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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 66 / 0 / 2 it is the complementary color CMYK 51 / 0 / 97 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 66 / 0 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 66 / 0 / 2: CMYK 28 / 65 / 0 / 4, CMYK 24 / 60 / 0 / 0, CMYK 17 / 53 / 0 / 0, CMYK 11 / 45 / 0 / 0 and CMYK 4 / 38 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 66 / 0 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 66 / 0 / 2: CMYK 31 / 66 / 0 / 2, CMYK 33 / 71 / 0 / 9, CMYK 35 / 77 / 0 / 17, CMYK 37 / 84 / 0 / 24 and CMYK 40 / 93 / 0 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 66 / 0 / 2

HEX #AC55FA

RGB 172 85 250

HSL 271.64, 0.94%, 0.66%

LAB 54.21, 64.16, -68.54

 

Complementary color

CMYK 51 / 0 / 97 / 33

HEX #53AA05

RGB 83 170 5

HSL 91.64, 0.94%, 0.34%

LAB 62.17, -49.96, 62.67

 

CMYK 28 / 65 / 0 / 4

HEX #B155F5

RGB 177 85 245

HSL 274.5, 0.89%, 0.65%

LAB 54.49, 64.07, -65.27

 

CMYK 24 / 60 / 0 / 0

HEX #C267FF

RGB 194 103 255

HSL 275.92, 1%, 0.7%

LAB 60.24, 61.51, -61.46

 

CMYK 17 / 53 / 0 / 0

HEX #D379FF

RGB 211 121 255

HSL 280.3, 1%, 0.74%

LAB 65.55, 56.78, -52.88

 

CMYK 11 / 45 / 0 / 0

HEX #E48BFF

RGB 228 139 255

HSL 286.03, 1%, 0.77%

LAB 70.99, 52.21, -44.17

 

CMYK 4 / 38 / 0 / 0

HEX #F59DFF

RGB 245 157 255

HSL 293.88, 1%, 0.81%

LAB 76.53, 47.86, -35.42

 

CMYK 31 / 66 / 0 / 2

HEX #AC55FA

RGB 172 85 250

HSL 271.64, 0.94%, 0.66%

LAB 54.21, 64.16, -68.54

 

CMYK 33 / 71 / 0 / 9

HEX #9B43E7

RGB 155 67 231

HSL 272.2, 0.77%, 0.58%

LAB 47.95, 64.61, -68.13

 

CMYK 35 / 77 / 0 / 17

HEX #8A31D4

RGB 138 49 212

HSL 272.76, 0.65%, 0.51%

LAB 41.77, 64.64, -67.43

 

CMYK 37 / 84 / 0 / 24

HEX #791FC1

RGB 121 31 193

HSL 273.33, 0.72%, 0.44%

LAB 35.78, 63.94, -66.27

 

CMYK 40 / 93 / 0 / 32

HEX #680DAE

RGB 104 13 174

HSL 273.91, 0.86%, 0.37%

LAB 30.13, 62.02, -64.36

 

CMYK 31 / 66 / 0 / 2

HEX #AC55FA

RGB 172 85 250

HSL 271.64, 0.94%, 0.66%

LAB 54.21, 64.16, -68.54

 

CMYK 20 / 65 / 0 / 2

HEX #C656F9

RGB 198 86 249

HSL 281.23, 0.93%, 0.66%

LAB 57.56, 68.88, -62.41

 

CMYK 10 / 65 / 0 / 2

HEX #E156F9

RGB 225 86 249

HSL 291.17, 0.93%, 0.66%

LAB 61.22, 74.71, -56.35

 

CMYK 0 / 65 / 1 / 2

HEX #F956F7

RGB 249 86 247

HSL 300.74, 0.93%, 0.66%

LAB 64.57, 79.67, -49.71

 

CMYK 0 / 65 / 12 / 2

HEX #F956DB

RGB 249 86 219

HSL 311.04, 0.93%, 0.66%

LAB 63.27, 75.44, -36.17

 

