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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8509EF it is the complementary color #7AF610. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8509EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8509EF shade: #8A09EA, #9B1BFD, #AC2DFF, #BD3FFF and #CE51FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8509EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8509EF shade: #8509EF, #7400DC, #6300C9, #5200B6 and #4100A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8509EF shade: #8609F1, #C509F1, #F109DF, #F109A0 and #F10962

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8509EF shade: #8609F1, #4709F1 and #0909F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8509EF shade matches the following richer shades: #8609F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8509EF shade: #8609F1, #841DDD, #8331C9, #8145B5 and #805AA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8509EF shade: #0909F1, #4709F1, #8509F1, #C309F1 and #F109E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8509EF shade: #5A06A2, #7007C9, #8609F1, #9A2CF7 and #AD54F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8509EF shade: #8509EF, #F10947 and #09F128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8509EF shade: #8509EF, #F18509 and #09F185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8509EF shade: #8509EF, #F10947, #75F109 and #09F1B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8509EF shade: #8509EF, #F11009, #75F109 and #09E9F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 96 / 0 / 6

HEX #8509EF

RGB 133 9 239

HSL 272.35, 0.93%, 0.49%

LAB 40.27, 79.31, -85.34

 

Complementary color

CMYK 50 / 0 / 93 / 4

HEX #7AF610

RGB 122 246 16

HSL 92.35, 0.93%, 0.51%

LAB 87.04, -66.11, 82.16

 

CMYK 41 / 96 / 0 / 8

HEX #8A09EA

RGB 138 9 234

HSL 274.4, 0.93%, 0.48%

LAB 40.47, 78.76, -82.14

 

CMYK 39 / 89 / 0 / 1

HEX #9B1BFD

RGB 155 27 253

HSL 273.98, 0.98%, 0.55%

LAB 45.42, 81.78, -84.63

 

CMYK 33 / 82 / 0 / 0

HEX #AC2DFF

RGB 172 45 255

HSL 276.29, 1%, 0.59%

LAB 49.33, 80.15, -79.24

 

CMYK 26 / 75 / 0 / 0

HEX #BD3FFF

RGB 189 63 255

HSL 279.38, 1%, 0.62%

LAB 53.59, 77.25, -72.21

 

CMYK 19 / 68 / 0 / 0

HEX #CE51FF

RGB 206 81 255

HSL 283.1, 1%, 0.66%

LAB 58.25, 73.78, -64.57

 

CMYK 44 / 96 / 0 / 6

HEX #8509EF

RGB 133 9 239

HSL 272.35, 0.93%, 0.49%

LAB 40.27, 79.31, -85.34

 

CMYK 47 / 100 / 0 / 14

HEX #7400DC

RGB 116 0 220

HSL 271.64, 1%, 0.43%

LAB 35.75, 74.92, -82.03

 

CMYK 51 / 100 / 0 / 21

HEX #6300C9

RGB 99 0 201

HSL 269.55, 1%, 0.39%

LAB 31.51, 69.49, -78.1

 

CMYK 55 / 100 / 0 / 29

HEX #5200B6

RGB 82 0 182

HSL 267.03, 1%, 0.36%

LAB 27.22, 64.02, -74.05

 

CMYK 60 / 100 / 0 / 36

HEX #4100A3

RGB 65 0 163

HSL 263.93, 1%, 0.32%

LAB 22.89, 58.49, -69.84

 

CMYK 44 / 96 / 0 / 5

HEX #8609F1

RGB 134 9 241

HSL 272.33, 0.93%, 0.49%

LAB 40.6, 79.82, -85.92

 

CMYK 18 / 96 / 0 / 5

HEX #C509F1

RGB 197 9 241

HSL 288.62, 0.93%, 0.49%

LAB 50, 87.08, -70.16

 

CMYK 0 / 96 / 7 / 5

HEX #F109DF

RGB 241 9 223

HSL 304.66, 0.93%, 0.49%

LAB 56.31, 91.11, -49.46

 

CMYK 0 / 96 / 34 / 5

HEX #F109A0

RGB 241 9 160

HSL 320.95, 0.93%, 0.49%

LAB 53.42, 83.77, -17.5

 

CMYK 0 / 96 / 59 / 5

HEX #F10962

RGB 241 9 98

HSL 336.98, 0.93%, 0.49%

LAB 51.59, 78.88, 17.19

 

CMYK 44 / 96 / 0 / 5

HEX #8609F1

RGB 134 9 241

HSL 272.33, 0.93%, 0.49%

LAB 40.6, 79.82, -85.92

 

CMYK 71 / 96 / 0 / 5

HEX #4709F1

RGB 71 9 241

HSL 256.03, 0.93%, 0.49%

LAB 33.74, 75.74, -97.49

 

CMYK 96 / 96 / 0 / 5

HEX #0909F1

RGB 9 9 241

HSL 240, 0.93%, 0.49%

LAB 30.89, 74.47, -102.33

 

CMYK 44 / 96 / 0 / 5

HEX #8609F1

RGB 134 9 241

HSL 272.33, 0.93%, 0.49%

LAB 40.6, 79.82, -85.92

 

CMYK 44 / 96 / 0 / 5

HEX #8609F1

RGB 134 9 241

HSL 272.33, 0.93%, 0.49%

LAB 40.6, 79.82, -85.92

 

CMYK 40 / 87 / 0 / 13

HEX #841DDD

RGB 132 29 221

HSL 272.19, 0.77%, 0.49%

LAB 39.59, 72, -76.21

 

