0 / 32 / 0 / 23

HEX #C585C5

RGB 197 133 197

HSL 300, 0.36%, 0.65%

LAB 63.9, 34.91, -23.38

 

CMYK 13 / 0 / 32 / 23

HEX #ACC585

RGB 172 197 133

HSL 83.44, 0.36%, 0.65%

LAB 76.31, -19.45, 29.39

 

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

CMYK 0 / 32 / 26 / 23

HEX #C58592

RGB 197 133 146

HSL 347.81, 0.36%, 0.65%

LAB 62.27, 26.39, 3.1

 

CMYK 26 / 0 / 32 / 23

HEX #92C585

RGB 146 197 133

HSL 107.81, 0.36%, 0.65%

LAB 74.66, -28.83, 26.89

 

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

CMYK 0 / 32 / 0 / 23

HEX #C585C5

RGB 197 133 197

HSL 300, 0.36%, 0.65%

LAB 63.9, 34.91, -23.38

 

CMYK 0 / 6 / 32 / 23

HEX #C5B985

RGB 197 185 133

HSL 48.75, 0.36%, 0.65%

LAB 74.99, -3.63, 27.97

 

CMYK 32 / 0 / 32 / 23

HEX #85C585

RGB 133 197 133

HSL 120, 0.36%, 0.65%

LAB 73.94, -33.18, 25.8

 

CMYK 32 / 26 / 0 / 23

HEX #8591C5

RGB 133 145 197

HSL 228.75, 0.36%, 0.65%

LAB 61.02, 7.99, -28.3

 

CMYK 0 / 32 / 10 / 23

HEX #C585B2

RGB 197 133 178

HSL 317.81, 0.36%, 0.65%

LAB 63.23, 31.47, -13.68

 

CMYK 0 / 6 / 32 / 23

HEX #C5B985

RGB 197 185 133

HSL 48.75, 0.36%, 0.65%

LAB 74.99, -3.63, 27.97

 

CMYK 32 / 0 / 23 / 23

HEX #85C598

RGB 133 197 152

HSL 137.81, 0.36%, 0.65%

LAB 74.31, -29.84, 16.2

 

Description

Color code: HEX #8591C5 | qconv.com Color code: HEX #8591C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 145 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 145 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 26 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 26% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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