CMYK 31 / 66 / 0 / 2

HEX #AC55FA

RGB 172 85 250

HSL 271.64, 0.94%, 0.66%

LAB 54.21, 64.16, -68.54

 

CMYK 30 / 65 / 0 / 82

HEX #20102E

RGB 32 16 46

HSL 272, 0.48%, 0.12%

LAB 7.9, 15.74, -17.01

 

CMYK 31 / 66 / 0 / 62

HEX #432161

RGB 67 33 97

HSL 271.88, 0.49%, 0.25%

LAB 20.61, 29.74, -31.83

 

CMYK 31 / 66 / 0 / 42

HEX #663294

RGB 102 50 148

HSL 271.84, 0.49%, 0.39%

LAB 32.36, 42.16, -44.99

 

CMYK 31 / 66 / 0 / 22

HEX #8944C7

RGB 137 68 199

HSL 271.6, 0.54%, 0.52%

LAB 43.62, 53.21, -56.93

 

CMYK 31 / 66 / 0 / 2

HEX #AC55FA

RGB 172 85 250

HSL 271.64, 0.94%, 0.66%

LAB 54.21, 64.16, -68.54

 

CMYK 0 / 65 / 47 / 2

HEX #F95684

RGB 249 86 132

HSL 343.07, 0.93%, 0.66%

LAB 60.3, 65.26, 9.3

 

CMYK 65 / 0 / 58 / 2

HEX #56F969

RGB 86 249 105

HSL 126.99, 0.93%, 0.66%

LAB 87.36, -70.02, 55.91

 

CMYK 31 / 66 / 0 / 2

HEX #AC55FA

RGB 172 85 250

HSL 271.64, 0.94%, 0.66%

LAB 54.21, 64.16, -68.54

 

CMYK 0 / 31 / 65 / 2

HEX #F9AB56

RGB 249 171 86

HSL 31.29, 0.93%, 0.66%

LAB 76.03, 20.75, 54.18

 

CMYK 65 / 0 / 31 / 2

HEX #56F9AB

RGB 86 249 171

HSL 151.29, 0.93%, 0.66%

LAB 88.29, -59.64, 25.33

 

CMYK 31 / 66 / 0 / 2

HEX #AC55FA

RGB 172 85 250

HSL 271.64, 0.94%, 0.66%

LAB 54.21, 64.16, -68.54

 

CMYK 0 / 65 / 47 / 2

HEX #F95684

RGB 249 86 132

HSL 343.07, 0.93%, 0.66%

LAB 60.3, 65.26, 9.3

 

CMYK 34 / 0 / 65 / 2

HEX #A5F956

RGB 165 249 86

HSL 90.92, 0.93%, 0.66%

LAB 90.06, -50.64, 67.55

 

CMYK 65 / 0 / 18 / 2

HEX #56F9CB

RGB 86 249 203

HSL 163.07, 0.93%, 0.66%

LAB 88.94, -52.81, 9.78

 

CMYK 31 / 66 / 0 / 2

HEX #AC55FA

RGB 172 85 250

HSL 271.64, 0.94%, 0.66%

LAB 54.21, 64.16, -68.54

 

CMYK 0 / 64 / 65 / 2

HEX #F95956

RGB 249 89 86

HSL 1.1, 0.93%, 0.66%

LAB 59.85, 60.79, 35.25

 

CMYK 34 / 0 / 65 / 2

HEX #A5F956

RGB 165 249 86

HSL 90.92, 0.93%, 0.66%

LAB 90.06, -50.64, 67.55

 

CMYK 65 / 1 / 0 / 2

HEX #56F7F9

RGB 86 247 249

HSL 180.74, 0.93%, 0.66%

LAB 89.55, -40.34, -13.26

 

Description

Color code: CMYK 31 / 66 / 0 / 2 | qconv.com Color code: CMYK 31 / 66 / 0 / 2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 85 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 85 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 66 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 66% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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