CMYK 35 / 76 / 0 / 21

HEX #8331C9

RGB 131 49 201

HSL 272.37, 0.61%, 0.49%

LAB 39.98, 60.98, -64.03

 

CMYK 29 / 62 / 0 / 29

HEX #8145B5

RGB 129 69 181

HSL 272.14, 0.45%, 0.49%

LAB 41.63, 46.62, -49.68

 

CMYK 20 / 44 / 0 / 37

HEX #805AA0

RGB 128 90 160

HSL 272.57, 0.28%, 0.49%

LAB 44.86, 29.54, -32.14

 

CMYK 96 / 96 / 0 / 5

HEX #0909F1

RGB 9 9 241

HSL 240, 0.93%, 0.49%

LAB 30.89, 74.47, -102.33

 

CMYK 71 / 96 / 0 / 5

HEX #4709F1

RGB 71 9 241

HSL 256.03, 0.93%, 0.49%

LAB 33.74, 75.74, -97.49

 

CMYK 45 / 96 / 0 / 5

HEX #8509F1

RGB 133 9 241

HSL 272.07, 0.93%, 0.49%

LAB 40.46, 79.72, -86.15

 

CMYK 19 / 96 / 0 / 5

HEX #C309F1

RGB 195 9 241

HSL 288.1, 0.93%, 0.49%

LAB 49.68, 86.8, -70.7

 

CMYK 0 / 96 / 6 / 5

HEX #F109E2

RGB 241 9 226

HSL 303.88, 0.93%, 0.49%

LAB 56.47, 91.51, -50.9

 

CMYK 44 / 96 / 0 / 36

HEX #5A06A2

RGB 90 6 162

HSL 272.31, 0.93%, 0.33%

LAB 26.48, 59.08, -63.18

 

CMYK 44 / 97 / 0 / 21

HEX #7007C9

RGB 112 7 201

HSL 272.47, 0.93%, 0.41%

LAB 33.59, 69.61, -74.6

 

CMYK 44 / 96 / 0 / 5

HEX #8609F1

RGB 134 9 241

HSL 272.33, 0.93%, 0.49%

LAB 40.6, 79.82, -85.92

 

CMYK 38 / 82 / 0 / 3

HEX #9A2CF7

RGB 154 44 247

HSL 272.51, 0.93%, 0.57%

LAB 46.16, 76.3, -80.06

 

CMYK 31 / 66 / 0 / 2

HEX #AD54F9

RGB 173 84 249

HSL 272.36, 0.93%, 0.65%

LAB 54.1, 64.59, -68.16

 

CMYK 44 / 96 / 0 / 6

HEX #8509EF

RGB 133 9 239

HSL 272.35, 0.93%, 0.49%

LAB 40.27, 79.31, -85.34

 

CMYK 0 / 96 / 71 / 5

HEX #F10947

RGB 241 9 71

HSL 343.97, 0.93%, 0.49%

LAB 51.1, 77.55, 32.91

 

CMYK 96 / 0 / 83 / 5

HEX #09F128

RGB 9 241 40

HSL 128.02, 0.93%, 0.49%

LAB 83.51, -81.25, 74.34

 

CMYK 44 / 96 / 0 / 6

HEX #8509EF

RGB 133 9 239

HSL 272.35, 0.93%, 0.49%

LAB 40.27, 79.31, -85.34

 

CMYK 0 / 45 / 96 / 5

HEX #F18509

RGB 241 133 9

HSL 32.07, 0.93%, 0.49%

LAB 66.13, 34.85, 71.19

 

CMYK 96 / 0 / 45 / 5

HEX #09F185

RGB 9 241 133

HSL 152.07, 0.93%, 0.49%

LAB 84.31, -71.27, 38.9

 

CMYK 44 / 96 / 0 / 6

HEX #8509EF

RGB 133 9 239

HSL 272.35, 0.93%, 0.49%

LAB 40.27, 79.31, -85.34

 

CMYK 0 / 96 / 71 / 5

HEX #F10947

RGB 241 9 71

HSL 343.97, 0.93%, 0.49%

LAB 51.1, 77.55, 32.91

 

CMYK 51 / 0 / 96 / 5

HEX #75F109

RGB 117 241 9

HSL 92.07, 0.93%, 0.49%

LAB 85.36, -65.85, 81.36

 

CMYK 96 / 0 / 26 / 5

HEX #09F1B3

RGB 9 241 179

HSL 163.97, 0.93%, 0.49%

LAB 85.11, -62.05, 16.67

 

CMYK 44 / 96 / 0 / 6

HEX #8509EF

RGB 133 9 239

HSL 272.35, 0.93%, 0.49%

LAB 40.27, 79.31, -85.34

 

CMYK 0 / 93 / 96 / 5

HEX #F11009

RGB 241 16 9

HSL 1.81, 0.93%, 0.49%

LAB 50.79, 75.56, 62.22

 

CMYK 51 / 0 / 96 / 5

HEX #75F109

RGB 117 241 9

HSL 92.07, 0.93%, 0.49%

LAB 85.36, -65.85, 81.36

 

CMYK 96 / 3 / 0 / 5

HEX #09E9F1

RGB 9 233 241

HSL 182.07, 0.93%, 0.49%

LAB 84.32, -42.35, -17.01

 

Description

Color code: HEX #8509EF | qconv.com Color code: HEX #8509EF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 9 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 9 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 96 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 96% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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