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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #854173 it is the complementary color #7ABE8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #854173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #854173: #8A416E, #9B5381, #AC6594, #BD77A7 and #CE89BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #854173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #854173: #854173, #742F60, #631D4D, #520B3A and #410027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 14 / 48

HEX #854173

RGB 133 65 115

HSL 315.88, 0.34%, 0.39%

LAB 37.85, 36.01, -15.64

 

Complementary color

CMYK 36 / 0 / 26 / 25

HEX #7ABE8C

RGB 122 190 140

HSL 135.88, 0.34%, 0.61%

LAB 71.46, -32.16, 18.6

 

CMYK 0 / 53 / 20 / 46

HEX #8A416E

RGB 138 65 110

HSL 323.01, 0.36%, 0.4%

LAB 38.39, 36.86, -11.63

 

CMYK 0 / 46 / 17 / 39

HEX #9B5381

RGB 155 83 129

HSL 321.67, 0.3%, 0.47%

LAB 45.28, 36.09, -12.65

 

CMYK 0 / 41 / 14 / 33

HEX #AC6594

RGB 172 101 148

HSL 320.28, 0.3%, 0.54%

LAB 52.08, 35.28, -13.47

 

CMYK 0 / 37 / 12 / 26

HEX #BD77A7

RGB 189 119 167

HSL 318.86, 0.35%, 0.6%

LAB 58.79, 34.49, -14.18

 

CMYK 0 / 33 / 10 / 19

HEX #CE89BA

RGB 206 137 186

HSL 317.39, 0.41%, 0.67%

LAB 65.4, 33.74, -14.81

 

CMYK 0 / 51 / 14 / 48

HEX #854173

RGB 133 65 115

HSL 315.88, 0.34%, 0.39%

LAB 37.85, 36.01, -15.64

 

CMYK 0 / 59 / 17 / 55

HEX #742F60

RGB 116 47 96

HSL 317.39, 0.42%, 0.32%

LAB 30.86, 36.65, -14.55

 

CMYK 0 / 71 / 22 / 61

HEX #631D4D

RGB 99 29 77

HSL 318.86, 0.55%, 0.25%

LAB 23.89, 36.88, -12.99

 

CMYK 0 / 87 / 29 / 68

HEX #520B3A

RGB 82 11 58

HSL 320.28, 0.76%, 0.18%

LAB 17.17, 36.04, -10.51

 

CMYK 0 / 100 / 40 / 75

HEX #410027

RGB 65 0 39

HSL 324, 1%, 0.13%

LAB 11.07, 32.94, -6.37

 

CMYK 0 / 51 / 14 / 48

HEX #854173

RGB 133 65 115

HSL 315.88, 0.34%, 0.39%

LAB 37.85, 36.01, -15.64

 

CMYK 0 / 51 / 21 / 48

HEX #854169

RGB 133 65 105

HSL 324.71, 0.34%, 0.39%

LAB 37.46, 34.35, -9.99

 

CMYK 0 / 51 / 30 / 48

HEX #85415D

RGB 133 65 93

HSL 335.29, 0.34%, 0.39%

LAB 37.04, 32.52, -3.06

 

CMYK 0 / 51 / 38 / 48

HEX #854152

RGB 133 65 82

HSL 345, 0.34%, 0.39%

LAB 36.7, 31.03, 3.41

 

CMYK 0 / 51 / 47 / 48

HEX #854147

RGB 133 65 71

HSL 354.71, 0.34%, 0.39%

LAB 36.41, 29.72, 9.97

 

CMYK 0 / 51 / 14 / 48

HEX #854173

RGB 133 65 115

HSL 315.88, 0.34%, 0.39%

LAB 37.85, 36.01, -15.64

 

CMYK 0 / 51 / 14 / 28

HEX #B85A9F

RGB 184 90 159

HSL 315.96, 0.4%, 0.54%

LAB 51.84, 46.79, -20.16

 

CMYK 0 / 51 / 14 / 8

HEX #EB73CB

RGB 235 115 203

HSL 316, 0.75%, 0.69%

LAB 65.15, 56.97, -24.43

 

CMYK 0 / 52 / 13 / 88

HEX #1F0F1B

RGB 31 15 27

HSL 315, 0.35%, 0.09%

LAB 6.43, 10.39, -4.89

 

CMYK 0 / 51 / 13 / 68

HEX #522847

RGB 82 40 71

HSL 315.71, 0.34%, 0.24%

LAB 22.88, 24.33, -10.74

 

CMYK 0 / 51 / 14 / 48

HEX #854173

RGB 133 65 115

HSL 315.88, 0.34%, 0.39%

LAB 37.85, 36.01, -15.64

 

CMYK 0 / 28 / 51 / 48

HEX #856041

RGB 133 96 65

HSL 27.35, 0.34%, 0.39%

LAB 43.85, 11.09, 23.56

 

CMYK 51 / 0 / 8 / 48

HEX #41857B

RGB 65 133 123

HSL 171.18, 0.34%, 0.39%

LAB 51.07, -24.14, -1.23

 

CMYK 0 / 51 / 14 / 48

HEX #854173

RGB 133 65 115

HSL 315.88, 0.34%, 0.39%

LAB 37.85, 36.01, -15.64

 

CMYK 13 / 0 / 51 / 48

HEX #748541

RGB 116 133 65

HSL 75, 0.34%, 0.39%

LAB 52.81, -17.41, 34.32

 

CMYK 51 / 13 / 0 / 48

HEX #417485

RGB 65 116 133

HSL 195, 0.34%, 0.39%

LAB 46.05, -12.13, -14.62

 

CMYK 0 / 51 / 14 / 48

HEX #854173

RGB 133 65 115

HSL 315.88, 0.34%, 0.39%

LAB 37.85, 36.01, -15.64

 

CMYK 0 / 28 / 51 / 48

HEX #856041

RGB 133 96 65

HSL 27.35, 0.34%, 0.39%

LAB 43.85, 11.09, 23.56

 

CMYK 51 / 0 / 38 / 48

HEX #418552

RGB 65 133 82

HSL 135, 0.34%, 0.39%

LAB 50.11, -33.48, 21.06

 

CMYK 51 / 23 / 0 / 48

HEX #416685

RGB 65 102 133

HSL 207.35, 0.34%, 0.39%

LAB 41.72, -3.92, -21.26

 

CMYK 0 / 51 / 14 / 48

HEX #854173

RGB 133 65 115

HSL 315.88, 0.34%, 0.39%

LAB 37.85, 36.01, -15.64

 

CMYK 0 / 13 / 51 / 48

HEX #857441

RGB 133 116 65

HSL 45, 0.34%, 0.39%

LAB 49.32, -0.57, 30.43

 

CMYK 51 / 0 / 38 / 48

HEX #418552

RGB 65 133 82

HSL 135, 0.34%, 0.39%

LAB 50.11, -33.48, 21.06

 

CMYK 51 / 38 / 0 / 48

HEX #415285

RGB 65 82 133

HSL 225, 0.34%, 0.39%

LAB 35.7, 8.64, -30.67

 

Description

Color code: HEX #854173 | qconv.com Color code: HEX #854173 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 65 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 65 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 14 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 14% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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